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John Constable Hampstead Heath, with a Bonfire
John Constable, 1776–1837, British
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
John Constable Hadleigh Castle
John Constable, 1776–1837, British
Hadleigh Castle
1828 to 1829
Not on view
George Stubbs Self-Portrait
George Stubbs, 1724–1806, British
Self-Portrait
ca. 1759
Not on view
Edward Lear Landscape with Goatherd
Edward Lear, 1812–1888, British
Landscape with Goatherd
ca. 1842
Not on view
Paul Sandby Landscape with a Lake
Paul Sandby, 1731–1809, British
Landscape with a Lake
1808
Not on view
Paul Sandby Landscape with a Castle
Paul Sandby, 1731–1809, British
Landscape with a Castle
ca. 1808
Not on view
Sir David Wilkie Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
Sir David Wilkie, 1785–1841, British
Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
ca. 1819
Not on view
John Atkinson Grimshaw Whitby
John Atkinson Grimshaw, 1836–1893, British
Whitby
1878
Not on view
Sir Charles Lock Eastlake A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
Sir Charles Lock Eastlake, 1793–1865, British, active in Italy (1816–30)
A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
ca. 1825
Not on view
William Anderson A Wherry Taking Passengers out to Two Anchored Packets
William Anderson, 1757–1837, British
A Wherry Taking Passengers out to Two Anchored Packets
1825
Not on view
Benjamin Marshall Joshua Rose of Liverpool
Benjamin Marshall, 1768–1835, British
Joshua Rose of Liverpool
ca. 1795
Not on view
Sawrey Gilpin A Setter at the Edge of a Wood
Sawrey Gilpin, 1733–1807, British
A Setter at the Edge of a Wood
between 1775 and 1785
Not on view
Sir David Wilkie The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
Sir David Wilkie, 1785–1841, British
The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
undated
Not on view
William Anderson Dutch Sailing Vessels
William Anderson, 1757–1837, British
Dutch Sailing Vessels
1814
Not on view
George Jones The Passing of the Great Emancipation Act
George Jones, 1786–1869, British
The Passing of the Great Emancipation Act
ca. 1829
Not on view
William Havell Study of a Groom, Seen from Behind
Attributed to William Havell, 1782–1857, British, active in India (1820–26)
Study of a Groom, Seen from Behind
ca. 1820
Not on view
John Ferneley The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
John Ferneley, 1782–1860, British
The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
ca. 1825
Not on view
John Willis Good After the Race
John Willis Good, 1845–1879, British
After the Race
1875
Not on view
Robert Polhill Bevan The Kill
Robert Polhill Bevan, 1865–1925, British
The Kill
undated
Robert Polhill Bevan Figures at Mass, Poland
Robert Polhill Bevan, 1865–1925, British
Figures at Mass, Poland
ca. 1904
Samuel Palmer Ancient Trees, Lullingstone Park
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Ancient Trees, Lullingstone Park
1828
Samuel Palmer Wilmot's Hill, Kent
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Wilmot's Hill, Kent
ca. 1851
Samuel Palmer Sunset
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Sunset
ca. 1861
Samuel Palmer A Cow Lodge with a Mossy Roof
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cow Lodge with a Mossy Roof
ca. 1829
Samuel Palmer Old Cedar Tree in Botanic Garden, Chelsea
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Old Cedar Tree in Botanic Garden, Chelsea
1854
Samuel Palmer A Moonlit Scene with a Winding River
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Moonlit Scene with a Winding River
ca. 1827
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study of a Pilgrim
undated
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
George Stubbs, 1724–1806, British
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
George Stubbs Dorking Hen, Lateral View
George Stubbs, 1724–1806, British
Dorking Hen, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Shows the third stage in dissection)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
George Stubbs Tiger Body, Standing in Human Posture
George Stubbs, 1724–1806, British
Tiger Body, Standing in Human Posture
1795 to 1806
George Stubbs Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
George Stubbs, 1724–1806, British
Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
1795 to 1806
William Hogarth Benjamin Read
William Hogarth, 1697–1764, British
Benjamin Read
ca. 1757
William Hogarth Hudibras and the Lawyer (no.7)
William Hogarth, 1697–1764, British
Hudibras and the Lawyer (no.7)
William Hogarth Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
Print made by William Hogarth, 1697–1764, British
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
William Hogarth Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Print made by William Hogarth, 1697–1764, British
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
William Hogarth Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
Print made by William Hogarth, 1697–1764, British
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
William Hogarth Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
Print made by William Hogarth, 1697–1764, British
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
William Hogarth Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
Print made by William Hogarth, 1697–1764, British
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
William Hogarth Plate 11, The Idle 'Prentice Executed at Tyburn
Print made by William Hogarth, 1697–1764, British
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
William Hogarth Plate 12, The Industrious 'Prentice Lord Mayor of London
Print made by William Hogarth, 1697–1764, British
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
William Hogarth Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
Print made by William Hogarth, 1697–1764, British
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
William Hogarth Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
Print made by William Hogarth, 1697–1764, British
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
William Hogarth Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
Print made by William Hogarth, 1697–1764, British
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
William Hogarth Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
Print made by William Hogarth, 1697–1764, British
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851, British
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner On the Washburn
Joseph Mallord William Turner, 1775–1851, British
On the Washburn
ca. 1815
Joseph Mallord William Turner Shields Lighthouse
Print made by Joseph Mallord William Turner, 1775–1851, British
Shields Lighthouse
between 1820 and 1826
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
Joseph Mallord William Turner Calm
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851, British
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner Interior of a Church
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Interior of a Church
1819
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
Joseph Mallord William Turner Ville de Thun, Switzerland
Etched by Joseph Mallord William Turner, 1775–1851, British
Ville de Thun, Switzerland
1816
Joseph Mallord William Turner River Wye
Etched by Joseph Mallord William Turner, 1775–1851, British
River Wye
1812
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851, British
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851, British
Basle
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
Joseph Mallord William Turner Dumblain Abbey, Scotland
Etched by Joseph Mallord William Turner, 1775–1851, British
Dumblain Abbey, Scotland
1816
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Lauffenbourgh on the Rhine
Etched by Joseph Mallord William Turner, 1775–1851, British
Lauffenbourgh on the Rhine
1811
Joseph Mallord William Turner Windmill and Lock
Etched by Joseph Mallord William Turner, 1775–1851, British
Windmill and Lock
1811
Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Junction of Severn and Wye
1811
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851, British
Ships in a Breeze
1808
Joseph Mallord William Turner Mt. St. Gothard
Etched by Joseph Mallord William Turner, 1775–1851, British
Mt. St. Gothard
1808
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
Joseph Mallord William Turner The Source of the Arveron in the Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
Joseph Mallord William Turner Calm
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
Joseph Mallord William Turner The Crypt of Kirkstall Abbey
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Crypt of Kirkstall Abbey
1812
Joseph Mallord William Turner Scene in the Campagna
Etched by Joseph Mallord William Turner, 1775–1851, British
Scene in the Campagna
1812
Joseph Mallord William Turner Morpeth, Northumberland
Etched by Joseph Mallord William Turner, 1775–1851, British
Morpeth, Northumberland
1809
Edward Lear Knowsley Hall
Edward Lear, 1812–1888, British
Knowsley Hall
undated
Edward Lear Landscape Near Segni
Edward Lear, 1812–1888, British
Landscape Near Segni
1838
George Romney Reclining Nude
George Romney, 1734–1802, British
Reclining Nude
undated
George Romney Sketches for "The Accusation of Susanna"
George Romney, 1734–1802, British
Sketches for "The Accusation of Susanna"
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Two Children Embracing
George Romney, 1734–1802, British
Two Children Embracing
undated
George Romney Anger, Envy, and Fear
George Romney, 1734–1802, British
Anger, Envy, and Fear
undated
William Blake Abraham and Isaac
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
William Blake Five Visionary Heads of Women
William Blake, 1757–1827, British
Five Visionary Heads of Women
1819 to 1820
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827, British
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827, British
Fable VI. The Miser and Plutus
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827, British
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827, British
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827, British
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827, British
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827, British
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827, British
Fable I. The Dog and the Fox
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827, British
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827, British
Fable XVI. The Pin and the Needle
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827, British
Fable XIII. The Tame Stag
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827, British
Fable XII. Pan and Fortune
1793
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827