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Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1827

John Constable Study of Three Parrot Tulips

Attributed to John Constable, 1776–1837, British

Study of Three Parrot Tulips

ca. 1832

Not on view

George Vincent A View of Thames Street, Windsor

George Vincent, 1796–1832, British

A View of Thames Street, Windsor

1827 to 1830

Not on view

James Ward Cattle at a Pool at Sunrise

James Ward, 1769–1859, British

Cattle at a Pool at Sunrise

1827

Not on view

John Ferneley Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer

John Ferneley, 1782–1860, British

Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer

1827

Not on view

Richard Redgrave Self-Portrait

Richard Redgrave, 1804–1888, British

Self-Portrait

ca. 1832

Not on view

William Collins Frost Scene

William Collins, 1788–1847, British

Frost Scene

1827

Not on view

Sir Francis Leggatt Chantrey George IV

Sir Francis Leggatt Chantrey, 1781–1841, British

George IV

1827

Not on view

John Constable Sky Study with Rainbow

John Constable, 1776–1837, British

Sky Study with Rainbow

1827

Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Joseph Mallord William Turner, 1775–1851, British

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

ca. 1832

Joseph Mallord William Turner Carlisle

Joseph Mallord William Turner, 1775–1851, British

Carlisle

ca. 1832

Edward Lear People on the Road Near Kalicut, Malabar

Edward Lear, 1812–1888, British

People on the Road Near Kalicut, Malabar

undated

Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Edward Lear, 1812–1888, British

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888, British

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

William Blake, 1757–1827, British

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake Illustrations to Dante's Divine Comedy

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

William Blake Illustrations to Dante's "Divine Comedy"

William Blake, 1757–1827, British

Illustrations to Dante's "Divine Comedy"

1827

William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

1827

William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Illustrations to Dante's Divine Comedy

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

William Blake, 1757–1827, British

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Capt. Thomas Hastings Milfield, East Cowes, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Milfield, East Cowes, Isle of Wight

1827

Capt. Thomas Hastings Lord Henry Seymour's Estate

Capt. Thomas Hastings, 1778–1854, British

Lord Henry Seymour's Estate

1827

Capt. Thomas Hastings The Road between East Cowes and Newport, 1 September 1827

Capt. Thomas Hastings, 1778–1854, British

The Road between East Cowes and Newport, 1 September 1827

1827

Capt. Thomas Hastings Distant View of West Cowes, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Distant View of West Cowes, Isle of Wight

1827

Capt. Thomas Hastings Beaulieu, Hampshire

Capt. Thomas Hastings, 1778–1854, British

Beaulieu, Hampshire

1827

Capt. Thomas Hastings Bonchurch, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Bonchurch, Isle of Wight

1827

Capt. Thomas Hastings Beaulieu, Hampshire

Capt. Thomas Hastings, 1778–1854, British

Beaulieu, Hampshire

1827

Capt. Thomas Hastings Portsmouth, Hampshire

Capt. Thomas Hastings, 1778–1854, British

Portsmouth, Hampshire

1827

Thomas Goff Lupton Dover

Print made by Thomas Goff Lupton, 1791–1873, British

Dover

1827

Thomas Goff Lupton Dover

Print made by Thomas Goff Lupton, 1791–1873, British

Dover

1827

Thomas Goff Lupton Calais Pier - the English Packet Arriving

Print made by Thomas Goff Lupton, 1791–1873, British

Calais Pier - the English Packet Arriving

1827

Thomas Goff Lupton Ramsgate

Print made by Thomas Goff Lupton, 1791–1873, British

Ramsgate

1827

Thomas Goff Lupton Ramsgate

Print made by Thomas Goff Lupton, 1791–1873, British

Ramsgate

1827

Thomas Goff Lupton Ramsgate

Print made by Thomas Goff Lupton, 1791–1873, British

Ramsgate

1827

William James Muller Study of a Cottage by a lane

William James Muller, 1812–1845, British

Study of a Cottage by a lane

undated

William James Muller Farm Buildings

William James Muller, 1812–1845, British

Farm Buildings

undated

James Duffield Harding Fishermen's Houses at Sculcoats near Hull, Yorkshire

James Duffield Harding, 1798–1863, British

Fishermen's Houses at Sculcoats near Hull, Yorkshire

1827

John Frederick Lewis St. Goarhausen on the Rhine between Koblenz and Mainz

John Frederick Lewis, 1804–1876, British

St. Goarhausen on the Rhine between Koblenz and Mainz

1827

John Frederick Lewis The Via Mala

John Frederick Lewis, 1804–1876, British

The Via Mala

1827

John Frederick Lewis The Valley of Lutscheuen

John Frederick Lewis, 1804–1876, British

The Valley of Lutscheuen

1827

Thomas Stothard The Fortune Teller

Thomas Stothard, 1755–1834, British

The Fortune Teller

1827

Thomas Jeavons Exeter

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1827-1838

Thomas Jeavons Exeter

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1827-1838

Thomas Jeavons Exeter

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1827-1838

W. R. Smith Tynemouth, Northumberland

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1827-1838

Charles J. Hullmandel Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827

Charles J. Hullmandel, 1789–1850, British

Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827

1827

Capt. Thomas Hastings Sketch of Boatmen on the Shore, Ships in the Distance

Capt. Thomas Hastings, 1778–1854, British

Sketch of Boatmen on the Shore, Ships in the Distance

1827

Sir George Hayter A Capriccio of Windsor Castle

Sir George Hayter, 1792–1871, British

A Capriccio of Windsor Castle

1827

Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon

Frederick Christian Lewis the Elder, 1779–1856, British

River Tamar, near Endsleigh, Devon

ca. 1832

Edward Goodall Old London Bridge and Vicinity

Print made by Edward Goodall, 1795–1870, British

Old London Bridge and Vicinity

1827

James T. Willmore Kilgarren Castle, Pembroke

Print made by James T. Willmore, 1800–1863, British

Kilgarren Castle, Pembroke

1827-1838

Edward Francis Finden Temple of Minerva, Cape Colonna

Print made by Edward Francis Finden, 1791–1857, British

Temple of Minerva, Cape Colonna

ca. 1832

Robert Wallis Buckfastleigh Abbey, Devonshire

Print made by Robert Wallis, 1794–1878, British

Buckfastleigh Abbey, Devonshire

1827

Thomas Jeavons Vesuvius in Eruption

Print made by Thomas Jeavons, ca. 1800–1867, British

Vesuvius in Eruption

1827

Joseph Nash Fashionable Men and Women Promenading

Joseph Nash, 1808–1878, British

Fashionable Men and Women Promenading

1827

William Tombleson City of London, Arch of Waterloo Bridge

Print made by William Tombleson, ca.1795–1835, British

City of London, Arch of Waterloo Bridge

1827

George Cooke Wilsdon Church, Middlesex

George Cooke, 1781–1834, British

Wilsdon Church, Middlesex

1827

T. Levens Ancient Sculpture on the Walls of St. Dunstans Stebenlethe

T. Levens

Ancient Sculpture on the Walls of St. Dunstans Stebenlethe

1827

William Deeble The London Institution, Funsbury Circus

William Deeble, active 1814–1849, British

The London Institution, Funsbury Circus

1827

unknown artist Ticket for a Performance of Sacred Music on 1st March 1827

unknown artist, ( J. Cleghorn )

Ticket for a Performance of Sacred Music on 1st March 1827

1827

George Cooke Enfield, Outer Suburb North

George Cooke, 1781–1834, British

Enfield, Outer Suburb North

1827

John Goddard This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell...

John Goddard, active 1811–1842

This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell..

1827

Thomas Jeavons Exeter

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1827-1838

W. R. Smith Tynemouth, Northumberland

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1827-1838

Richard Parkes Bonington Trees and a Cottage by a River

Richard Parkes Bonington, 1802–1828, British

Trees and a Cottage by a River

1827

William James Muller The Bridge at Llangollen

William James Muller, 1812–1845, British

The Bridge at Llangollen

undated

James Pattison Cockburn Advanced Guard - Sunrise

James Pattison Cockburn, 1779–1847, British

Advanced Guard - Sunrise

ca. 1832

Welby Sherman Shepherd and Shepherdess by Moonlight

Welby Sherman, active 1827

Shepherd and Shepherdess by Moonlight

undated

William James Muller A Mountain Torrent

William James Muller, 1812–1845, British

A Mountain Torrent

undated

William James Muller Study of a Rustic Interior Scene

William James Muller, 1812–1845, British

Study of a Rustic Interior Scene

undated

John James Chalon Music: Composition in a Garden

John James Chalon, 1778–1854, French, active in Britain

Music: Composition in a Garden

ca. 1832

William James Muller The Bridge

William James Muller, 1812–1845, British

The Bridge

undated

Joseph Nash Sketches of Towns People

Joseph Nash, 1808–1878, British

Sketches of Towns People

1827

Sir Robert Smirke the younger Design for London Bridge Approach

Print made by Sir Robert Smirke the younger, 1781–1867, British

Design for London Bridge Approach

between 1827 and 1835

Sir Robert Smirke the younger Design for London Bridge Approach

Print made by Sir Robert Smirke the younger, 1781–1867, British

Design for London Bridge Approach

between 1827 and 1835

Richard Parkes Bonington Study of a Gentleman in 17th Century Costume

Richard Parkes Bonington, 1802–1828, British

Study of a Gentleman in 17th Century Costume

between 1827 and 1828

Augustus Welby Northmore Pugin Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair

Augustus Welby Northmore Pugin, 1812–1852, British

Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair

undated

Augustus Welby Northmore Pugin Design for a Gothic Kneeler

Augustus Welby Northmore Pugin, 1812–1852, British

Design for a Gothic Kneeler

undated

Augustus Welby Northmore Pugin Design for a Gothic Wall Lamp

Augustus Welby Northmore Pugin, 1812–1852, British

Design for a Gothic Wall Lamp

undated

Augustus Welby Northmore Pugin Chapel of the Archbishop's Palace, Croydon: View from the East End

Augustus Welby Northmore Pugin, 1812–1852, British

Chapel of the Archbishop's Palace, Croydon: View from the East End

1827

Augustus Welby Northmore Pugin Design for a Gothic Staff

Augustus Welby Northmore Pugin, 1812–1852, British

Design for a Gothic Staff

undated

Augustus Welby Northmore Pugin Design for an Unidentified House: Elevations and Plans

Augustus Welby Northmore Pugin, 1812–1852, British

Design for an Unidentified House: Elevations and Plans

undated

Augustus Welby Northmore Pugin Design for Inkstand for Westminster No. 1, End Elevation

Augustus Welby Northmore Pugin, 1812–1852, British

Design for Inkstand for Westminster No. 1, End Elevation

undated

Augustus Welby Northmore Pugin Design for Branch for the Speaker's Chair

Augustus Welby Northmore Pugin, 1812–1852, British

Design for Branch for the Speaker's Chair

undated

Augustus Welby Northmore Pugin Design for a Decorative Object

Augustus Welby Northmore Pugin, 1812–1852, British

Design for a Decorative Object

undated

Augustus Welby Northmore Pugin Elevation, Plan and Section of a Bell Tower

Augustus Welby Northmore Pugin, 1812–1852, British

Elevation, Plan and Section of a Bell Tower

undated

Augustus Welby Northmore Pugin Designs for Gothic Ornamentation

Augustus Welby Northmore Pugin, 1812–1852, British

Designs for Gothic Ornamentation

undated

Augustus Welby Northmore Pugin Designs for Gothic Tables

Augustus Welby Northmore Pugin, 1812–1852, British

Designs for Gothic Tables

undated

Augustus Welby Northmore Pugin Design for a Gothic Table

Augustus Welby Northmore Pugin, 1812–1852, British

Design for a Gothic Table

undated

Augustus Welby Northmore Pugin Fragment of a Design for a Gothic Table

Augustus Welby Northmore Pugin, 1812–1852, British

Fragment of a Design for a Gothic Table

undated

Augustus Welby Northmore Pugin Designs for Gothic Candle Sticks and Branches

Print made by Augustus Welby Northmore Pugin, 1812–1852, British

Designs for Gothic Candle Sticks and Branches

undated