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Collection Prints and Drawings

Genre literary theme

Width [cm] 33

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Henry Fuseli O Evening thou Bringest All

Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

O Evening thou Bringest All

1802

Charles Rolls The Brides of Venice

Print made by Charles Rolls, 1800–active 1830, British

The Brides of Venice

1830

James Heath "This is fairy gold, boy, and will prove so"

James Heath, 1757–1834, British

"This is fairy gold, boy, and will prove so"

1804

Joseph Farington Shakespearean Scene (?): A Pilgrim

Joseph Farington, (landscape), 1747–1821, British

Shakespearean Scene (?): A Pilgrim

1796

Mary Hoare The Apparition of the Armed Head: Macbeth

Mary Hoare, 1744–1820, British

The Apparition of the Armed Head: Macbeth

ca. 1781

John Doyle ('H.B.') Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

1847

Jacobus Houbraken James Graham Marquess of Montrose

Print made by Jacobus Houbraken, 1698–1780, Dutch

James Graham Marquess of Montrose

1740

unknown artist Reclining Nude, Possibly Titania

unknown artist

Reclining Nude, Possibly Titania

undated

Thomas Park Saberna

Print made by Thomas Park, ca. 1760–1834, British

Saberna

1786

John Faber the Younger Kitty Clive as Lady Easy in "The Careless Husband"

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Kitty Clive as Lady Easy in "The Careless Husband"

1739

William Heath Opera Reminiscences: Desdemona and Othello

Print made by William Heath, 1795–1840, British

Opera Reminiscences: Desdemona and Othello

1829

Edward Scriven George Colman, The Elder

Edward Scriven, 1775–1841, British

George Colman, The Elder

1813

John Blackmore Samuel Foote

John Blackmore, active 1740–1780

Samuel Foote

1771

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834, British

"Hubert, let me not be bound!"

1802

James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

James Heath, 1757–1834, British

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Watson John Hawkesworth

James Watson, 1740–1790, British

John Hawkesworth

1773

Thomas Watson Elizabeth Ann Sheridan (née Linley) as St. Cecilia

Thomas Watson, 1743–1781, British

Elizabeth Ann Sheridan (née Linley) as St. Cecilia

1779

Charles Howard Hodges Reverend Thomas Warton

Charles Howard Hodges, 1764–1837, British

Reverend Thomas Warton

1786

James Heath "Then go, bid the huntsmen wake them with their horns"

James Heath, 1757–1834, British

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834, British

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

William Heath Opera Reminiscences: Desdemona and Otello

Print made by William Heath, 1795–1840, British

Opera Reminiscences: Desdemona and Otello

1829

Giuseppe Marchi Dr. Goldsmith

Print made by Giuseppe Marchi, ca. 1735–1808, Italian

Dr. Goldsmith

1770

Bernard Lens II Venus Presenting Armour to Aeneas

Print made by Bernard Lens II, 1659–1725, British

Venus Presenting Armour to Aeneas

undated

John Blackmore Sigismonda

Print made by John Blackmore, active 1740–1780

Sigismonda

between 1769 and 1771

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834, British

"Mark your divorce young sir, whom son I dare not call"

1804

Giuseppe Marchi Samuel Dyer

Giuseppe Marchi, ca. 1735–1808, Italian

Samuel Dyer

1773

John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii

John Hamilton Mortimer, 1740–1779, British

Lear, from King Lear, Act III, Scene ii

1776

John Hamilton Mortimer Caliban, from The Tempest

John Hamilton Mortimer, 1740–1779, British

Caliban, from The Tempest

1775

Sir Frank Short Procris and Cephalus

Print made by Sir Frank Short, 1857–1945, British

Procris and Cephalus

1885

John Watts Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

John Watts, active 1766–1786

Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

1780

James Gillray Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

James Gillray, 1756–1815, British

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

unknown artist King Henry VI, Second Part, Act 3, Scene 3

unknown artist, ( Andrew Gray )

King Henry VI, Second Part, Act 3, Scene 3

1801

Thomas Abiel Prior The Goddess of Discord in the Garden of Hesperides

Print made by Thomas Abiel Prior, 1809–1886, British

The Goddess of Discord in the Garden of Hesperides

between 1859 and 1861

James T. Willmore Dido and Aeneas

Print made by James T. Willmore, 1800–1863, British

Dido and Aeneas

between 1859 and 1861

Edward Goodall Ulysses Deriding Polyphemus

Print made by Edward Goodall, 1795–1870, British

Ulysses Deriding Polyphemus

between 1859 and 1861

Amedeo Gabrielli Griselda Returning to her Father

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

Thomas Watson The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's

Thomas Watson, 1743–1781, British

The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's

1775

Arnold Fawcus Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

Print made by Trianon Press, 1917–1979, British

Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

1972

Arnold Fawcus First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray

Print made by Arnold Fawcus, 1917–1979, British

First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray

1967