Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Ancient Trees, Lullingstone Park
1828
3
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Wilmot's Hill, Kent
ca. 1851
4
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Sunset
ca. 1861
5
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cow Lodge with a Mossy Roof
ca. 1829
6
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Old Cedar Tree in Botanic Garden, Chelsea
1854
7
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Moonlit Scene with a Winding River
ca. 1827
8
attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study of a Pilgrim
undated
9
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
10
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
11
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
12
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
13
George Stubbs, 1724–1806, British
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
14
George Stubbs, 1724–1806, British
Dorking Hen, Lateral View
1795 to 1806
15
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
16
George Stubbs, 1724–1806, British
Tiger Body, Standing in Human Posture
1795 to 1806
17
George Stubbs, 1724–1806, British
Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
1795 to 1806
18
Joseph Mallord William Turner, 1775–1851, British
On the Washburn
ca. 1815
19
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
21
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Interior of a Church
1819
22
Etched by Joseph Mallord William Turner, 1775–1851, British
River Wye
1812
23
Etched by Joseph Mallord William Turner, 1775–1851, British
Rispah: 2nd Book of Samuel, Chap. 21
1812
24
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
25
Etched by Joseph Mallord William Turner, 1775–1851, British
Lauffenbourgh on the Rhine
1811
26
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Crypt of Kirkstall Abbey
1812
27
Etched by Joseph Mallord William Turner, 1775–1851, British
Scene in the Campagna
1812
28
Edward Lear, 1812–1888, British
Knowsley Hall
undated
29
Edward Lear, 1812–1888, British
Landscape Near Segni
1838
30
William Blake, 1757–1827, British
Five Visionary Heads of Women
1819 to 1820
31
Print made by William Blake, 1757–1827, British
Introduction to the Fables, The Shepherd and the Philosopher
1793
32
Print made by William Blake, 1757–1827, British
Fable VI. The Miser and Plutus
1793
33
Print made by William Blake, 1757–1827, British
Fable XXII. The Goat Without a Beard
1793
34
Print made by William Blake, 1757–1827, British
Fable XXIV. The Butterfly and the Snail
1793
35
Print made by William Blake, 1757–1827, British
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
36
Print made by William Blake, 1757–1827, British
Fable XXX. The Setting-dog and the Partridge
1793
37
Print made by William Blake, 1757–1827, British
Fable XLI. The Owl and the Farmer
1793
38
Print made by William Blake, 1757–1827, British
Fable I. The Dog and the Fox
1793
39
Print made by William Blake, 1757–1827, British
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
40
Print made by William Blake, 1757–1827, British
Fable XVI. The Pin and the Needle
1793
41
Print made by William Blake, 1757–1827, British
Fable XIII. The Tame Stag
1793
42
Print made by William Blake, 1757–1827, British
Fable XII. Pan and Fortune
1793
43
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
44
Etched by Joseph Mallord William Turner, 1775–1851, British
London from Greenwich
1811
45
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
46
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
1802-1804
47
Sir Robert Smirke the younger, 1781–1867, British
Study of the Capital of a PIllar
1802-1804
48
Sir Robert Smirke the younger, 1781–1867, British
Study of the Capital of a Pillar
1802-1804
49
Sir Robert Smirke the younger, 1781–1867, British
Gateway in the Ruins of the Ancient Walls of Arpino
1802-1804
50
Sir Robert Smirke the younger, 1781–1867, British
Ruins at Capua
1802-1804
51
Sir Robert Smirke the younger, 1781–1867, British
View From Cori Towards Villetri
1802-1804
52
Sir Robert Smirke the younger, 1781–1867, British
Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
1802-1804
53
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Ioannes Snellincx
ca. 1635
54
Print made by Paulus Pontius, 1603–1658, Flemish
Henricus Steenwyck
ca. 1635
55
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
56
Robert Dixon, 1780–1815, British
The Black Tower Norwich
between 1810 and 1811
57
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
58
Robert Dixon, 1780–1815, British
Sketch at Mulbarton
between 1810 and 1811
59
Robert Dixon, 1780–1815, British
Remains of the Priory, Beeston Regis
1810
60
Print made by Charles W. Bartlett, 1860–1940, British
Udaipur, 1916
1916
61
Robert Dixon, 1780–1815, British
Beeston Priory, Beeston Regis
between 1810 and 1811
62
George Shepheard, ca. 1770–1842, British
Shadwell by the Ship Inn
undated
63
William James Muller, 1812–1845, British
Farm Buildings
undated
64
James Lawson Stewart, active 1883–died 1929, British
A Quaint Corner of Ram Alley, Fleet Street, Before Alternations
undated
65
George Shepherd, active 1782–1830
A Distant View of Ampthill Park
1825
66
Lt. Gen. Charles Emilius Gold, 1803?–1871
View near Auckland: Three Maoris and a Dog
1860
67
James Howe, 1780–1836, British
Three Horses and Stable Lad
undated
68
John Frederick Lewis, 1804–1876, British
Game Keeper and Boy Ferreting a Rabbit
ca. 1828
69
Edward Byng, c. 1676–1753, British
A Gentleman or A Cleric wearing a Long Gown and Bands
undated
70
Thomas Uwins, 1782–1857, British
Farm House Kitchen at Brackham in Surrey
undated
71
Thomas Stothard, 1755–1834, British
The Tenth Day of the Decameron
ca. 1825
72
Cornelius Varley, 1781–1873, British
Mountain Landscape, North Wales
undated
73
Print made by James C. Allen, active 1821–1831, British
The Ivy Bridge, Devonshire
1816
74
Print made by James C. Allen, active 1821–1831, British
Ivy Bridge, Devonshire
1816
75
Print made by John Byrne, 1786–1847, British
Rome, Tomb of Cecilia Metella
1818-1820
76
Print made by Edward Goodall, 1795–1870, British
A Village – Evening
1834
77
Print made by Edward Goodall, 1795–1870, British
The Gipsy
1834
78
Samuel Prout, 1783–1852, British
Fishing Boat on the Beach with a Brig at Sea
undated
79
Samuel Prout, 1783–1852, British
Fishing Boats on the Beach with Sails Drying
undated
80
Francis Wheatley, 1747–1801, British
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
81
Thomas Sewell Robins, 1814–1880, British
A Postilion
undated
82
David Cox, 1783–1859, British
Moonlight Landscape
between 1850 and 1859
83
attributed to John Thirtle, 1777–1839, British
Near the Ferry going to Gott's, Leeds
undated
84
Richard Banks Harraden, 1778–1862, British
Trinity Hall from the Garden, Cambridge
undated
85
Thomas Hearne, 1744–1817, British
View from Skiddaw over Derwentwater
between 1772 and 1782
86
William Pitts, 1790–1840, British
Helios
undated
87
John Frederick Lewis, 1804–1876, British
Head of a Young Woman
between 1838 and 1840
88
unknown artist
Angel of Peace
between 1839 and 1866
89
Gerrit Jan Schouten, Born 1815, Dutch
Boschbeek & Gorenendaal: View towards Leidschevaart and Zantvoort