- Title:
Leeds
- Date:
- 1816
- Medium:
- Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
- Inscription(s)/Marks/Lettering:
Signed in graphite, lower left: "JMW Turner RA 1816"
Inscribed in graphite, verso, lower left: " [...]
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1981.25.2704
- Classification:
- Drawings & Watercolors
- Collection:
- Prints and Drawings
- Subject Terms:
- cityscape | dogs (animals) | factories | genre subject | laborers | landscape | stones | walls
- Associated Places:
- England | Europe | Leeds | United Kingdom | Yorkshire
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:5508
- Export:
- XML
- IIIF Manifest:
- JSON
Thomas Cole's Journey - Atlantic Crossings (The National Gallery, London, 2018-06-13 - 2018-10-07) [YCBA Objects in the Exhibition]
Thomas Cole's Journey - Atlantic Crossings (The Metropolitan Museum of Art, 2018-01-29 - 2018-05-13) [YCBA Objects in the Exhibition]
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27) [YCBA Objects in the Exhibition]
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29) [YCBA Objects in the Exhibition]
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29) [YCBA Objects in the Exhibition] [Exhibition Description]
Metropole London 1800 - 1840 (Kulturstiftung Ruhr, 1992-06-04 - 1992-11-08) [YCBA Objects in the Exhibition]
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27) [YCBA Objects in the Exhibition]
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20) [YCBA Objects in the Exhibition]
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19) [YCBA Objects in the Exhibition]
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04) [YCBA Objects in the Exhibition]
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17) [YCBA Objects in the Exhibition]
A loan exhibition of English drawings and watercolours from the collection of Mr and Mrs Paul Mellon of Upperville, Virginia, P. & D. Colnaghi & Co., London, 1964, cat. no. 37, N5247.M385 L62 (YCBA) [YCBA]
Timothy J. Barringer, Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance, Yale University Press, New Haven and London, 2018, p. 73, fig. 58, NJ18 .C67 B37 2018 (YCBA) [YCBA]
Timothy J. Barringer, The Englishness of Thomas Cole, University of New Hampshire Press, Durham, NH, 2011, pp.3-4, 5, fig. 1.1 & Pl. I, V2383 (YCBA) [YCBA]
John Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, pp. 283-84, no. 88, pl. 88, N5220 M552 P38 2007 OVERSIZE (YCBA) [YCBA]
British Art at Yale, Apollo, v.105, April 1977, pp. 273, 275-6, fig. 14, N1 .A54 + OVERSIZE (YCBA) [YCBA]
David Blayney Brown, Turner's Modern World, Tate Publishing, London, p. 142, no. 105, NJ18.T85 A12 2020a Oversize (YCBA) [YCBA]
Stephen Daniels, Fields of vision, landscape, imagery and national identity in England and the United States , Polity Press, Cambridge, 1994, pp. 116-24, fig. 2, N8213 D35 1994 (YCBA) [YCBA]
English Drawings and Watercolours from the Mellon Collection, The Times (London), issue no. 56195, December 15, 1964, p. 6, Available online: The Times Digital Archive Also available on Microfilm: Film An T482 (SML) [ORBIS]
Susan Grace Galassi, Turner's Modern and Ancient Ports : Passages Through Time, New York : The Frick Collection , New Haven : Yale University Press, 2017, p. 15, cat. 12, NJ18 T85 +A12 2017 [ORBIS]
Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 110, 199-200, no. VI.26, pl. 87, ND1354.4 H38 (YCBA) [YCBA]
Lady Lever Art Gallery, British watercolours and drawings, Lord Leverhulme's collection in the Lady Lever Art Gallery , Liverpool University Press, Liverpool, 2010, p. 196, fn 1137, N1455 A85 OVERSIZE (YCBA) [YCBA]
Frederic Ogee, Turner, les paysages absolus , Hazan, Paris, 2010, p. 199, NJ18 T85 O34 2010 (YCBA) [YCBA]
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 2, no. 88, N5220 M552 P381 2007 OVERSIZE (YCBA) [YCBA]
J. S. Piggott, Turner among the Landscape Engravers I:: Chiaroscuro, Copper, Stone and Wood, Turner Society News, no. 121, Spring 2014, pp. 3-14, NJ18 T85 T86 OVERSIZE (YCBA) [YCBA]
Graham Reynolds, English Landscape 1630-1850, Apollo, vol.105, April 1977, pp. 273, 275-6, fig. 14, N1 A54 105:2 + (YCBA) [YCBA]
Eric Shanes, The Dover Mail - by Turner or by ' Girton ' ?, Turner Society News, no. 121, Spring, 2014, pp. 5-6,9 [fn 9], NJ18 T85 T86 (YCBA) [YCBA]
Ian Warrell, J.M.W. Turner, Tate Publishing, London, 2007, pp. 17, 20, fig. 8, NJ18 T85 A12 2007 + (YCBA) [YCBA]
Andrew Wilton, The life and work of J.M.W. Turner, Academy Editions, London, 1979, p. 362, No. 544, NJ18 T85 +W577 OVERSIZE (YCBA) [YCBA]
Yale University Art Gallery, English drawings and watercolors, from the collection of Mr. and Mrs. Paul Mellon, April 15 - June 20, 1965 , New Haven, 1965, cat. no. 37, NC228 Y34 (YCBA) [YCBA]