Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Width [cm]: 23

Francis Danby, 1793–1861, Irish

A View across the Artist's Garden from his House at Exmouth, Devonshire

mid-19th century

Not on view

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Sketch from Nature in Sion Park

1819

Not on view

Lionel Constable, 1828–1887, British

Landscape

between 1849 and 1855

Not on view

James Ward, 1769–1859, British

Sketch for 'Gordale Scar'

between 1812 and 1814

Not on view

George Chinnery, 1774–1852, British

A Man Called W. C. Hunter

after 1825

Not on view

John Linnell, 1792–1882, British

A River Landscape, Sunset

ca. 1860

Not on view

David Hodgson, 1798–1864, British

The Old Fishmarket, Norwich

1825

Not on view

David Hodgson, 1798–1864, British

The Haymarket, Norwich

1825

Not on view

Richard Parkes Bonington, 1802–1828, British

A Wooded Lane

ca. 1825

Not on view

James Inskipp, 1790–1868, British

Study of Poppies

1832

Not on view

William Turner of Oxford, 1789–1862, British

A View of Oxford

mid-19th century

Not on view

attributed to Francis Danby, 1793–1861, Irish

Subterranean Pool with Sculptural Torchere

undated

attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Study of Waves

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypresses at the Villa d'Este, Tivoli

1838

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Brambles

undated

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Joseph Mallord William Turner, 1775–1851, British

Gloucester Cathedral

1820 to 1825

Print made by Joseph Mallord William Turner, 1775–1851, British

The Evening Gun

ca. 1825

Joseph Mallord William Turner, 1775–1851, British

Rhodes

between 1823 and 1824

Print made by William Blake, 1757–1827, British

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827, British

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

William Blake, 1757–1827, British

Landscape with Spire

ca. 1801

William Blake, 1757–1827, British

The Entrance Front of Hayley's House at Eartham

1801

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake, 1757–1827, British

A Woody Landscape

ca. 1801

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

William Cowper, Author of "The Task"

1802

Print made by William Blake, 1757–1827, British

William Cowper

1803-1804

Print made by William Blake, 1757–1827, British

Mrs Cowper Mother of the Poet

1803-1804

Sir Robert Smirke the younger, 1781–1867, British

Entrance into Girgenti From the Port

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

An Official Building

1802-1804