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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms river

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Francis Danby The Avon Gorge, Looking toward Clifton
Francis Danby, 1793–1861, Irish
The Avon Gorge, Looking toward Clifton
ca. 1820
Francis Danby Sunset over a River Landscape
Francis Danby, 1793–1861, Irish
Sunset over a River Landscape
early 1840s
John Constable A View on the Orwell
attributed to John Constable, 1776–1837, British
A View on the Orwell
undated
John Constable Fulham Church from across the River
John Constable, 1776–1837, British
Fulham Church from across the River
1818
John Constable Two Figures by a River
John Constable, 1776–1837, British
Two Figures by a River
between 1807 and 1809
John Constable Shipping on the Thames
John Constable, 1776–1837, British
Shipping on the Thames
ca. 1818
Samuel Palmer Sunset
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Sunset
ca. 1861
Samuel Palmer Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
1835 or 1836
Samuel Palmer A Moonlit Scene with a Winding River
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Moonlit Scene with a Winding River
ca. 1827
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851, British
Carlisle
ca. 1832
Joseph Mallord William Turner On the Mosell, Near Traben Trarbach
Joseph Mallord William Turner, 1775–1851, British
On the Mosell, Near Traben Trarbach
ca. 1841
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Southeast
Joseph Mallord William Turner, 1775–1851, British
View of Hampton Court, Herefordshire, from the Southeast
ca. 1806
Joseph Mallord William Turner Barnard Castle
Joseph Mallord William Turner, 1775–1851, British
Barnard Castle
ca. 1825
Joseph Mallord William Turner Rheinfels Looking to Katz and Gourhausen
Joseph Mallord William Turner, 1775–1851, British
Rheinfels Looking to Katz and Gourhausen
1817
Joseph Mallord William Turner The Moselle Bridge, Coblenz
Joseph Mallord William Turner, 1775–1851, British
The Moselle Bridge, Coblenz
ca. 1842
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851, British
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, in the Valley of Chamonix
1803
Joseph Mallord William Turner On the Washburn
Joseph Mallord William Turner, 1775–1851, British
On the Washburn
ca. 1815
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851, British
Teignmouth, Devonshire
ca. 1813
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Newark - upon - Trent
Joseph Mallord William Turner, 1775–1851, British
Newark - upon - Trent
ca. 1796
Joseph Mallord William Turner On the Washburn
Joseph Mallord William Turner, 1775–1851, British
On the Washburn
ca. 1815
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851, British
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Lulworth Castle, Dorset
Joseph Mallord William Turner, 1775–1851, British
Lulworth Castle, Dorset
ca. 1820
Joseph Mallord William Turner Devil's Bridge, Saint Gotthard's Pass
Joseph Mallord William Turner, 1775–1851, British
Devil's Bridge, Saint Gotthard's Pass
ca. 1804
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851, British
Basle
1807
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851, British
The Bridge in Middle Distance
1808
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Aesacus and Hesperie
1819
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851, British
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851, British
Basle
1807
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851, British
London from Greenwich
1811
Joseph Mallord William Turner Young Anglers
Etched by Joseph Mallord William Turner, 1775–1851, British
Young Anglers
1811
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888, British
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Turin, Italy
Edward Lear, 1812–1888, British
Turin, Italy
after 1872
Edward Lear Amada, 9:30 am, 12 February 1867
Edward Lear, 1812–1888, British
Amada, 9:30 am, 12 February 1867
1867
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888, British
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
Giovanni Battista Borra Plan of Jerusalem
Giovanni Battista Borra, 1713–1770, Italian
Plan of Jerusalem
ca. 1750
Giovanni Battista Borra View of the Source of the Lycus River (Nahr el-Kelb)
Giovanni Battista Borra, 1713–1770, Italian
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801, British
After Sun-Set
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
Agostino Brunias The West India Washer-Women
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
The West India Washer-Women
1779
John Sell Cotman Castle Above a Rocky Gorge
Print made by John Sell Cotman, 1782–1842, British
Castle Above a Rocky Gorge
undated
Miles Edmund Cotman Study of Trees on the Banks of the Yare
Print made by Miles Edmund Cotman, 1810–1858, British
Study of Trees on the Banks of the Yare
1846
Robert Dixon The Black Tower Norwich
Robert Dixon, 1780–1815, British
The Black Tower Norwich
between 1810 and 1811
John Smith Tobias and the Angel
Print made by John Smith, 1652–1743, British
Tobias and the Angel
ca. 1685
James Duffield Harding View of the Clifton Suspension Bridge
James Duffield Harding, 1798–1863, British
View of the Clifton Suspension Bridge
undated
John Browne Morning
Print made by John Browne, 1741–1801, British
Morning
ca. 1797
J. Carwitham A New Drawing Book of Variety of Landskips
Print made by J. Carwitham, active 1720–1740
A New Drawing Book of Variety of Landskips
ca. 1730
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771, French
Wooded Landscape with a River Leading to Distant Buildings
undated
John Crome Front of the New Mills
Print made by John Crome, 1768–1821, British
Front of the New Mills
1813
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821, British
Back of the New Mills, Norwich
1812
George H. Phillips Arundel Castle, on the River Arun
Print made by George H. Phillips, active 1819–1825, British
Arundel Castle, on the River Arun
1823 to 1827
unknown artist Arundel Castle, with Rainbow
Print made by unknown artist, nineteenth century
Arundel Castle, with Rainbow
1823 to 1827
Sigismond Himely Rouen, looking up the River
Print made by Sigismond Himely, 1801–1872, French
Rouen, looking up the River
undated
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
Sigismond Himely Rouen, looking up the River
Print made by Sigismond Himely, 1801–1872, French
Rouen, looking up the River
undated
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821, British
Windsor Bridge
1792
William Callow The Seine at St. Cloud
William Callow, 1812–1908, British, active in France
The Seine at St. Cloud
undated
William Callow Notre Dame, Paris
William Callow, 1812–1908, British, active in France
Notre Dame, Paris
1835
William Callow Stone Bridge; Wooden Footbridge (two drawings)
William Callow, 1812–1908, British, active in France
Stone Bridge; Wooden Footbridge (two drawings)
undated
Thomas Shotter Boys Mantes
follower of Thomas Shotter Boys, 1803–1874, British
Mantes
undated
Thomas Shotter Boys The Castle Mills Bridge, York
Thomas Shotter Boys, 1803–1874, British
The Castle Mills Bridge, York
1839
William Turner of Oxford Donati's Comet
William Turner of Oxford, 1789–1862, British
Donati's Comet
between 1858 and 1859
Canaletto View of Old Somerset House from the Thames
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
View of Old Somerset House from the Thames
undated