Download/Print Selected Image
- Title:
Upper Fall of the Reichenbach: Rainbow
- Date:
- 1810
- Medium:
- Watercolor, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1977.14.4702
- Classification:
- Drawings & Watercolors
- Collection:
- Prints and Drawings
- Subject Terms:
- cattle | dog (animal) | geology | Grand Tour | landscape | rainbow | science | shepherdess | waterfall
- Associated Places:
- Bern | Europe | Reichenbach | Schweiz | Switzerland
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:5491
- Export:
- XML
- IIIF Manifest:
- JSON
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04) [YCBA Objects in the Exhibition] [Exhibition Description]
William Wordsworth and the Age of English Romanticism (New York Public Library, 1987-10-31 - 1988-01-02) [YCBA Objects in the Exhibition]
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27) [YCBA Objects in the Exhibition]
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20) [YCBA Objects in the Exhibition]
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19) [YCBA Objects in the Exhibition]
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04) [YCBA Objects in the Exhibition]
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17) [YCBA Objects in the Exhibition]
British Art at Yale, Apollo, v.105, April 1977, p. 275, N1 .A54 + OVERSIZE (YCBA) [YCBA]
Theresa Fairbanks-Harris, Looking at Paper: A Conservator's Treatment Approach Informed by Historical Papermaking Processes, University College Cork, Cork, Ireland, p. 81, fig. 27, fig. 28 (detail), V 2849 (YCBA) [YCBA]
Theresa Fairbanks-Harris, Papermaking and the art of watercolor in eighteenth-century Britain, Paul Sandby and the Whatman Paper Mill , Yale Center for British Art, New Haven, 2006, pp. 15-17, figs. 12 and 13, NJ18.Sa56 A15 V5 2006 (YCBA) [YCBA]
Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 15, 122, no. I.18, pl. 12, ND1354.4 H38 (YCBA) [YCBA]
Graham Reynolds, English Landscape 1630-1850, Apollo, vol.105, April 1977, p. 275, N1 A54 105:2 + (YCBA) [YCBA]
Graham Reynolds, Turner : with a new introduction by David Blayney Brown, Thames & Hudson, London, fig. 78, NJ18.T85 R49 2020 (YCBA) [YCBA]
Andrew Wilton, The life and work of J.M.W. Turner, Academy Editions, London, 1979, p. 344, No. 396, NJ18 T85 +W577 OVERSIZE (YCBA) [YCBA]