Print made by Robert Polhill Bevan, 1865–1925, British
Found!
1898-1899
2
Print made by Robert Polhill Bevan, 1865–1925, British
The Flying Pack
1898-1899
3
Robert Polhill Bevan, 1865–1925, British
Swiss Cottage, Hampstead
between 1912 and 1913
4
Robert Polhill Bevan, 1865–1925, British
Crocks
ca. 1924
5
Robert Polhill Bevan, 1865–1925, British
Over the Bank, Exmoor
ca. 1895
6
John Constable, 1776–1837, British
Salisbury Cathedral From the Meadows
1829
7
John Constable, 1776–1837, British
Old Sarum at Noon
1829
8
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Barns
undated
9
George Stubbs, 1724–1806, British
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
10
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
11
George Stubbs, 1724–1806, British
Fowl Head and Neck, Lateral View
1795 to 1806
12
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
13
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
14
George Stubbs, 1724–1806, British
Monkey Standing, Anterior View
1795 to 1806
15
Robert Polhill Bevan, 1865–1925, British
The Flying Pack
undated
16
Robert Polhill Bevan, 1865–1925, British
The Meet
between 1901 and 1925
17
Robert Polhill Bevan, 1865–1925, British
A Sussex Cart Horse
between 1905 and 1906
18
Robert Polhill Bevan, 1865–1925, British
The Meet, with further sketches in margin
19
Robert Polhill Bevan, 1865–1925, British
Found, with further sketches in the margin
20
Robert Polhill Bevan, 1865–1925, British
The Hunt
undated
21
Print made by William Hogarth, 1697–1764, British
Hogarth Painting the Comic Muse
1764
22
Etched by Joseph Mallord William Turner, 1775–1851, British
Glaucus and Scylla
between 1813 and 1823
23
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
24
Etched by Joseph Mallord William Turner, 1775–1851, British
Juvenile Tricks
1811
25
William Blake, 1757–1827, British
Satan Approaching the Court of Chaos
1784 to 1785
26
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
27
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
28
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 51
1804 to 1820
29
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
30
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
31
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
32
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
33
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
34
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
35
Sir Robert Smirke the younger, 1781–1867, British
Gateway in the Ruins of the Ancient Walls of Arpino
1802-1804
36
Joseph Farington, 1747–1821, British
Lodore Rocks -- fall & cottage
37
Joseph Farington, 1747–1821, British
Vale of Keswick and Derwent Water
38
Joseph Farington, 1747–1821, British
Upper end of Ullswater
39
Joseph Farington, 1747–1821, British
Windermere from Gillshead
40
Joseph Farington, 1747–1821, British
View over Windermere & Great Island
41
Capt. Thomas Hastings, 1778–1854, British
Freshwater Bay, 12 August 1829
1829
42
Capt. Thomas Hastings, 1778–1854, British
Wootton Bridge, 17 August 1826
1826
43
Capt. Thomas Hastings, 1778–1854, British
Sandown Bay, Isle of Wight
1829
44
Capt. Thomas Hastings, 1778–1854, British
Carisbrooke Castle, Isle of Wight
1829
45
Henry Swinburne, 1743–1803, British
Beziers, France
undated
46
Luigi Balugani, 1737–1770, Italian
Seyali Hindu (Acacia)
undated
47
Print made by Valentine Green, 1739–1813, British
Mrs. Cosway
1787
48
Print made by Charles Turner, 1774–1857, British
Norham Castle, on the River Tweed
1824
49
Henry Swinburne, 1743–1803, British
Distant, Panoramic View, of a City and its Surrounding Coast
undated
50
Henry Swinburne, 1743–1803, British
View from Klein Zicker, Thiessow, Germany
undated
51
Luigi Balugani, 1737–1770, Italian
A Fish
undated
52
Luigi Balugani, 1737–1770, Italian
El Hudderi
undated
53
Luigi Balugani, 1737–1770, Italian
Harid
undated
54
Luigi Balugani, 1737–1770, Italian
A Fish from the Red Sea
undated
55
Luigi Balugani, 1737–1770, Italian
A Fish from the Red Sea
undated
56
Luigi Balugani, 1737–1770, Italian
A Fish
undated
57
Print made by Sir Frank Short, 1857–1945, British
View of a Lake, Derwentwater
1896
58
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
59
unknown artist
Norris Castle, Isle of Wight
ca. 1800
60
William James Muller, 1812–1845, British
An Eastern Encampment
undated
61
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
62
James Bruce, 1730–1794, British
Man Loading a Pack Horse
undated
63
James Bruce, 1730–1794, British
Man on Horseback Carrying a Spear
undated
64
James Bruce, 1730–1794, British
Man on Horseback Carrying Weapons
undated
65
Mary Harcourt, 1750–1833, British
On the Rhone
ca. 1780
66
attributed to Thomas Hearne, 1744–1817, British
Giant Oaks
undated
67
unknown artist
The Nave of Rievaulx Abbey, Yorkshire
1787
68
unknown artist, nineteenth century
The Duke of Newcastle's Expedition in Circassia
undated
69
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1821
70
Print made by William Bernard Cooke, 1778–1855, British
Bodiham Castle, Sussex
1817
71
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
72
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
73
unknown artist, nineteenth century
Weymouth Castle
ca. 1830
74
unknown artist, nineteenth century
The Keep, Arundel Castle
ca. 1830
75
Thomas Sunderland, 1744–1828, British
Stone Byres, Lanarkshire
undated
76
James Ward, 1769–1859, British
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
77
Louis Philippe Boitard, active 1734–1760
Flight of James II
undated
78
John Inigo Richards, 1730/31?–1810, British
Brougham Castle
undated
79
George Barret, ca. 1728/32–1784, Irish
The Lightning Flash, Travellers in a Thunderstorm on a Woodland Road
undated
80
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Tree
1790s
81
Lt. Gen. Charles Emilius Gold, 1803?–1871
A View of Hobart, Tasmania
1846
82
John Renton, 1774–c.1841, British
A Mountain Landscape with a Shepherd
undated
83
James Ward, 1769–1859, British
Ferrets
undated
84
Henry Wigstead, ca. 1745–ca. 1800, British
Interior of the Brandenburg House Theatre, Hammersmith
ca. 1792
85
George Moutard Woodward, ca. 1760–1809, British
The Royal Rush Light
1798
86
Robert Mabon, died 1798, British
Unfinished Sketch of an Elaborately Saddled Horse
undated
87
Print made by B. R. Davies, active ca. 1833, British
Mount Blanc
1828
88
Charlotte Warren, 18th century, British
Wooded Landscape with Cattle, Figures and a House
undated
89
Print made by Henry Morton, ca. 1807–1825, British
Ore Church and House
1817
90
Print made by Henry Morton, ca. 1807–1825, British
Bodiam Castle
1817
91
Print made by Henry Morton, ca. 1807–1825, British
Views Illustrative of Hastings and its Vicinity; Title Page