Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: intaglio print / Subject Terms: labor

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Print made by John Boydell, 1720–1804, British

A Calm

1754

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

The West India Washer-Women

1779

Robert Dixon, 1780–1815, British

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

Print made by Thomas Creswick, 1811–1869, British

The Blacksmith's Shop

1838

Print made by Joseph Farington, 1747–1821, British

Windsor Bridge

1792

Print made by William Angus, 1752–1821, British

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Myles Birket Foster, 1825–1899, British

An Old English Mill

undated

Print made by John Bluck, active 1791–1831, British

Clare Hall

1814

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

The Housewife's Employment

undated

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Young Male Shearing a Sheep

undated

Robert Havell, 1769–1832, British

Crofton

1813

Robert Havell, 1769–1832, British

Crofton

1813

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Print made by John Bluck, active 1791–1831, British

Clare Hall

1814

Print made by Thomas Shotter Boys, 1803–1874, British

Quayside, Notre Dame in Distance

undated

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 1

1773

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 4

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The New Bridge

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The North Parade

1773

Print made by John Boydell, 1720–1804, British

A View of Erith, Looking Up the Thames

1750

Print made by Thomas Shotter Boys, 1803–1874, British

Hotel de Sens, Paris

1830

Print made by James Caldwall, 1739–1819, British

A French Physician with His Retinue Going to Visit His Patients

1771

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 2

1773

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

The Scytheman's Refreshment

undated

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Noon

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Evening

1745

Print made by Philip Dawe, ca.1745–ca.1809, British

Domestick Employment Ironing

ca. 1769

Print made by Philip Dawe, ca.1745–ca.1809, British

The Oyster Woman

1769

Robert Havell, 1769–1832, British

Clifton Spring and Woods near Maidenhead

1818

John Greig, active 1803–1853, British

Cloisters of Worcester Cathedral

1807

Print made by James C. Allen, active 1821–1831, British

Penzance, Cornwall

1833

Print made by James Fittler, 1758–1835, British

Warwick Castle

1780

Print made by Louis Charles Ruotte, 1754–ca. 1806, French

The West India Flower Girl

undated

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

after George Baxter, 1804–1867, British

Prince Albert

after 1855

after George Baxter, 1804–1867, British

Prince Albert

after 1855

Print made by George Cooke, 1781–1834, British

Part of Waterloo Bridge with the Shot Tower, &c

1832

William Ellis, 1747–1810, British

Baskerville House, the Residence of John Ryland, Esq

1792

Edward Francis Finden, 1791–1857, British

Yarmouth, Norfolk

1837

Print made by Axel Herman Haig, 1835–1921, British

An Old Hanse Town

undated

Charles Heath, 1785–1848, British

Regent's Canal Basin, City Road

undated

Print made by Jean B. C. Chatelain, 1710–1771, French

Horseman Fording a Stream with Cattle

1737

Thomas Higham, 1796–1844, British

Red-Scar, the Residence of William Cross, Esquire

1832

Print made by Jean B. C. Chatelain, 1710–1771, French

Man Chopping Wood

1737

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

July

1789

Print made by Bradshaw & Blacklock, active ca.1850, British

Country Scenes

after 1850

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Subject Terms labor

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Subject Terms labor

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