Collection: Prints and Drawings / On-site Access: Accessible by appointment in the Study Room / Width [cm]: 43

Ben Nicholson, 1894–1982, British

May 2-54 (prelude)

ca. 1954

Robert Polhill Bevan, 1865–1925, British

Study of a Woman Sewing

undated

Robert Polhill Bevan, 1865–1925, British

Sale at Ward's Repository, No. 2

ca. 1918

Robert Polhill Bevan, 1865–1925, British

The Horse Mart

ca. 1917

Robert Polhill Bevan, 1865–1925, British

Timber Hauling

ca. 1917

Robert Polhill Bevan, 1865–1925, British

Study for Mare and Foal, Lytchetts, Clayhidon

1917

Robert Polhill Bevan, 1865–1925, British

A Morning at Tattersalls (with further sketches in left margin folded over)

undated

Robert Polhill Bevan, 1865–1925, British

A Cottage

undated

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Robert Polhill Bevan, 1865–1925, British

Horse Dealers at the Barbican (Barbican No. 2)

1921

Robert Polhill Bevan, 1865–1925, British

Hounds in Covert

ca. 1896

Robert Polhill Bevan, 1865–1925, British

Horse Dealers

ca. 1918

Robert Polhill Bevan, 1865–1925, British

The Caller at the Mill, with sketches outside margin

1918-1919

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Attributed to Joseph Mallord William Turner, 1775–1851, British

The Temple of Jupiter in the Island of Aegina

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Stork and Aqueduct

between 1813 and 1823

Joseph Mallord William Turner, 1775–1851, British

Leeds

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Solitude

1814

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

1813 to 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Picture in the Possession of Sir John Mildmay, Bart

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Young Anglers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

St. Catherine's Hill near Guildford

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

Edward Lear, 1812–1888, British

Oasis Village

1854

Edward Lear, 1812–1888, British

Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

1841

William Blake, 1757–1827, British

Joseph and Potiphar's Wife

1803 to 1805

William Blake, 1757–1827, British

Sealing the Stone and Setting a Watch

1800 to 1803

Sir Robert Smirke the younger, 1781–1867, British

Ruins of Messenia

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Ruins of Messenia

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Ruins of Sparta

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Remains of a Temple at Corinth

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Landscape With Mountains in the Horizon

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

North Porch of the Erectheion, Athens

ca. 1804

Sir Robert Smirke the younger, 1781–1867, British

Temple of Olympian Zeus, Athens and the Parthenon

1802-1804

Print made by Charles Shannon, 1863–1937, British

Autumn

1917

James Pryde, 1866–1941, British

Sir William Nicholson

1898

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by Sir Frank Short, 1857–1945, British

View of a River from a Terrace, Macon

1896

Print made by David Lucas, 1802–1881, British

Sir Richard Steele's Cottage

1845

Print made by David Lucas, 1802–1881, British

Spring

1829 to 1830

Print made by David Lucas, 1802–1881, British

Summer Morning

1831

Print made by Sir Frank Short, 1857–1945, British

Moonlight on the River, Lucerne

1896

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Edward Bell, active 1794–1847

Horatio, Lord Viscount Nelson, Duke of Bronte, K.B., Vice-Admiral of the White

1806

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

J. P. Quilley, active 1828

R. P. Bonington

1831

Print made by Sir Frank Short, 1857–1945, British

Sheep-washing, Windsor

1920

Print made by John Crome, 1768–1821, British

Back of the New Mills, Norwich

1812

C. R. W. Nevinson, 1889–1946, British

The Wave

1917

Print made by James Duffield Harding, 1798–1863, British

Leeds

1823

Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672)

A Three Mast Warship

undated

John Christian Schetky, 1778–1874, British

Boat Sailing to the Right with Mountains in the Background

undated

James Wyatt, 1746–1813, British

Cobham Hall, Kent: Vestibule

ca. 1790

Rev. William Henry Barnard, 1767–1818, British

The Coal Wharf, Oxford

1792

Harry John Johnson, 1826–1884, British

Alicante, Spain

1853

John Frederick Lewis, 1804–1876, British

Interior of the Great Mosque, (Ulucami) Bursa, Turkey

between 1840 and 1841

Jonathan Skelton, active 1754, died 1758, British

The Refectory, St. Augustine's Monastery, Canterbury

1757

Cornelius Varley, 1781–1873, British

Mountain Landscape, North Wales

undated

John Varley, 1778–1842, British

Mountain Landscape with Castle Ruins on a Cliff

undated

Henry William Bunbury, 1750–1811, British

The Duel: 'Twelfth Night,' Act III, Scene IV

ca. 1790

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Mount Edgecomb, Devonshire

1814 to 1826

Print made by Samuel Rawle, 1771–1860, British

Gibside, County of Durham

1819

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by Samuel Middiman, ca. 1750–1831, British

Moss Dale Fall

1822

Print made by William Radclyffe, 1780–1855, British

Hornby Castle from Tatham Church

1818-1823

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountain

1818-1823

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Joseph Constantine Stadler, active 1780–1812, British

The Farm House

1792

James Barry, 1741–1806, Irish

Rome, A View of the Arch of Constantine with Other Ruins

undated

Richard Banks Harraden, 1778–1862, British

Milton's Mulberry Tree, Christ's College Gardens, Cambridge

undated

John Samuel Hayward, 1778–1822

Liverpool: The Windmill on the Edge of the Quarry

1803

Samuel Prout, 1783–1852, British

Bolton Abbey

undated

Print made by Robert Wallis, 1794–1878, British

Havre

1832

Gangaram Chintaman Tambat, active 1790s, Indian

Side View of Bhuleshwar Temple

undated

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