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Medium watercolor

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms trees

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John Constable Suffolk Landscape
John Constable, 1776–1837, British
Suffolk Landscape
undated
John Constable Landscape at East Bergholt
John Constable, 1776–1837, British
Landscape at East Bergholt
ca. 1805
John Constable Stoke Poges Church
John Constable, 1776–1837, British
Stoke Poges Church
1834
John Constable Borrowdale: Evening after a Fine Day, 1 October 1806
John Constable, 1776–1837, British
Borrowdale: Evening after a Fine Day, 1 October 1806
1806
John Constable Trees in a Meadow
John Constable, 1776–1837, British
Trees in a Meadow
ca. 1805
Samuel Palmer Wilmot's Hill, Kent
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Wilmot's Hill, Kent
ca. 1851
Samuel Palmer Evening, Cattle Watering
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Evening, Cattle Watering
undated
Samuel Palmer Tintern Abbey at Sunset
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Tintern Abbey at Sunset
1861
Samuel Palmer Sunset
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Sunset
ca. 1861
Samuel Palmer View from Rook's Hill, Kent
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
View from Rook's Hill, Kent
1843
Samuel Palmer The Cypresses at the Villa d'Este, Tivoli
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypresses at the Villa d'Este, Tivoli
1838
Samuel Palmer The Lonely Tower
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1868
Samuel Palmer Thatched Cottage and Church
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Thatched Cottage and Church
undated
Samuel Palmer The Weald of Kent
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weald of Kent
between 1833 and 1834
Samuel Palmer The Barns
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Barns
undated
Samuel Palmer The Wayside Smithy
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Wayside Smithy
undated
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Timber Wain
between 1833 and 1834
Samuel Palmer Timber Wagon Crossing a Stream
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Timber Wagon Crossing a Stream
undated
Samuel Palmer Rustic Contentment
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Rustic Contentment
undated
Samuel Palmer Kensington Gardens
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Kensington Gardens
ca. 1848
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
George Stubbs Horses Fighting
after George Stubbs, 1724–1806, British
Horses Fighting
undated
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Joseph Mallord William Turner View of Ely Cathedral
Joseph Mallord William Turner, 1775–1851, British
View of Ely Cathedral
ca. 1796
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851, British
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Luxembourg
Joseph Mallord William Turner, 1775–1851, British
Luxembourg
ca. 1825 or 1834
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851, British
Carlisle
ca. 1832
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851, British
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner Ingleborough from Chapel-Le-Dale
Joseph Mallord William Turner, 1775–1851, British
Ingleborough from Chapel-Le-Dale
between 1810 and 1815
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Southeast
Joseph Mallord William Turner, 1775–1851, British
View of Hampton Court, Herefordshire, from the Southeast
ca. 1806
Joseph Mallord William Turner Barnard Castle
Joseph Mallord William Turner, 1775–1851, British
Barnard Castle
ca. 1825
Joseph Mallord William Turner Saint Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851, British
Saint Augustine's Gate, Canterbury
ca. 1793
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851, British
The Angler
1794
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, in the Valley of Chamonix
1803
Joseph Mallord William Turner On the Washburn
Joseph Mallord William Turner, 1775–1851, British
On the Washburn
ca. 1815
Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire
Joseph Mallord William Turner, 1775–1851, British
Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
Joseph Mallord William Turner A Three Storied Georgian House in a Park
Joseph Mallord William Turner, 1775–1851, British
A Three Storied Georgian House in a Park
ca. 1795
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851, British
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner On the Washburn
Joseph Mallord William Turner, 1775–1851, British
On the Washburn
ca. 1815
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851, British
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851, British
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Tivoli with the Temple of the Sybil and the Cascades
Joseph Mallord William Turner, 1775–1851, British
Tivoli with the Temple of the Sybil and the Cascades
between 1796 and 1797
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851, British
Andernach
1817
Joseph Mallord William Turner Foul by God: River Landscape with Anglers Fishing From a Weir
Joseph Mallord William Turner, 1775–1851, British
Foul by God: River Landscape with Anglers Fishing From a Weir
ca. 1830
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851, British
Lake Geneva and Mount Blanc
1802 to 1805
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851, British
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851, British
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Waterfall of Lodore, Cumberland
Joseph Mallord William Turner, 1775–1851, British
Waterfall of Lodore, Cumberland
undated
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851, British
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner Landscape with Waterfall
Joseph Mallord William Turner, 1775–1851, British
Landscape with Waterfall
ca. 1796
Joseph Mallord William Turner Steeton Manor House, Near Farnley
Joseph Mallord William Turner, 1775–1851, British
Steeton Manor House, Near Farnley
between 1815 and 1818
Joseph Mallord William Turner Sir William Hamilton's Villa
Joseph Mallord William Turner, 1775–1851, British
Sir William Hamilton's Villa
ca. 1795
Joseph Mallord William Turner Landscape with Trees and Figures
Joseph Mallord William Turner, 1775–1851, British
Landscape with Trees and Figures
ca. 1796
Joseph Mallord William Turner Dent de Lion, Margate
Joseph Mallord William Turner, 1775–1851, British
Dent de Lion, Margate
ca. 1791
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851, British
Villa d'Este
ca. 1796
Joseph Mallord William Turner Devil's Bridge, Saint Gotthard's Pass
Joseph Mallord William Turner, 1775–1851, British
Devil's Bridge, Saint Gotthard's Pass
ca. 1804
Joseph Mallord William Turner Windsor Castle and Park with Deer
Joseph Mallord William Turner, 1775–1851, British
Windsor Castle and Park with Deer
undated
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888, British
A View of the Pine Woods Above Cannes
1869
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888, British
People on the Road Near Kalicut, Malabar
undated
Edward Lear Albania
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827, British
The Entrance Front of Hayley's House at Eartham
1801
William Blake A Woody Landscape
William Blake, 1757–1827, British
A Woody Landscape
ca. 1801
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789