<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Subject Terms trees

Remove constraint Subject Terms: trees

Classification Prints

Remove constraint Classification: Prints

Search Results

Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837, British
The Ruins of Netley Abbey
1826
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
between 1880 and 1883
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
between 1880 and 1883
George Stubbs Labourers
Print made by George Stubbs, 1724–1806, British
Labourers
1789
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764, British
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1877
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
1874
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851, British
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851, British
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851, British
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851, British
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851, British
The Castle above the Meadows
1808
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851, British
The Hindoo Worshipper
1811
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851, British
The Bridge in Middle Distance
1808
Joseph Mallord William Turner Procris and Cephalus
Print made by Joseph Mallord William Turner, 1775–1851, British
Procris and Cephalus
1812
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851, British
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851, British
Jason
1807
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851, British
The Hindoo Worshipper
1811
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851, British
The Castle above the Meadows
1808
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851, British
Juvenile Tricks
1811
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827, British
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827, British
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827, British
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789