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Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms literary theme

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

George Stubbs The Farmer's Wife and the Raven

George Stubbs, 1724–1806, British

The Farmer's Wife and the Raven

1788

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Joseph Mallord William Turner, 1775–1851, British

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

ca. 1832

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802, British

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Pity

Print made by William Blake, 1757–1827, British

Pity

ca. 1795

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827, British

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827, British

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Songs of Innocence and of Experience

William Blake, 1757–1827, British

Songs of Innocence and of Experience

1789-1794

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 33, "A Long Story."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 33, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 37, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 39, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 61, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 61, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 77, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 85, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 97, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

William Blake Jerusalem, Plate 10, "Into the Furnaces...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 10, "Into the Furnaces...."

1804 to 1820

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 100

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 13, "And that toward Eden...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 13, "And that toward Eden...."

1804 to 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 16, "Hampstead Highgate Finchley...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 16, "Hampstead Highgate Finchley...."

1804 to 1820

William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 19, "His children exil'd from his breast...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

William Blake Jerusalem, Plate 25, "And there was heard...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 25, "And there was heard...."

1804 to 1820

William Blake Jerusalem, Plate 29, "Then the Divine Vision...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 29, "Then the Divine Vision...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 30, "And the Two that escaped...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

William Blake Jerusalem, Plate 38, "His face and bosom...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 38, "His face and bosom...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

1804 to 1820

William Blake Jerusalem, Plate 41, "Bath who is Legions...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 41, "Bath who is Legions...."

1804 to 1820

William Blake Jerusalem, Plate 42, "Thus Albion sat...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 42, "Thus Albion sat...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

1804 to 1820

William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 90, "The Feminine separates...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 90, "The Feminine separates...."

1804 to 1820

William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 91, "It is easier to forgive an enemy...."

1804 to 1820