Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: intaglio print

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1788

Print made by George Stubbs, 1724–1806, British

A Sleeping Leopard

1791

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1777

George Stubbs, 1724–1806, British

The Farmer's Wife and the Raven

1788

Print made by George Stubbs, 1724–1806, British

Labourers

1789

Print made by George Stubbs, 1724–1806, British

A Tiger and a Sleeping Leopard

1788

Print made by William Hogarth, 1697–1764, British

A Midnight Modern Conversation

1733

Print made by William Hogarth, 1697–1764, British

Southwark Fair

1733

Print made by William Hogarth, 1697–1764, British

A Rake's Progress, Plate VII: In Fleet Street Prison

1735

Print made by William Hogarth, 1697–1764, British

The Sleeping Congregation

1736

William Hogarth, 1697–1764, British

Analysis of Beauty, Plate I: A Statuary's Yard

1753

Print made by William Hogarth, 1697–1764, British

Hogarth Painting the Comic Muse

1764

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1877

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

Etched by Joseph Mallord William Turner, 1775–1851, British

River Wye

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rivaux Abbey, Yorkshire

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumblain Abbey, Scotland

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ville de Thun, Switzerland

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Isis

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Inverary Castle and Town, Scotland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

1813 to 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Attributed to Joseph Mallord William Turner, 1775–1851, British

The Temple of Jupiter in the Island of Aegina

between 1813 and 1823

Attributed to Joseph Mallord William Turner, 1775–1851, British

Via Mala

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Ploughing, Eton

1813 to 1823

Engraved by Joseph Mallord William Turner, 1775–1851, British

Stonehenge at Daybreak

1815 to 1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Stork and Aqueduct

between 1813 and 1823

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Flounder Fishing, Battersea

between 1813 and 1823

Print made by Joseph Mallord William Turner, 1775–1851, British

Paestum

ca. 1825

Print made by Joseph Mallord William Turner, 1775–1851, British

Shields Lighthouse

1820 to 1826

Print made by Joseph Mallord William Turner, 1775–1851, British

Shields Lighthouse

1820 to 1826

Print made by Joseph Mallord William Turner, 1775–1851, British

The Evening Gun

ca. 1825

Print made by Joseph Mallord William Turner, 1775–1851, British

Study of Sea and Sky

1820 to 1826

Print made by Joseph Mallord William Turner, 1775–1851, British

St. Michael's Mount

1820 to 1826

Print made by Joseph Mallord William Turner, 1775–1851, British

Ship in a Storm

1820 to 1826

Print made by Joseph Mallord William Turner, 1775–1851, British

Bridge and Monument

1820 to 1825

Print made by Joseph Mallord William Turner, 1775–1851, British

Gloucester Cathedral

1820 to 1825

Print made by Joseph Mallord William Turner, 1775–1851, British

Bridge and Monument

1820 to 1825

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

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Work Type intaglio print

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