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Credit Line Yale Center for British Art, Paul Mellon Collection

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Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
Robert Polhill Bevan The Horse Mart
Robert Polhill Bevan, 1865–1925, British
The Horse Mart
ca. 1917
John Constable A Bridge near Salisbury Court, Perhaps Milford Bridge
John Constable, 1776–1837, British
A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
John Constable Salisbury Plain from Old Sarum
John Constable, 1776–1837, British
Salisbury Plain from Old Sarum
1829
Samuel Palmer Cornfields with Barn, Shoreham
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Cornfields with Barn, Shoreham
ca. 1829
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
George Stubbs Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806, British
A Horse Affrighted by a Lion
1788
George Stubbs Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
George Stubbs Tiger, Recumbent, Viewed Ventrally
George Stubbs, 1724–1806, British
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
Robert Polhill Bevan Hay Carts, Cumberland Market (sketch)
Robert Polhill Bevan, 1865–1925, British
Hay Carts, Cumberland Market (sketch)
ca. 1915
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764, British
The First Stage of Cruelty
ca. 1750
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851, British
Autumn Sowing of the Grain
ca. 1794
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851, British
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888, British
The Capo Sant' Angelo, Amalfi
ca. 1885
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827, British
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
Sir Robert Smirke the younger Study of a Bust
Sir Robert Smirke the younger, 1781–1867, British
Study of a Bust
1802-1804
Capt. Thomas Hastings Milfield Stables, East Cowes, 15 June 1828
Capt. Thomas Hastings, 1778–1854, British
Milfield Stables, East Cowes, 15 June 1828
1828
Capt. Thomas Hastings Carisbrooke
Capt. Thomas Hastings, 1778–1854, British
Carisbrooke
1826
Capt. Thomas Hastings From Milfield
Capt. Thomas Hastings, 1778–1854, British
From Milfield
1825
Capt. Thomas Hastings Near the Entrance to Alum Bay, 1 September 1826
Capt. Thomas Hastings, 1778–1854, British
Near the Entrance to Alum Bay, 1 September 1826
1826
Capt. Thomas Hastings The Needles and Freshwater Cliffs, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
The Needles and Freshwater Cliffs, Isle of Wight
1826
Capt. Thomas Hastings The Needles, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
The Needles, Isle of Wight
1826
Capt. Thomas Hastings Freshwater, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Freshwater, Isle of Wight
1826
Capt. Thomas Hastings Shalcombe Down near the Needles, Looking Eastward
Capt. Thomas Hastings, 1778–1854, British
Shalcombe Down near the Needles, Looking Eastward
1826
Capt. Thomas Hastings Near Blackgang Chine, 19 August 1826
Capt. Thomas Hastings, 1778–1854, British
Near Blackgang Chine, 19 August 1826
1826
Capt. Thomas Hastings The Road between East Cowes and Newport, 1 September 1827
Capt. Thomas Hastings, 1778–1854, British
The Road between East Cowes and Newport, 1 September 1827
1827
Capt. Thomas Hastings The Landslip over Niton, 13 August 1829
Capt. Thomas Hastings, 1778–1854, British
The Landslip over Niton, 13 August 1829
1829
Capt. Thomas Hastings Archery Ground, Carisbrooke, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Archery Ground, Carisbrooke, Isle of Wight
1829
Capt. Thomas Hastings Sandown Bay, Isle of Wight, August 1828
Capt. Thomas Hastings, 1778–1854, British
Sandown Bay, Isle of Wight, August 1828
1828
Capt. Thomas Hastings Looking upon Wootton Bridge, Isle of Wight, August 1828
Capt. Thomas Hastings, 1778–1854, British
Looking upon Wootton Bridge, Isle of Wight, August 1828
1828
Capt. Thomas Hastings Within the Walls of Carisbrooke Castle, Isle of Wight, June 1829
Capt. Thomas Hastings, 1778–1854, British
Within the Walls of Carisbrooke Castle, Isle of Wight, June 1829
1829
Capt. Thomas Hastings From under the Keep within Carisbrooke Castle, 18 May 1829
Capt. Thomas Hastings, 1778–1854, British
From under the Keep within Carisbrooke Castle, 18 May 1829
1829
Capt. Thomas Hastings Near Swainstone, Isle of Wight, August 1829
Capt. Thomas Hastings, 1778–1854, British
Near Swainstone, Isle of Wight, August 1829
1829
Agostino Brunias The West India Washer-Women
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
The West India Washer-Women
1779
Valentine Green Mrs. Cosway
Print made by Valentine Green, 1739–1813, British
Mrs. Cosway
1787
Luigi Balugani Najel
Luigi Balugani, 1737–1770, Italian
Najel
undated
George Cuitt Presented by the Officers
Print made by George Cuitt, 1779–1854, British
Presented by the Officers
after 1813
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
1797
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Henry Fuseli O Evening thou Bringest All
Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
O Evening thou Bringest All
1802
James Ward A Brown long-eared bat (Plecotus auritus)
James Ward, 1769–1859, British
A Brown long-eared bat (Plecotus auritus)
undated