Collection: Prints and Drawings / Period: 19th century / Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) - YCBA Collections Search Search Results

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Collection Prints and Drawings

Period 19th century

Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Samuel Palmer Ancient Trees, Lullingstone Park

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Ancient Trees, Lullingstone Park

1828

Samuel Palmer A Moonlit Scene with a Winding River

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Moonlit Scene with a Winding River

ca. 1827

Samuel Palmer Brambles

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Brambles

undated

Samuel Palmer Foxgloves

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Foxgloves

undated

Samuel Palmer A Shepherd and his Flock under the Moon and Stars

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Shepherd and his Flock under the Moon and Stars

ca. 1827

Joseph Mallord William Turner Vesuvius in Eruption

Joseph Mallord William Turner, 1775–1851, British

Vesuvius in Eruption

between 1817 and 1820

Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix

Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, in the Valley of Chamonix

1803

Joseph Mallord William Turner Upper Fall of the Reichenbach: Rainbow

Joseph Mallord William Turner, 1775–1851, British

Upper Fall of the Reichenbach: Rainbow

1810

Joseph Mallord William Turner Fluelen: Morning (looking towards the lake)

Joseph Mallord William Turner, 1775–1851, British

Fluelen: Morning (looking towards the lake)

1845

Joseph Mallord William Turner The Channel Sketchbook

Joseph Mallord William Turner, 1775–1851, British

The Channel Sketchbook

ca. 1845

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827, British

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827, British

Mary Magdalen at the Sepulchre

ca. 1805

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Jerusalem, Plate 41, "Bath who is Legions...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 41, "Bath who is Legions...."

1804 to 1820

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

1804 to 1820

William Blake Jerusalem, Plate 57, "And the voices of Bath...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 57, "And the voices of Bath...."

1804 to 1820

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake Jerusalem, Plate 32, "Leaning against the pillars...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 32, "Leaning against the pillars...."

1804 to 1820

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 62, "Repose on me...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 62, "Repose on me...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 76

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

William Blake, 1757–1827, British

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake Illustrations to Dante's Divine Comedy

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

John Frederick Lewis Sheik Hussein of Gebel Tor and His Son

John Frederick Lewis, 1804–1876, British

Sheik Hussein of Gebel Tor and His Son

between 1842 and 1843

John Frederick Lewis Seated Turk

John Frederick Lewis, 1804–1876, British

Seated Turk

between 1840 and 1841

William Haygarth Crater of Vesuvius

William Haygarth, active 1810–1816, British

Crater of Vesuvius

1816

John Frederick Lewis A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

John Frederick Lewis, 1804–1876, British

A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

1856

John Frederick Lewis Study of a Lion and Study of a Lioness' Head

John Frederick Lewis, 1804–1876, British

Study of a Lion and Study of a Lioness' Head

ca. 1820

John Frederick Lewis Study of a Lioness

John Frederick Lewis, 1804–1876, British

Study of a Lioness

ca. 1824

Richard Parkes Bonington Portia and Bassanio

Richard Parkes Bonington, 1802–1828, British

Portia and Bassanio

ca. 1826

William Ward The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

Print made by William Ward, 1766–1826, British

The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

December 1, 1801

David Roberts The Great Temple of Amon Karnak, The Hypostyle Hall

David Roberts, 1796–1864, British

The Great Temple of Amon Karnak, The Hypostyle Hall

1838

Anthony Vandyke Copley Fielding A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

Anthony Vandyke Copley Fielding, 1787–1855, British

A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

1834

Robert Hills Tree Study

Robert Hills, 1769–1844, British

Tree Study

between 1800 and 1805

Thomas Daniell Two Studies of an Indian Elephant's Head

Thomas Daniell, 1749–1840, British, active in India

Two Studies of an Indian Elephant's Head

ca. 1840

John Sell Cotman Castle Acre Priory, Norfolk

John Sell Cotman, 1782–1842, British

Castle Acre Priory, Norfolk

ca. 1804

George Fennell Robson Tryfan, Carnarvonshire

George Fennell Robson, 1788–1833, British

Tryfan, Carnarvonshire

1826

Conrad Gessner Cavalry Charging

Print made by Conrad Gessner, 1764–1826, Swiss

Cavalry Charging

1801