- Title:
Dido
- Date:
- 1781
- Medium:
- Oil on canvas
- Dimensions:
- 96 3/16 × 72 3/16 inches (244.3 × 183.4 cm), Frame: 105 3/4 × 81 5/8 × 3 1/4 inches (268.6 × 207.3 × 8.3 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1976.7.184
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1976.7.184FR
- Subject Terms:
- blood | costume | death | hair | love | lovers | messenger | mourning | mythology | nude | queen (person) | religious and mythological subject | sadness | suicide | sword | urn | women
- Associated People:
- Dido
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:22
- Export:
- XML
- IIIF Manifest:
- JSON
Füseli and the Power of Dreams (Musée Jacquemart-André, 2022-09-16 - 2023-01-23) [YCBA Objects in the Exhibition]
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The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]
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Henry Fuseli (Tokyo) (Kitakyushu Municipal Museum of Art, 1984-01-06 - 1984-02-04) [YCBA Objects in the Exhibition]
Henry Fuseli (Tokyo) (The National Museum of Western Art, 1983-11-11 - 1983-12-18) [YCBA Objects in the Exhibition]
Art on the line : the Royal Academy exhibitions at Somerset House, 1780-1836 : [catalogue of works], , The Courtauld Gallery, London, 2001, no. 39, V 0909 (YCBA) [YCBA]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 94-95, N590.2 A83 (YCBA) [YCBA]
Mark Hallett, Reynolds : portraiture in action, The Paul Mellon Centre for Studies in British Art, New Haven, 2014, pp. 349, 350, 404-05, fig. no. 389, NJ18.R36 H35 2014 OVERSIZE (YCBA) [YCBA]
Alex Potts, Art on the Line, Burlington Magazine, vol 144, March 2002, pp. 177-78, fig. 5, Available online: JSTOR [ORBIS]
Alex Potts, Art on the Line, Burlington Magazine, vol 144, March 2002, pp. 177-78, fig. 5, N1 B87 OVERSIZE (YCBA) [ORBIS]
Duncan Robinson, Reynold's Portraits, Burlington Magazine, vol 157, May 2015, p. 346, N1 B87 OVERSIZE (YCBA) [YCBA]
Gert Schiff, L'Opera Completa di Fussli, Rizzoli, Milan, 1977, pp. 88, 89, no. 25, fig. 25, NJ18 F98 A12 S34 OVERSIZE (YCBA) [YCBA]
David H. Solkin, Art on the Line : the Royal Academy Exhibitions at Somerset House 1780-1836, , Yale University Press, New Haven, CT, 2001, pp. 76, 84, 86,87, fig. no. 56; foldout no. 22., N5054 A78 2001B (YCBA) [YCBA]
The critique of reason : Romantic art, 1760-1860 : March 6-July 26, 2015, Yale University Art Gallery, Yale University Art Gallery, New Haven, 2015, [pp. 12-14], fig. 20, V 2574 (YCBA) [YCBA]
Mary Webster, Johan Zoffany, 1733-1810, Yale University Press, New Haven, CT, 2011, pp. 377, 375, fig. 281, NJ18 Z68 W43 2011 + (YCBA) [YCBA]
Iris Wien, Joshua Reynolds : Mythos und Metapher, Wilhelm Fink, Munchen, 2009, pp. 343-53, fig. 98, NJ18.R36 W54 2009 [ORBIS]