Collection: Prints and Drawings / Exhibition History: Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

John Constable, 1776–1837, British

Male Nude

1808

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Sunset

ca. 1861

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Old Cedar Tree in Botanic Garden, Chelsea

1854

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

View from Rook's Hill, Kent

1843

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Pistil Mawddach, North Wales

between 1835 and 1836

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1868

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Cornfield and Church by Moonlight

early 1830s

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Brambles

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Foxgloves

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Barn with a Mossy Roof, Shoreham

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

At Hailsham, Sussex: a Storm Approaching

1821

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Harvest under a Crescent Moon

ca. 1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

George Stubbs, 1724–1806, British

Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

between 1795 and 1806

George Stubbs, 1724–1806, British

Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

between 1795 and 1806

George Stubbs, 1724–1806, British

Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

between 1795 and 1806

George Stubbs, 1724–1806, British

Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

between 1795 and 1806

George Stubbs, 1724–1806, British

Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

between 1795 and 1806

George Stubbs, 1724–1806, British

Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

between 1795 and 1806

George Stubbs, 1724–1806, British

Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Between 1795 and 1806

George Stubbs, 1724–1806, British

Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

between 1795 and 1806

George Stubbs, 1724–1806, British

Tiger Skeleton, Lateral View (Finished Study for Table IV)

between 1795 and 1806

George Stubbs, 1724–1806, British

Fowl Skeleton, Lateral View (Finished Study for Table V)

between 1795 and 1806

Print made by George Stubbs, 1724–1806, British

A Sleeping Leopard

1791

Print made by George Stubbs, 1724–1806, British

Labourers

1789

Print made by George Stubbs, 1724–1806, British

A Tiger and a Sleeping Leopard

1788

George Stubbs, 1724–1806, British

Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

between 1795 and 1806

George Stubbs, 1724–1806, British

Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

between 1795 and 1806

Print made by William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

William Hogarth, 1697–1764, British

Study of a Female Nude

undated

Print made by William Hogarth, 1697–1764, British

Hogarth Painting the Comic Muse

1764