<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms birds

Remove constraint Subject Terms: birds

Search Results

Francis Danby The Avon Gorge, Looking toward Clifton
Francis Danby, 1793–1861, Irish
The Avon Gorge, Looking toward Clifton
ca. 1820
Francis Danby Sunset over a River Landscape
Francis Danby, 1793–1861, Irish
Sunset over a River Landscape
early 1840s
John Constable Ruin of St. Botolph's Priory, Colchester
John Constable, 1776–1837, British
Ruin of St. Botolph's Priory, Colchester
ca. 1809
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837, British
The Ruins of Netley Abbey
1826
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
Joseph Mallord William Turner On the Washburn
Joseph Mallord William Turner, 1775–1851, British
On the Washburn
ca. 1815
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888, British
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Opposite Abu Girgeh
Edward Lear, 1812–1888, British
Opposite Abu Girgeh
1867
Edward Lear El Ousta
Edward Lear, 1812–1888, British
El Ousta
1854
Edward Lear Negadeh, 1:45 pm, 17 January 1867 (190)
Edward Lear, 1812–1888, British
Negadeh, 1:45 pm, 17 January 1867 (190)
1867
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888, British
Venice, the Doge's Palace
undated
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827, British
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
William Blake Jerusalem, Plate 48, "These were his last words...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
William Blake Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
1804 to 1820
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Jerusalem, Plate 54, "In Great Eternity...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
William Blake Jerusalem, Plate 67, "By those who drink their blood...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
1804 to 1820
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
William Blake Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake Jerusalem, Plate 98, "Then each an Arrow flaming...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 98, "Then each an Arrow flaming...."
1804 to 1820
William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
Luigi Balugani Study of a Bird
Luigi Balugani, 1737–1770, Italian
Study of a Bird
undated
John Boydell Noon
Print made by John Boydell, 1720–1804, British
Noon
1753
J. Carwitham A New Drawing Book of Variety of Landskips
Print made by J. Carwitham, active 1720–1740
A New Drawing Book of Variety of Landskips
ca. 1730
Louis Francais Bords de la Seine
Print made by Louis Francais, 1814–1897, French
Bords de la Seine
between 1849 and 1862
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
Richard Brookes Woodpecker and Two Birds
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
Richard Brookes Crowned Eagle and Two Birds
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
Paul Sandby Bothwell Castle, from the South
Paul Sandby, 1731–1809, British
Bothwell Castle, from the South
ca. 1777
Samuel Jackson The Avon near Bristol
Samuel Jackson, 1794–1869, British
The Avon near Bristol
undated
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817, British
The Cheesecake House, Hyde Park
ca. 1795
John Bewick A Magpie
John Bewick, 1760–1795, British
A Magpie
undated
James Wyatt Cobham Hall, Kent: Section of the drawing room
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of the drawing room
ca. 1790
William Simpson The Ganges
William Simpson, 1823–1899, British
The Ganges
1863
Cornelius Varley Hartwell, Buckinghamshire
Cornelius Varley, 1781–1873, British
Hartwell, Buckinghamshire
1833
Sir David Young Cameron A Venetian Fountain [North Italian Set: No. 7]
Sir David Young Cameron, 1865–1945, British
A Venetian Fountain [North Italian Set: No. 7]
1894
Thomas Shotter Boys Buckingham Palace from St. James's Park
Print made by Thomas Shotter Boys, 1803–1874, British
Buckingham Palace from St. James's Park
1842
George Vicat Cole The Mill Pond, Evelyn Woods
George Vicat Cole, 1833–1893, British
The Mill Pond, Evelyn Woods
1860
John Frederick Lewis A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
John Frederick Lewis, 1804–1876, British
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
Thomas Hearne The Back of a Farm House
Thomas Hearne, 1744–1817, British
The Back of a Farm House
undated
John Varley Bamburgh Castle, Northumberland
John Varley, 1778–1842, British
Bamburgh Castle, Northumberland
undated
Thomas Shotter Boys A Storm on the Coast
Thomas Shotter Boys, 1803–1874, British
A Storm on the Coast
between 1840 and 1850
William Turner of Oxford View from the Dean's Garden, Christ Church, Oxford
William Turner of Oxford, 1789–1862, British
View from the Dean's Garden, Christ Church, Oxford
undated
James Northcote Study for a Tiger and Monkeys
James Northcote, 1746–1831, British
Study for a Tiger and Monkeys
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804, British
Landscape with Cottage and Figures on Horseback
1793
John Varley Boat Building
John Varley, 1778–1842, British
Boat Building
1806
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782, British
A Prospect of Vapourland
1759
Cornelius Varley Farm Buildings with Stack Makers
Cornelius Varley, 1781–1873, British
Farm Buildings with Stack Makers
ca. 1810
Richard Wilson Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
undated
Joseph Skelton Part of Balliol College Quadrangle
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
James de Carle Sowerby Three Toucans
James de Carle Sowerby, 1787–1871, British
Three Toucans
undated
James Sowerby European Green Woodpecker
James Sowerby, 1756–1822, British
European Green Woodpecker
undated
James Sowerby Two Tree Creepers
James Sowerby, 1756–1822, British
Two Tree Creepers
undated
James Sowerby Two Birds on a Branch
James Sowerby, 1756–1822, British
Two Birds on a Branch
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898, British
The Land of Beulah
1881
George Sidney Shepherd The Times and Evening Mail Office
George Sidney Shepherd, 1784–1862, British
The Times and Evening Mail Office
1811
George Baxter The Miraculous Draught of Fishes
after George Baxter, 1804–1867, British
The Miraculous Draught of Fishes
after 1855
George Baxter The Miraculous Draught of Fishes
after George Baxter, 1804–1867, British
The Miraculous Draught of Fishes
after 1855
John Doyle ('H.B.') The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
Peter P. Benazech For Japaning, Where may be 200 Different Sorts
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
Thomas Gainsborough Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
ca. 1770
Thomas Shotter Boys The Pont Neuf
Thomas Shotter Boys, 1803–1874, British
The Pont Neuf
undated
James Pattison Cockburn Cavalry Exercising
James Pattison Cockburn, 1779–1847, British
Cavalry Exercising
undated
Thomas Gainsborough Travellers on Horseback Approaching a Village with a Spire
Thomas Gainsborough, 1727–1788, British
Travellers on Horseback Approaching a Village with a Spire
between 1765 and 1770
Thomas Gainsborough Wooded Landscape with Country Cart and Figures Walking down a Lane
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Country Cart and Figures Walking down a Lane
ca. 1760
Prince Hoare Prometheus
Prince Hoare, 1755–1834, British
Prometheus
undated
Thomas Gainsborough Landscape with Cows
imitator of Thomas Gainsborough, 1727–1788, British
Landscape with Cows
undated
Peter DeWint On the Thames
Peter DeWint, 1784–1849, British
On the Thames
undated