A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
4
John Constable, 1776–1837, British
Old Sarum at Noon
1829
5
John Constable, 1776–1837, British
Salisbury Plain from Old Sarum
1829
6
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
7
George Stubbs, 1724–1806, British
A Lion [A Lion resting on a Rock]
1788
8
Print made by George Stubbs, 1724–1806, British
A Tiger and a Sleeping Leopard
1788
9
George Stubbs, 1724–1806, British
A Prancing Horse, Facing Right
ca. 1790
10
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
1795 to 1806
11
George Stubbs, 1724–1806, British
Leopard Body, Lateral View
1795 to 1806
12
George Stubbs, 1724–1806, British
Tiger Body, Recumbent, Viewed Ventrally
1795 to 1806
13
William Hogarth, 1697–1764, British
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
14
William Hogarth, 1697–1764, British
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
15
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
16
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
17
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
18
Joseph Mallord William Turner, 1775–1851, British
On the Mosell, Near Traben Trarbach
ca. 1841
19
Joseph Mallord William Turner, 1775–1851, British
Sketch of Two Ships on a Catalogue Page
ca. 1823
20
Joseph Mallord William Turner, 1775–1851, British
The Angler
1794
21
Joseph Mallord William Turner, 1775–1851, British
A Paddle-steamer in a Storm
ca. 1841
22
Joseph Mallord William Turner, 1775–1851, British
Lost to All Hope the Brig
between 1845 and 1850
23
Joseph Mallord William Turner, 1775–1851, British
Tell's Chapel, Lake Lucerne
1841
24
Joseph Mallord William Turner, 1775–1851, British
Christ Church Gate, Canterbury
1793 to 1794
25
Etched by Joseph Mallord William Turner, 1775–1851, British
Sheep-Washing, Windsor
between 1813 and 1823
26
Etched by Joseph Mallord William Turner, 1775–1851, British
Near Blair Athol, Scotland
1811
27
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
28
Edward Lear, 1812–1888, British
Bavella, Corsica
ca. 1868
29
William Blake, 1757–1827, British
Socrates, a Visionary Head
ca. 1820
30
Print made by William Blake, 1757–1827, British
Thomas Hayley (1780-1800)
1800
31
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 10, "Into the Furnaces...."
1804 to 1820
32
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
33
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
34
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
35
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
36
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 2, Title Page
1804 to 1820
37
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
38
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
39
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
40
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
41
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
42
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
43
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
44
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
45
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
46
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
47
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
48
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
49
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
1804 to 1820
50
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
51
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
52
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 51
1804 to 1820
53
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 52, "To the Deists...."
1804 to 1820
54
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
55
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
1804 to 1820
56
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 63, "Jehovah stood among the Druids...."
1804 to 1820
57
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
58
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
59
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
1804 to 1820
60
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
61
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
62
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
63
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
64
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
65
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
66
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
67
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
68
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
69
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 59, "And formed into Four precious stones...."
1804 to 1820
70
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 7, "Was living: panting...."
1804 to 1820
71
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
72
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
73
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
74
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
75
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
76
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
77
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
78
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
79
Sir Robert Smirke the younger, 1781–1867, British
Ancient Inscription in the Walls of the Venetian Govenor's House, Mystras
1802-1804
80
Sir Robert Smirke the younger, 1781–1867, British
The Ruins of an Ancient Temple on the Summit of a Mountain Near Andritza
1802-1804
81
Sir Robert Smirke the younger, 1781–1867, British
Arcadia
1802-1804
82
Sir Robert Smirke the younger, 1781–1867, British
Temple at Phigalia
1803
83
Sir Robert Smirke the younger, 1781–1867, British
Ancient Gateway in Ruins
1802-1804
84
Sir Robert Smirke the younger, 1781–1867, British
Temple of Aphaea
1802-1804
85
Sir Robert Smirke the younger, 1781–1867, British
Temple of Aphaea
1802-1804
86
Sir Robert Smirke the younger, 1781–1867, British
A Tower Ruin, With Mount Parnasus in the Distance
1802-1804
87
Sir Robert Smirke the younger, 1781–1867, British
The Ruins at the Temple of Aphaia
1802-1804
88
Sir Robert Smirke the younger, 1781–1867, British
Girgenti
1802-1804
89
Sir Robert Smirke the younger, 1781–1867, British
Girgenti, in Sicily, to the South
1802-1804
90
Print made by William Jacobsz Delff, 1580–1638, Dutch
Michael Mirevelt
ca. 1635
91
Sir Robert Smirke the younger, 1781–1867, British
Temple Ruins
1802-1804
92
Sir Robert Smirke the younger, 1781–1867, British
Temple of Concordia
1802-1804
93
Sir Robert Smirke the younger, 1781–1867, British
Temple of Concordia
1802-1804
94
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing
1802-1804
95
Sir Robert Smirke the younger, 1781–1867, British
A Village on the Road from Terni to the Falls of the Velino