Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1821

1. Cloud Study, Early Morning, Looking East from Hampstead

Creator:: John Constable, 1776–1837, British
Date:: 1821
Medium:: Oil on paper on board
Dimensions:: 5 3/4 x 12 3/4 inches (14.6 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Parham Mill, Gillingham

Creator:: John Constable, 1776–1837, British
Date:: ca. 1826
Medium:: Oil on canvas
Dimensions:: 19 3/4 x 23 3/4 inches (50.2 x 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Cloud Study

Creator:: John Constable, 1776–1837, British
Date:: 1821
Medium:: Oil on paper on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Hampstead Heath looking towards Harrow

Creator:: John Constable, 1776–1837, British
Date:: 1821 to 1822
Medium:: Oil on paper laid on canvas
Dimensions:: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Cloud Study with Trees

Creator:: John Constable, 1776–1837, British
Date:: 1821
Medium:: Oil on paper on board
Dimensions:: 6 3/4 x 12 inches (17.1 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Cloud Study

Creator:: John Constable, 1776–1837, British
Date:: 1821
Medium:: Oil on paper laid on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Cloud Study

Creator:: John Constable, 1776–1837, British
Date:: 1821
Medium:: Oil on paper laid on panel
Dimensions:: 8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Fire in London, Seen from Hampstead

Creator:: Attributed to John Constable, 1776–1837, British
Date:: ca. 1826
Medium:: Oil on paper laid on panel
Dimensions:: 3 3/4 x 6 inches (9.5 x 15.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Study of Hollyhocks

Creator:: Attributed to John Constable, 1776–1837, British
Date:: ca. 1826
Medium:: Oil on board
Dimensions:: 9 1/2 x 7 inches (24.1 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Hampstead Heath Looking Towards Harrow

Creator:: John Constable, 1776–1837, British
Date:: 1821
Medium:: Oil on paper laid on canvas
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Bologna

Creator:: unknown artist, nineteenth century
Date:: ca. 1826
Medium:: Oil on paper, laid on canvas
Dimensions:: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

Creator:: Richard Parkes Bonington, 1802–1828, British
Date:: ca. 1826
Medium:: Oil on canvas
Dimensions:: 18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Erechtheum, Athens, with Figures in the Foreground

Creator:: Sir Charles Lock Eastlake, 1793–1865, British, active in Italy (1816–30)
Date:: 1821
Medium:: Oil on canvas
Dimensions:: 26 3/8 x 35 1/4 inches (67 x 89.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. An Unknown Man

Creator:: Peter Turnerelli, 1774–1839, British
Date:: 1821
Medium:: Marble
Dimensions:: Overall: 22 x 13 1/2 x 9 1/2 inches (55.9 x 34.3 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Robert Stewart, Viscount Castlereagh

Creator:: Sir Francis Leggatt Chantrey, 1781–1841, British
Date:: 1821
Medium:: Marble
Dimensions:: Overall: 30 x 22 x 8 1/4 inches (76.2 x 55.9 x 21 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. William Howley, Bishop of London (1766-1848)

Creator:: Sir Francis Leggatt Chantrey, 1781–1841, British
Date:: 1821
Medium:: Marble
Dimensions:: Overall: 23 × 13 1/2 × 10 1/2 inches (58.4 × 34.3 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1821
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Harvest under a Crescent Moon

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: ca. 1826
Medium:: Wood engraving on thin, smooth, cream laid paper
Dimensions:: Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1826
Medium:: Mezzotint on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Illustrations of Imitation of Eclogue I, Page 17

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Illustrations of Imitation of Eclogue I, Page 18

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Illustrations of Eclogue I, Introductory, The Giant Polypheme

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Epicurus

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Theocritus

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Octavius Augustus Cæsar

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. From Antique Coins

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Illustrations of Imitation of Eclogue I, Page 16

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Illustrations of Imitation of Eclogue I, Page 15

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Illustrations of Imitation of Eclogue I, Page 14

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Caius Julius Cæsar

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Illustrations of Imitation of Eclogue I, Frontispiece

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Publius Virgilius Maro

Creator:: William Blake, 1757–1827, British
Date:: 1821
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Pastorals of Virgil, London, 1821

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: 17 wood engravings reprinted from the original blocks
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Each creature, Thenot, to his task is born

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Or blasting winds o'er blossom'd hedge-rows pass

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. My sheep quite spent through travel and ill fare

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. And now behold the sun's departing ray

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

Creator:: William Blake, 1757–1827, British
Date:: 1821, reprinted 1977
Medium:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Description of the Celebrated Suspended Wooden Bridge

Creator:: Charles Augustus Busby, 1788–1834, British
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Three Swords

Creator:: Print made by unknown artist, nineteenth century
Date:: 1821
Medium:: Watercolor, (As issued (colored by hand)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Boston Church, Lincolnshire

Creator:: J. Harrison, active 1821, British
Date:: 1821
Medium:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper
Dimensions:: Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1821
Medium:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Aske Hall

Creator:: Print made by John Scott, 1774–1828, British
Date:: 1821
Medium:: Etching; engraver's proof (a), open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 1/4 inches (41 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852, British
Date:: 1821
Medium:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852, British
Date:: 1821
Medium:: Etching and line engraving; engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/16 inches (30.8 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860, British
Date:: 1821
Medium:: Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 18 1/16 inches (30 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831, British
Date:: 1821
Medium:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831, British
Date:: 1821
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 18 15/16 inches (32.2 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831, British
Date:: 1821
Medium:: Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 20 7/8 inches (40.3 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Coutances Cathedral

Creator:: William Frome Smallwood, 1806–1834, British
Date:: undated
Medium:: Watercolor, brown wash, and graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 1/8 inches (24.8 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. View of Gibraltar

Creator:: William Wyld, 1806–1889, British
Date:: undated
Medium:: Watercolor, gouache and graphite on medium, rough, white laid paper
Dimensions:: Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Mr. Thomas Hope's Picture Gallery, Duchess Street, London

Creator:: unknown artist, (J Warren)
Date:: 1821
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Mansion of Thomas Hope Esqr. Flemish Picture Gallery

Creator:: unknown artist, (J. Warren)
Date:: 1821
Medium:: Engraving proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Mansion of Thomas Hope Esqr. Flemish Picture Gallery

Creator:: unknown artist, (J. Warren)
Date:: 1821
Medium:: Engraving: proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Hay Barge in a Calm Sea

Creator:: Attributed to Charles Bentley, 1806–1854, British
Date:: undated
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 3/4 inches (12.7 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Anne Page and Slender

Creator:: Robert Smirke, 1752–1845, British
Date:: 1821
Medium:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 4 7/16 inches (18.8 x 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Prospero and Ariel

Creator:: Robert Smirke, 1752–1845, British
Date:: 1821
Medium:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 4 3/4 inches (15 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Thatched Cottage near Henley

Creator:: John Baverstock Knight, 1785–1859, British
Date:: 1821
Medium:: Watercolor, pen and brown ink and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. St. Pancras New Church

Creator:: unknown artist, ( T. Dale )
Date:: 1821
Medium:: Hand colored engraving
Dimensions:: Sheet: 9 3/4 x 7 1/4in. (24.8 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. St. Pancras New Church

Creator:: unknown artist, ( T. Dale )
Date:: 1821
Medium:: Hand colored engraving
Dimensions:: Sheet: 10 1/4 x 7 1/2in. (26 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Enfield Church, Middlesex, Outer Suburb North

Creator:: unknown artist
Date:: 1821
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey

Creator:: Bartholomew Howlett, 1767–1827, British
Date:: 1821
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Part of the Choir wiith the remains of the South Transept of St. Barts the Great

Creator:: unknown artist, ( Dale )
Date:: 1821
Medium:: Engraving
Dimensions:: Sheet: 12 5/16 x 10 3/16in. (31.3 x 25.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great

Creator:: unknown artist, ( T. Bourne )
Date:: 1821
Medium:: Engraving
Dimensions:: Sheet: 16 1/2 x 13 1/4in. (41.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A Picnic on Richmond Hill

Creator:: Joseph Murray Ince, 1806–1859, British
Date:: undated
Medium:: Watercolor, gouache, and gum, with scraping on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 × 11 7/8 inches (22.9 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. An unidentified Gothic Mansion: Side View of the House with Garden

Creator:: Joseph Murray Ince, 1806–1859, British
Date:: undated
Medium:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 13 11/16in. (25.1 x 34.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1821
Medium:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Parnassus

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1821
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/16 × 11 7/8 inches (36 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore

Creator:: Print made by unknown artist, nineteenth century
Date:: 1821
Medium:: Line engraving, unfinished on thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 1/8 inches (33.7 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Addingham Mill on the Warfe

Creator:: Print made by James C. Allen, active 1821–1831, British
Date:: 1821
Medium:: Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Crook of the Lune, Looking towards Hornby Castle

Creator:: Print made by John Wykeham Archer, 1808–1864, British
Date:: 1821
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831, British
Date:: 1821
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831, British
Date:: 1821
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of Mont St. Michel with Figures on the Beach

Creator:: William Wyld, 1806–1889, British
Date:: undated
Medium:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

Creator:: Robert Smirke, 1752–1845, British
Date:: 1821
Medium:: Brown ink with brown wash and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Market Scene in Venice

Creator:: Charles Bentley, 1806–1854, British
Date:: undated
Medium:: Watercolor, pen and brown ink, and scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Travelers on a Road above a River

Creator:: John Martin, 1789–1854, British
Date:: 1821
Medium:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 5/8 inches (19.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1821
Medium:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 1/4 inches (24.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Portia and Bassanio

Creator:: Richard Parkes Bonington, 1802–1828, British
Date:: ca. 1826
Medium:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Dr Syntax outside the Halfway House

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1821
Medium:: Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Dr Syntax & Dairymaid

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1821
Medium:: Watercolor with pen and red ink and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 8 11/16 x 11 1/4 inches (22.1 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Cavalrymen, etc.

Creator:: Joseph Steuart, active 1821
Date:: 1821
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Interior View of the hall at Longleat; the Seat of the Marquis of Bath

Creator:: John Buckler FSA, 1770–1851, British
Date:: 1821
Medium:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Design for Bridge over Great Western Road

Creator:: Sir Jeffry Wyatville, 1766–1840, British
Date:: ca. 1826
Medium:: Graphite, pen and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 7/16 × 8 15/16 inches (18.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Cavalrymen, etc.

Creator:: Joseph Steuart, active 1821
Date:: 1821
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Cavalrymen, etc.

Creator:: Joseph Steuart, active 1821
Date:: 1821
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Cavalrymen, etc.

Creator:: Joseph Steuart, active 1821
Date:: 1821
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Cavalrymen, etc.

Creator:: Joseph Steuart, active 1821
Date:: 1821
Medium:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1821

Search Results

1. Cloud Study, Early Morning, Looking East from Hampstead

2. Parham Mill, Gillingham

3. Cloud Study

4. Hampstead Heath looking towards Harrow

5. Cloud Study with Trees

6. Cloud Study

7. Cloud Study

8. Fire in London, Seen from Hampstead

9. Study of Hollyhocks

10. Hampstead Heath Looking Towards Harrow

11. Bologna

12. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

13. The Erechtheum, Athens, with Figures in the Foreground

14. An Unknown Man

15. Robert Stewart, Viscount Castlereagh

16. William Howley, Bishop of London (1766-1848)

17. At Hailsham, Sussex: a Storm Approaching

18. Harvest under a Crescent Moon

19. Ship in a Storm

20. Illustrations of Imitation of Eclogue I, Page 17

21. Illustrations of Imitation of Eclogue I, Page 18

22. Illustrations of Eclogue I, Introductory, The Giant Polypheme

23. Epicurus

24. Theocritus

25. Octavius Augustus Cæsar

26. From Antique Coins

27. Illustrations of Imitation of Eclogue I, Page 16

28. Illustrations of Imitation of Eclogue I, Page 15

29. Illustrations of Imitation of Eclogue I, Page 14

30. Caius Julius Cæsar

31. Illustrations of Imitation of Eclogue I, Frontispiece

32. Publius Virgilius Maro

33. The Pastorals of Virgil, London, 1821

34. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

35. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

36. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

37. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

38. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

39. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

40. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

41. Each creature, Thenot, to his task is born

42. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

43. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

44. Or blasting winds o'er blossom'd hedge-rows pass

45. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

46. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

47. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

48. My sheep quite spent through travel and ill fare

49. And now behold the sun's departing ray

50. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

51. Description of the Celebrated Suspended Wooden Bridge

52. The Three Swords

53. Boston Church, Lincolnshire

54. Plymouth Citadel

55. Aske Hall

56. Fall of the Tees

57. Fall of the Tees

58. Brignall Church

59. Weathercote Cave when Half Filled with Water

60. Weathercote Cave when Half Filled with Water

61. Weathercote Cave when Half Filled with Water

62. Coutances Cathedral

63. View of Gibraltar

64. Mr. Thomas Hope's Picture Gallery, Duchess Street, London

65. Mansion of Thomas Hope Esqr. Flemish Picture Gallery

66. Mansion of Thomas Hope Esqr. Flemish Picture Gallery

67. Hay Barge in a Calm Sea

68. Anne Page and Slender

69. Prospero and Ariel

70. Thatched Cottage near Henley

71. St. Pancras New Church

72. St. Pancras New Church

73. Enfield Church, Middlesex, Outer Suburb North

74. The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey