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Collection Prints and Drawings

Genre religious and mythological subject

Subject Terms men

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

George Romney David Playing the Harp

George Romney, 1734–1802, British

David Playing the Harp

undated

George Romney The Accusation of Susanna by the Elders

George Romney, 1734–1802, British

The Accusation of Susanna by the Elders

undated

George Romney The Accusation of Susanna

George Romney, 1734–1802, British

The Accusation of Susanna

ca. 1773

George Romney Sketches for "The Accusation of Susanna"

George Romney, 1734–1802, British

Sketches for "The Accusation of Susanna"

undated

George Romney Samson Overpowered

George Romney, 1734–1802, British

Samson Overpowered

undated

George Romney Bacchanalian Scene (Possibly Antediluvian)

George Romney, 1734–1802, British

Bacchanalian Scene (Possibly Antediluvian)

undated

George Romney David before Saul

George Romney, 1734–1802, British

David before Saul

undated

William Blake Abraham and Isaac

William Blake, 1757–1827, British

Abraham and Isaac

1799 to 1800

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827, British

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827, British

Joseph and Potiphar's Wife

1803 to 1805

William Blake Copy of the Laocoön, for Rees's Cyclopædia

William Blake, 1757–1827, British

Copy of the Laocoön, for Rees's Cyclopædia

1815

William Blake Christ Appearing to the Apostles after the Resurrection

Print made by William Blake, 1757–1827, British

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827, British

Mary Magdalen at the Sepulchre

ca. 1805

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827, British

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827, British

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 61, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 61, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 97, "Ode for Music."

between 1797 and 1798

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

1793

William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 100

1804 to 1820

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 19, "His children exil'd from his breast...."

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

William Blake Jerusalem, Plate 25, "And there was heard...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 25, "And there was heard...."

1804 to 1820

William Blake Jerusalem, Plate 29, "Then the Divine Vision...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 29, "Then the Divine Vision...."

1804 to 1820

William Blake Jerusalem, Plate 30, "And the Two that escaped...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

1804 to 1820

William Blake Jerusalem, Plate 41, "Bath who is Legions...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 41, "Bath who is Legions...."

1804 to 1820

William Blake Jerusalem, Plate 42, "Thus Albion sat...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 42, "Thus Albion sat...."

1804 to 1820

William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 91, "It is easier to forgive an enemy...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake America. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 10, "The Terror Answered...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

William Blake America. A Prophecy, Plate 14, "So Cried He...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 14, "So Cried He...."

1793

William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake America. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 2, Title Page

1793

William Blake Jerusalem, Plate 1, Frontispiece

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 1, Frontispiece

1804 to 1820

William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 21, "O Vala! O Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 24, "What have I said?...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

William Blake Jerusalem, Plate 26, "Such Visions Have...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

1804 to 1820

William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 50, "The Atlantic Mountains...."

1804 to 1820

William Blake Jerusalem, Plate 51

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 51

1804 to 1820

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 75, "And Rahab Babylon the Great...."

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827, British

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 25, "A Long Story."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 25, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 3, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 79, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

1793

William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

1793

William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 4, "Silent as despairing love...."

1793

William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

1793

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 18, "From every-one of the Four Regions...."

1804 to 1820

William Blake Jerusalem, Plate 35, "Then the Divine hand...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 35, "Then the Divine hand...."

1804 to 1820