Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Ivy Cottage, Shoreham
undated
2
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study for "The Shearers"
between 1833 and 1834
3
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
4
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
5
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
6
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
7
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
8
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
9
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
10
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
11
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
12
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
13
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
14
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
15
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
16
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
17
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
18
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
19
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
20
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
21
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
22
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
23
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
24
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
25
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
26
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
27
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
1874
28
Edward Lear, 1812–1888, British
Greek Woodcutter, June 13 /56
1856
29
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 1, Frontispiece
1804 to 1820
30
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
31
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
32
Print made by John Sell Cotman, 1782–1842, British
Spanish Student
ca. 1830
33
Richard Parkes Bonington, 1802–1828, British
Studies for Shylock
1825
34
James Duffield Harding, 1798–1863, British
French Coast Scene with Fisherboy
1829
35
George Jones, 1786–1869, British
Study of J.M.W. Turner Sketching
undated
36
Thomas Sewell Robins, 1814–1880, British
A Postilion
undated
37
Theodor von Holst, 1810–1844, British
Ferdinand Riding the Waves
ca. 1830
38
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
39
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
40
Robert Smirke, 1752–1845, British
Falstaff Dragging the Body of Hotspur
1825
41
David Charles Read, 1790–1851, British
Landscape with two figures beside an old building
undated
42
William Henry Hunt, 1790–1864, British
A Young Scholar Goes Fishing
ca. 1820
43
Henry Monro, 1791–1814, British
A Wooded Track
1813
44
Sir David Young Cameron, 1865–1945, British
Roslyn
1899
45
Sir David Young Cameron, 1865–1945, British
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
46
Sir David Young Cameron, 1865–1945, British
The Leaf Cart
1894
47
George Jones, 1786–1869, British
Lady Westmorland (Priscilla Anne Fane, Countess of Westmorland, nee Wellesley-Pole)
undated
48
unknown artist, nineteenth century
Man Standing (Madeira Jan 15/68)
1868
49
Sir David Wilkie, 1785–1841, British
Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him
undated
50
Sir David Wilkie, 1785–1841, British
A Priest with Two Children
between 1825 and 1828
51
unknown artist
The Little Gleaner
between 1826 and 1866
52
Attributed to Gilbert Stuart Newton, 1794–1835, British
Henry Fuseli
undated
53
George Morland, 1763–1804, British
Fisherman and Dog Sitting by the Coast
1803
54
Henry Morton, ca. 1807–1825, British
The Fish Ponds
undated
55
unknown artist, nineteenth century
Horse, Man and Pig
undated
56
Sir David Wilkie, 1785–1841, British
A Child Resting His Cheek on His Hand, Head and Shoulders
undated
57
Samuel Prout, 1783–1852, British
A Seated Peasant Boy Seen From Behind
undated
58
Thomas Rowlandson, 1756–1827, British
An Elderly Buck walking with a Lady
between 1810 and 1820
59
Thomas Rowlandson, 1756–1827, British
Dr Syntax & Dairymaid
1821
60
Payne Jennings, active ca. 1875, died 1926, British
River Scene with Cliff, Man in Boat
1860s
61
Major-General James John Waterhouse, 1842–1922, British
Stonehenge, Trilithon (On the left of altar stone)
1867
62
Sidney Richard Percy, 1821–1886, British
Study of a Peasant Girl
ca. 1855
63
George H. Every, 1837–1910, British
Sir Joshua Reynolds
1866
64
William Egley, 1798–1870, British
Seated gardener with a shovel
undated
65
John Augustus Atkinson, 1775–1831, British
Going to School
between 1801 and 1810
66
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Back View of a Standing Female, Called Mrs. Fuseli
1810
67
Julia Margaret Cameron, 1815–1879, British
Irish Mary
1866
68
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Storm
1861
69
Henry Thomas Alken, 1785–1851, British
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
70
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
71
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
72
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
73
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
74
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
75
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
76
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
77
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
78
Sir Edwin Henry Landseer, 1802–1873, British
Sportsman and Two Dogs
undated
79
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Twelfth Night, Act V, Scene I: The Street
1803
80
Print made by George Cruikshank, 1792–1878, British
Adams's Visit to Parson Trulliber
ca. 1831
81
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
82
Sir David Wilkie, 1785–1841, British
Johnny and His Pony
1836
83
Print made by David Allan, 1744–1796, British, born in Scotland
Glaud and Peggy
1808
84
Henry Thomas Alken, 1785–1851, British
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
85
Henry Thomas Alken, 1785–1851, British
The Huntsman, Galloping to Left and Encouraging Hounds
undated
86
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
87
William Henry Hunt, 1790–1864, British
The Gamekeeper
1834
88
William Camden Edwards, 1777–1855, British
Nicholas Hilliard
1826
89
Richard Dighton, 1795–1880, British
Reverend Moore
1841
90
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
91
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
92
Henry Thomas Alken, 1785–1851, British
The Death: Huntsman Holding Fox Aloft
undated
93
Henry Thomas Alken, 1785–1851, British
Rider Holding on to a Gray Horse After a Fall
undated
94
Print made by Thomas Cook, 1744–1818, British
William Hogarth
1809
95
Print made by James Gillray, 1756–1815, British
A Cognocenti Contemplating ye Beauties of ye Antique
1801
96
Thomas Rowlandson, 1756–1827, British
Dr Syntax Alarmed by a Whale
1812
97
Richard Dighton, 1795–1880, British
Mr. Ashton Smith
1841
98
Richard Dighton, 1795–1880, British
Mr. Smith Dorian, 1841
1841
99
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Robin Hood and Friar Tuck, with a Slight Alteration in the Dramatis Personae
1834
100
Print made by John Doyle ('H.B.'), 1797–1868, Irish
An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both