Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Shepherd and his Flock under the Moon and Stars
ca. 1827
3
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
4
Edward Lear, 1812–1888, British
Near Suez, evening, 15 January 1849 (43)
1849
5
Edward Lear, 1812–1888, British
Near Suez, 1 pm, 16 January 1849 (48)
1849
6
Edward Lear, 1812–1888, British
Greek Woodcutter, June 13 /56
1856
7
Edward Lear, 1812–1888, British
Boats on the Nile
1867
8
Edward Lear, 1812–1888, British
Shelaal
1867
9
Edward Lear, 1812–1888, British
Qaw el Kebir
1867
10
Edward Lear, 1812–1888, British
Near Bajoura
1867
11
Edward Lear, 1812–1888, British
Boats on the Nile
1867
12
Edward Lear, 1812–1888, British
Near Korosko
1867
13
Edward Lear, 1812–1888, British
Wady Halfeh
1867
14
Edward Lear, 1812–1888, British
Avenue of Trees
1867
15
Edward Lear, 1812–1888, British
Sketch studies of camels
January to April 1867
16
Edward Lear, 1812–1888, British
Studies of Camels
January to April 1867
17
Edward Lear, 1812–1888, British
Studies of Camels and Egyptian Men
1867
18
Edward Lear, 1812–1888, British
Opposite Kom Ombos Abu Jer
1867
19
Edward Lear, 1812–1888, British
Study of an Egyptian Man on a Camel
1867
20
Edward Lear, 1812–1888, British
Egpytian Man on Camel
1867
21
Edward Lear, 1812–1888, British
Study of figures and a camel
1867
22
Edward Lear, 1812–1888, British
Pettenasco, Lago d'Orta
1867
23
Edward Lear, 1812–1888, British
Pettenasco, Lago d'Orta
1867
24
Edward Lear, 1812–1888, British
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
25
Edward Lear, 1812–1888, British
Below Rabat, Malta
1866
26
Edward Lear, 1812–1888, British
El Ousta
1854
27
Edward Lear, 1812–1888, British
Harb. Gozo
1866
28
Edward Lear, 1812–1888, British
Opposite Beni Hassan
1867
29
Edward Lear, 1812–1888, British
Howatke
1867
30
Edward Lear, 1812–1888, British
A Dry Halfeh Grass
1867
31
Edward Lear, 1812–1888, British
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
32
Edward Lear, 1812–1888, British
Boats
1867
33
Edward Lear, 1812–1888, British
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
34
Edward Lear, 1812–1888, British
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
35
Edward Lear, 1812–1888, British
Sheikh El Wachshee, El Luxor
1867
36
Edward Lear, 1812–1888, British
Near Khan Yunas
1867
37
Edward Lear, 1812–1888, British
Belbeis
1867
38
Edward Lear, 1812–1888, British
Near Belbeis
1867
39
Edward Lear, 1812–1888, British
Between Bir El Abt
1867
40
Edward Lear, 1812–1888, British
El Areesh
1867
41
Edward Lear, 1812–1888, British
Kurayim
1867
42
Edward Lear, 1812–1888, British
Salahiyeh
1867
43
Edward Lear, 1812–1888, British
Zereeba, near Belbeis
1867
44
Print made by Richard Parkes Bonington, 1802–1828, British
Untitled (one of three)
undated
45
John Thomas Smith, 1766–1833, British
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
46
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
47
Thomas Shotter Boys, 1803–1874, British
Street Scene at Stratford by Bow
undated
48
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
49
John Thomas Smith, 1766–1833, British
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
50
John Thomas Smith, 1766–1833, British
The Smock Exposed
1817
51
John Thomas Smith, 1766–1833, British
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
52
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
53
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
54
John Thomas Smith, 1766–1833, British
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
55
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
56
Thomas Rowlandson, 1756–1827, British
Dr. Syntax Made Free of the Cellar
undated
57
Eugene S. Ince, active 1860, British
An Album of Original Sketches
ca. 1860
58
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
59
John Thomas Smith, 1766–1833, British
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
60
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
61
Hablot Knight Browne, 1815–1882, British
The Search after Truth
undated
62
James Pollard, 1792–1867, British
The Greengrocer
ca. 1819
63
Richard Banks Harraden, 1778–1862, British
Clare College, Cambridge
1841
64
Thomas Heaphy, 1775–1835, British
Inattention
1808
65
Thomas Shotter Boys, 1803–1874, British
Hotel de Ville, Hague
1859
66
Sir David Wilkie, 1785–1841, British
The Manse, Cults, Fife: The Artist's Old Home
undated
67
James Pollard, 1792–1867, British
The Meat Market
undated
68
James Pollard, 1792–1867, British
The Poultry Market
undated
69
Edward Blore, 1787–1879, British
Design for a Park Gateway
undated
70
John Linnell, 1792–1882, British
Woodcutters in a Forest
undated
71
Thomas Shotter Boys, 1803–1874, British
The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
1832
72
Sir David Wilkie, 1785–1841, British
Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him
undated
73
Sir David Wilkie, 1785–1841, British
Grace Before Meat
1839
74
William Henry Hunt, 1790–1864, British
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
75
William Henry Hunt, 1790–1864, British
View of Old London Bridge
1825
76
William Henry Hunt, 1790–1864, British
A Street in a Country Village
ca. 1815
77
William Henry Hunt, 1790–1864, British
A Farmyard
ca. 1815
78
John Thomas Smith, 1766–1833, British
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
79
John Thomas Smith, 1766–1833, British
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
80
John Thomas Smith, 1766–1833, British
Hogarth Drawing Sarah Malcolm
1817
81
John Thomas Smith, 1766–1833, British
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
82
John Thomas Smith, 1766–1833, British
Hogarth Sitting to Roubiliac for His Bust
1817
83
Samuel Prout, 1783–1852, British
The Porch, Reims Cathedral
ca. 1840
84
Charles Williams, active 1796–1830, British
The Union Club
undated
85
John Nixon, ca. 1760–1818, British
Brighton Races
1805
86
unknown artist, nineteenth century
Thatched Roof and Tree
undated
87
Samuel Prout, 1783–1852, British
Sketches of Peasants and Work-Horses
undated
88
Thomas Rowlandson, 1756–1827, British
The Actresses Dressing Room at Drury Lane
between 1800 and 1810
89
Thomas Shotter Boys, 1803–1874, British
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
90
Thomas Rowlandson, 1756–1827, British
Dr Syntax outside the Halfway House
1821
91
Thomas Rowlandson, 1756–1827, British
An Elderly Buck walking with a Lady
between 1810 and 1820
92
Thomas Rowlandson, 1756–1827, British
The Grand Master or the Adventures of Qui Hi? in HIndostan
1814
93
Thomas Rowlandson, 1756–1827, British
Outside the Greengrocer's Shop
between 1805 and 1810
94
Thomas Rowlandson, 1756–1827, British
A Summer Idyll
between 1810 and 1815
95
Thomas Rowlandson, 1756–1827, British
The Waggoner's Rest
between 1800 and 1805
96
Thomas Rowlandson, 1756–1827, British
Register Office for the Hiring of Servants
between 1800 and 1805
97
Thomas Rowlandson, 1756–1827, British
A Tub Thumper
between 1817 and 1820
98
Thomas Rowlandson, 1756–1827, British
Three Full-Length Figures of Men Talking
ca. 1815
99
Thomas Rowlandson, 1756–1827, British
View of the Church and Village of St. Cue, Cornwall