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Medium oil paint

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Period 18th century

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Subject Terms religious and mythological subject

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Sir James Thornhill Sketch for 'The Last Supper,' St. Mary's, Weymouth
Sir James Thornhill, 1675–1734, British
Sketch for 'The Last Supper,' St. Mary's, Weymouth
between 1719 and 1720
Not on view
William Artaud 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
William Artaud, 1763–1823, British
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
John Runciman Mary and Joseph Outside the Inn
John Runciman, 1744–1768, British
Mary and Joseph Outside the Inn
1763 to 1768
Not on view
Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734, British
Jacob's Dream
1705
Not on view
Sir James Thornhill St. Paul before Agrippa
Sir James Thornhill, 1675–1734, British
St. Paul before Agrippa
ca. 1710
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
The Angel Binding Satan
ca. 1797
Not on view
Benjamin West Rebecca Receiving the Bracelet at the Well
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Rebecca Receiving the Bracelet at the Well
1775
Not on view
Francis Hayman The Good Samaritan
Francis Hayman, 1707/8–1776, British
The Good Samaritan
between 1751 and 1752
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803, British, active in Italy (1776–83)
The Death of Orpheus
ca. 1770
Not on view
John Hamilton Mortimer Man attacking a monster
Attributed to John Hamilton Mortimer, 1740–1779, British
Man attacking a monster
between 1770 and 1780
Not on view
William Redmore Bigg Christening of the Heir
William Redmore Bigg, 1755–1828, British
Christening of the Heir
ca. 1799
Not on view
Benjamin West The Cave of Despair
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Cave of Despair
1772
Not on view
Benjamin West Cymon and Iphigenia
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Cymon and Iphigenia
ca. 1766
Not on view
James Barry The Education of Achilles
James Barry, 1741–1806, Irish
The Education of Achilles
ca. 1772
Not on view
John Downman The Ghost of Clytemnestra Awakening the Furies
John Downman, 1750–1824, British
The Ghost of Clytemnestra Awakening the Furies
1781
Not on view
Joseph Highmore The Angel of Mercy
Joseph Highmore, 1692–1780, British
The Angel of Mercy
ca. 1746
Not on view
Gavin Hamilton The Death of Lucretia
Gavin Hamilton, 1723–1798, British, active in Italy (1744–48 and 1756 on)
The Death of Lucretia
1763 to 1767
Not on view
Henry Fuseli Christ Disappearing at Emmaus
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Christ Disappearing at Emmaus
1792
Not on view
Henry Fuseli The Mandrake: A Charm
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Mandrake: A Charm
exhibited RA 1785
Not on view
Henry Fuseli Dido
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Dido
1781
Not on view
Benjamin West Study of the Lamentation on the Dead Christ
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Study of the Lamentation on the Dead Christ
ca. 1785
Not on view
Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734, British
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
Richard Wilson The Destruction of the Children of Niobe
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
The Destruction of the Children of Niobe
1760
Not on view
Louis Laguerre The Rape of Proserpine, design for the staircase of Devonshire House, London
Louis Laguerre, 1663–1721, French, active in Britain (from ca. 1684)
The Rape of Proserpine, design for the staircase of Devonshire House, London
ca. 1704
Not on view
Balthazar Nebot Allegory of Fortune
Balthazar Nebot, active 1730–1762, Spanish, active in Britain (from 1729)
Allegory of Fortune
ca. 1730
Not on view
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794