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Medium wove paper

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Collection Prints and Drawings

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Date 1827

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Francis Danby Study for "The Golden Age"
Francis Danby, 1793–1861, Irish
Study for "The Golden Age"
1827
John Constable Sky Study with Rainbow
John Constable, 1776–1837, British
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851, British
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851, British
Carlisle
ca. 1832
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888, British
Entrance to the Port of Marseille
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888, British
People on the Road Near Kalicut, Malabar
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888, British
Venice, the Doge's Palace
undated
Edward Lear English Country Town
Edward Lear, 1812–1888, British
English Country Town
undated
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
Capt. Thomas Hastings Lord Henry Seymour's Estate
Capt. Thomas Hastings, 1778–1854, British
Lord Henry Seymour's Estate
1827
Capt. Thomas Hastings The Road between East Cowes and Newport, 1 September 1827
Capt. Thomas Hastings, 1778–1854, British
The Road between East Cowes and Newport, 1 September 1827
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854, British
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Bonchurch, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Bonchurch, Isle of Wight
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854, British
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Portsmouth, Hampshire
Capt. Thomas Hastings, 1778–1854, British
Portsmouth, Hampshire
1827
Thomas Goff Lupton Calais Pier - the English Packet Arriving
Print made by Thomas Goff Lupton, 1791–1873, British
Calais Pier - the English Packet Arriving
1827
William James Muller Study of a Cottage by a lane
William James Muller, 1812–1845, British
Study of a Cottage by a lane
undated
William James Muller Farm Buildings
William James Muller, 1812–1845, British
Farm Buildings
undated
John Frederick Lewis St. Goarhausen on the Rhine between Koblenz and Mainz
John Frederick Lewis, 1804–1876, British
St. Goarhausen on the Rhine between Koblenz and Mainz
1827
John Frederick Lewis The Via Mala
John Frederick Lewis, 1804–1876, British
The Via Mala
1827
John Frederick Lewis The Valley of Lutscheuen
John Frederick Lewis, 1804–1876, British
The Valley of Lutscheuen
1827
John Frederick Lewis Tyrolese Hunters
John Frederick Lewis, 1804–1876, British
Tyrolese Hunters
between 1827 and 1828
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834, British
The Fortune Teller
1827
Capt. Thomas Hastings Sketch of Boatmen on the Shore, Ships in the Distance
Capt. Thomas Hastings, 1778–1854, British
Sketch of Boatmen on the Shore, Ships in the Distance
1827
Sir George Hayter A Capriccio of Windsor Castle
Sir George Hayter, 1792–1871, British
A Capriccio of Windsor Castle
1827
Sir George Hayter Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
Sir George Hayter, 1792–1871, British
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon
Frederick Christian Lewis the Elder, 1779–1856, British
River Tamar, near Endsleigh, Devon
ca. 1832
George Fennell Robson St. Paul's from Southwark by Sunset
George Fennell Robson, 1788–1833, British
St. Paul's from Southwark by Sunset
ca. 1832
Edward Goodall Old London Bridge and Vicinity
Print made by Edward Goodall, 1795–1870, British
Old London Bridge and Vicinity
1827
Edward Francis Finden Temple of Minerva, Cape Colonna
Print made by Edward Francis Finden, 1791–1857, British
Temple of Minerva, Cape Colonna
ca. 1832
Robert Wallis Buckfastleigh Abbey, Devonshire
Print made by Robert Wallis, 1794–1878, British
Buckfastleigh Abbey, Devonshire
1827
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828, British
Trees and a Cottage by a River
1827
William James Muller The Bridge at Llangollen
William James Muller, 1812–1845, British
The Bridge at Llangollen
undated
James Pattison Cockburn Advanced Guard - Sunrise
James Pattison Cockburn, 1779–1847, British
Advanced Guard - Sunrise
ca. 1832
Welby Sherman Shepherd and Shepherdess by Moonlight
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
William James Muller A Mountain Torrent
William James Muller, 1812–1845, British
A Mountain Torrent
undated
William James Muller Study of a Rustic Interior Scene
William James Muller, 1812–1845, British
Study of a Rustic Interior Scene
undated
John James Chalon Music: Composition in a Garden
John James Chalon, 1778–1854, French, active in Britain
Music: Composition in a Garden
ca. 1832
William James Muller The Bridge
William James Muller, 1812–1845, British
The Bridge
undated
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878, British
Sketches of Towns People
1827
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
Richard Parkes Bonington Study of a Gentleman in 17th Century Costume
Richard Parkes Bonington, 1802–1828, British
Study of a Gentleman in 17th Century Costume
between 1827 and 1828
Augustus Welby Northmore Pugin Chapel of the Archbishop's Palace, Croydon: View from the East End
Augustus Welby Northmore Pugin, 1812–1852, British
Chapel of the Archbishop's Palace, Croydon: View from the East End
1827
Augustus Welby Northmore Pugin Design for an Unidentified House: Elevations and Plans
Augustus Welby Northmore Pugin, 1812–1852, British
Design for an Unidentified House: Elevations and Plans
undated
Augustus Welby Northmore Pugin Design for Inkstand for Westminster No. 1, End Elevation
Augustus Welby Northmore Pugin, 1812–1852, British
Design for Inkstand for Westminster No. 1, End Elevation
undated
Augustus Welby Northmore Pugin Design for Branch for the Speaker's Chair
Augustus Welby Northmore Pugin, 1812–1852, British
Design for Branch for the Speaker's Chair
undated
Augustus Welby Northmore Pugin Elevation, Plan and Section of a Bell Tower
Augustus Welby Northmore Pugin, 1812–1852, British
Elevation, Plan and Section of a Bell Tower
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Designs for Gothic Tables
Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Tables
undated
Augustus Welby Northmore Pugin Designs for Gothic Candle Sticks and Branches
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Candle Sticks and Branches
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852, British
Sketch of a Gothic Church
undated
Augustus Welby Northmore Pugin Design for a Stained Glass Window
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Stained Glass Window
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852, British
Sketch of a Gothic Church
undated
Augustus Welby Northmore Pugin Bishop's Chapel Bishop Eton (built c. 1845-1850)
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Bishop's Chapel Bishop Eton (built c. 1845-1850)
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
Augustus Welby Northmore Pugin Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852, British
Interior of a Gothic Church
undated
Augustus Welby Northmore Pugin Place Royale, Paris
Augustus Welby Northmore Pugin, 1812–1852, British
Place Royale, Paris
undated
Alfred Diston Square in the Village of Los Silos, Tenerife
Alfred Diston, active 1818–1829
Square in the Village of Los Silos, Tenerife
1827
James C. Allen The Custom House
Print made by James C. Allen, active 1821–1831, British
The Custom House
1827
James C. Allen The Custom House
Print made by James C. Allen, active 1821–1831, British
The Custom House
1827
Alfred Gomersal Vickers Crakow
Alfred Gomersal Vickers, 1810–1837, British
Crakow
1827
Charles Fox John Burnet, Author of "Practical Hints on Painting"
Charles Fox, 1749–1809, British
John Burnet, Author of "Practical Hints on Painting"
1827
Lady Mary Leighton Isola Bella and Lago Maggiore
Lady Mary Leighton, active 1832–1864, British
Isola Bella and Lago Maggiore
1827
Alfred Gomersal Vickers Kremlin from the Quay
Alfred Gomersal Vickers, 1810–1837, British
Kremlin from the Quay
1827
Alfred Gomersal Vickers Moscow from the Esplanade of the Kremlin
Alfred Gomersal Vickers, 1810–1837, British
Moscow from the Esplanade of the Kremlin
1827
Alfred Gomersal Vickers Red Square, Moscow
Alfred Gomersal Vickers, 1810–1837, British
Red Square, Moscow
1827
James Pattison Cockburn Cuirassiers
James Pattison Cockburn, 1779–1847, British
Cuirassiers
ca. 1832
James Pattison Cockburn Trotting Past
James Pattison Cockburn, 1779–1847, British
Trotting Past
ca. 1832
William Daniell Windsor Castle from near Brocas Meadows
William Daniell, 1769–1837, British
Windsor Castle from near Brocas Meadows
1827
Robert Hills In the Vaux, Jersey
Robert Hills, 1769–1844, British
In the Vaux, Jersey
ca. 1832
Robert Hills Farm Buildings in the Vaux, Jersey
Robert Hills, 1769–1844, British
Farm Buildings in the Vaux, Jersey
ca. 1832
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
George Cruikshank Blear-Eyed Moll
Print made by George Cruikshank, 1792–1878, British
Blear-Eyed Moll
ca. 1832
Henry Thomas Alken Going at a Rank of Hurdles with Temper and Resolution
Henry Thomas Alken, 1785–1851, British
Going at a Rank of Hurdles with Temper and Resolution
1827
Henry Thomas Alken "Topping a Park fence and doing the thing easy"
Henry Thomas Alken, 1785–1851, British
"Topping a Park fence and doing the thing easy"
1827
William Daniell Windsor Castle from the South
William Daniell, 1769–1837, British
Windsor Castle from the South
1827
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859, British
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
John West Giles Man Leading a Horse in Front of a Stable
Possibly John West Giles, (record as 'J Giles'), active 1827–1865
Man Leading a Horse in Front of a Stable
1827
George Birch Plan and View of Room under the Painted Chamber
George Birch, 1842–1904, British
Plan and View of Room under the Painted Chamber
1827
R.C. Roffe Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Print made by R.C. Roffe, active in London 1806–1835, British
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
Frederick Rosenberg The Mail Coach in a Flood
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
Capt. Thomas Hastings At Shanklin, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
At Shanklin, Isle of Wight
1827
George Alken Foxhunting: Full Cry
George Alken, 1794–active 1837, British
Foxhunting: Full Cry
between 1827 and 1837
Henry Thomas Alken Turbaned Cavalryman, Right Arm with Curved Sword Upraised
Henry Thomas Alken, 1785–1851, British
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
unknown artist A Cutter and Other Shipping in a Breeze
unknown artist
A Cutter and Other Shipping in a Breeze
1827-1828
Henry Thomas Alken "The Cover Hack"
Henry Thomas Alken, 1785–1851, British
"The Cover Hack"
1827
Henry Thomas Alken "By - he'll get to the Earth..."
Henry Thomas Alken, 1785–1851, British
"By - he'll get to the Earth..."
1827