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Medium watercolor
Remove constraint Medium: watercolorCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms men
Remove constraint Subject Terms: menSearch Results
1
- Arab Horsemen, Two Grey Horses
- 1965
2
- Under the Hammer
- between 1912 and 1913
3
- The Bayhorse, Tattersall’s
- 1921
4
- Over the Bank, Exmoor
- ca. 1895
5
- Folkestone Harbour and Coast to Dover
- ca. 1829
6
- Teignmouth, Devonshire
- ca. 1813
7
- Rome from Monte Mario
- ca. 1818
8
- Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
- ca. 1797
9
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
10
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
11
- Joseph and Potiphar's Wife
- 1803 to 1805
12
- Mary Magdalen at the Sepulchre
- ca. 1805
13
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
14
- Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
- ca. 1797
15
- Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
- 1797
16
- Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
- 1797
17
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
33
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
34
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
35
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
36
- Jerusalem, Plate 100
- 1804 to 1820
37
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
38
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
39
- Jerusalem, Plate 19, "His children exil'd from his breast...."
- 1804 to 1820
40
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
41
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
42
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
43
- Jerusalem, Plate 29, "Then the Divine Vision...."
- 1804 to 1820
44
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
45
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
46
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
47
- Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
- 1804 to 1820
48
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
49
- Jerusalem, Plate 42, "Thus Albion sat...."
- 1804 to 1820
50
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
51
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
52
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
53
- Jerusalem, Plate 93, "Enitharmon heard...."
- 1804 to 1820
54
- Jerusalem, Plate 94, "Albion cold lays on his Rock...."
- 1804 to 1820
55
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
56
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
57
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
58
- Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
- 1797
59
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
60
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
61
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
62
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
63
- America. A Prophecy, Plate 1, Frontispiece
- 1793
64
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
65
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
66
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
67
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
68
- America. A Prophecy, Plate 2, Title Page
- 1793
69
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
70
- Jerusalem, Plate 21, "O Vala! O Jerusalem...."
- 1804 to 1820
71
- Jerusalem, Plate 24, "What have I said?...."
- 1804 to 1820
72
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
73
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
74
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
75
- Jerusalem, Plate 51
- 1804 to 1820
76
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
77
- Jerusalem, Plate 69, "Then all the Males...."
- 1804 to 1820
78
- Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
- 1804 to 1820
79
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
80
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
81
- Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
- 1797
82
- Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
- 1797
83
- Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
- 1797
84
- Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
- 1797
85
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 25, "A Long Story."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
95
- The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
- between 1797 and 1798
96
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
97
- Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
- 1789
98
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
99
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
100
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793