Medium: graphite / Image Use: Free to Use - YCBA Collections Search Search Results

201. Tiger, Recumbent, Viewed Ventrally

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite and red chalk; verso: black chalk, with evidence of black print media, possibly ink or soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Leopard Body, Lateral View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 14 inches (23.5 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Tiger Body, Recumbent, Viewed Ventrally

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Tiger Body, Standing in Human Posture

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 9 1/2 inches (27.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 14 1/2 inches (50.8 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 19 x 13 3/4 inches (48.3 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Fowl Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 14 1/4 inches (52.1 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite; verso: graphite on medium, slightly textured, cream wove paper; pin pricks above beak
Dimensions:: Sheet: 20 1/4 × 13 3/4 inches (51.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Fowl Body, Lateral View (Outline drawing, related to Table XV)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 x 15 inches (52.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806, British
Date:: between 1795 and 1806
Medium:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 3/4 inches (27.9 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 7/8 inches (36.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:: Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 1/2 inches (39.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Monkey Standing, Anterior View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Pen with iron gall ink, and graphite; verso: ink stain on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 13 1/4 inches (28.3 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The Flying Pack

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: undated
Medium:: Black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 20 9/16 inches (33.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Hounds in Covert

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: ca. 1896
Medium:: Black chalk and graphite, incised for transfer on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Horses Threshing, Pont Aven

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: 1893
Medium:: Black chalk and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 × 17 3/4 inches (33 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. The Meet

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: between 1901 and 1925
Medium:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: ca. 1918
Medium:: Black chalk and graphite, incised for transfer; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 1/16 inches (34 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. The Meet

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: 1898
Medium:: Pastel, graphite and charcoal on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 5/16 inches (13.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Study for the Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: ca. 1917
Medium:: Graphite, squared for transfer
Dimensions:: Sheet: 11 3/4 x 11 1/4in. (29.8 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. The First Stage of Cruelty

Creator:: William Hogarth, 1697–1764, British
Date:: ca. 1750
Medium:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

Creator:: William Hogarth, 1697–1764, British
Date:: ca. 1750
Medium:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

Creator:: William Hogarth, 1697–1764, British
Date:: ca. 1750
Medium:: Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Study of a Female Nude

Creator:: William Hogarth, 1697–1764, British
Date:: undated
Medium:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Gabriel Hunt

Creator:: William Hogarth, 1697–1764, British
Date:: undated
Medium:: Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Benjamin Read

Creator:: William Hogarth, 1697–1764, British
Date:: ca. 1757
Medium:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Creator:: William Hogarth, 1697–1764, British
Date:: undated
Medium:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1850
Medium:: Etching and drypoint, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1819
Medium:: Etching and mezzotint, printed in brown ink, with graphite; Engraver's proof (d)(touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851, British
Date:: 1820 to 1825
Medium:: Mezzotint, with graphite and white chalk; engraver's proof (a)
Dimensions:: Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1825
Medium:: Mezzotint, with graphite and white chalk; trial proof
Dimensions:: Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. View of Ely Cathedral

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1796
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 5/8in. (10.5 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1832
Medium:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Whitchurch, Devonshire

Creator:: Attributed to Joseph Mallord William Turner, 1775–1851, British
Date:: 1800
Medium:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 3/8 x 10 7/8 inches (18.7 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anne Parmelee Reed Dean in memory of her grandfather, the Reverend Edward Allen Reed, and her father, Professor Edward Bliss Reed, Yale 1894

239. Yarmouth Sands

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1840
Medium:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Man with Horse and Cart Entering a Quarry

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1797
Medium:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. On the Mosell, Near Traben Trarbach

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1841
Medium:: Watercolor, graphite and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Ingleborough from Chapel-Le-Dale

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1810 and 1815
Medium:: Watercolor, graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Sketch of Two Ships on a Catalogue Page

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1823
Medium:: Graphite on medium, slightly textured cream wove paper, adhered to medium, slightly textured cream laid paper
Dimensions:: Sheet: 8 7/8 x 16 5/8 inches (22.5 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Saint Catherine's Hill, Guildford, Surrey

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: 1830
Medium:: Watercolor, graphite, scraping out and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Interior of St. John's Palace, Eltham

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1793
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Saint Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1793
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. The Angler

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: 1794
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 6 1/8 inches (22.9 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1797
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. The Moselle Bridge, Coblenz

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1842
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 x 24 1/4in. (48.6 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Dartmoor: The Source of the Tamar and the Torridge

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1813
Medium:: Watercolor, gouache, graphite and scratching out on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: 1803
Medium:: Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. On the Washburn

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1815
Medium:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/8 inches (27.3 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Upper Fall of the Reichenbach: Rainbow

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: 1810
Medium:: Watercolor, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. A Paddle-steamer in a Storm

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1841
Medium:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. A Great Tree

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1796
Medium:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. A Three Storied Georgian House in a Park

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1795
Medium:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 10 7/8 inches (11.1 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. High Street, Edinburgh

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1818
Medium:: Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Crichton Castle (Mountainous Landscape with a Rainbow)

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1818
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured cream wove paper
Dimensions:: Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Mountainous Landscape with Town in Valley

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1840
Medium:: Graphite, gray wash and white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 1/2 inches (23.2 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

260. Near Grindelwald

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1796
Medium:: Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. From the Isola Borromena, Lago Maggiore

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1795
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: 1793
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1818
Medium:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Newark - upon - Trent

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1796
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/2 inches (30.5 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Autumn Sowing of the Grain

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1794
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. On the Washburn

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1815
Medium:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 18 inches (28.6 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Hurries, Coal Boats Loading, North Shields

Creator:: attributed to Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1795
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 14 inches (21.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1792 and 1793
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. View of Hampton Court, Herefordshire, from the Northwest

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1806
Medium:: Watercolor, graphite, pen and black ink and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 inches (20 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Shipping

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1828 and 1830
Medium:: Brushed brown ink, pen and brown ink, gouache, graphite and white chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 3/8 x 7 3/8 inches (13.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Tivoli with the Temple of the Sybil and the Cascades

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1796 and 1797
Medium:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 21 5/8 inches (41.9 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Windsor

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1798
Medium:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 28 inches (50.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

273. Lost to All Hope the Brig

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1845 and 1850
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Foul by God: River Landscape with Anglers Fishing From a Weir

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1830
Medium:: Watercolor, gouache, graphite and white chalk on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 3/8 x 7 3/8in. (13.7 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Mountain Landscape with Lake

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1842
Medium:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/4 x 23 3/4 inches (47.6 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Tours: Sunset: Looking Backwards

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1826 and 1830
Medium:: Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. In the Valley Near Vietri

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1794
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Villa Salviati on the Arno

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1796 and 1797
Medium:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/4 inches (18.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Waterfall of Lodore, Cumberland

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: undated
Medium:: Watercolor, gray wash, blue wash, graphite and black chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Santa Lucia, A Convent near Caserta

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1795
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 3/8in. (15.2 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Landscape with Waterfall

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1796
Medium:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 3/8 inches (27.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Fisherman's Cottage, Dover

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1790s
Medium:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. South Porch and Tower of an Unidentified Church

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1790 and 1795
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 5 inches (20.6 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Sir William Hamilton's Villa

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1795
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick wove paper
Dimensions:: Sheet: 6 3/4 x 9 1/4 inches (17.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Landscape with Trees and Figures

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1796
Medium:: Watercolor and graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 12 3/4 x 16 5/8 inches (32.4 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Dent de Lion, Margate

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1791
Medium:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Villa d'Este

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1796
Medium:: Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1808
Medium:: Etching and mezzotint printed in brown ink, with graphite and scratching out Engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: 1793 to 1794
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Coast Scene with White Cliffs and Boats on Shore

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: undated
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/8 inches (18.4 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Windsor Castle and Park with Deer

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: undated
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 11 3/8 inches (20.7 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Sheep-Washing, Windsor

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Etching; Early (touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Etching printed in brown ink, with graphite; Early state (touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1809
Medium:: Etching and mezzotint, printed in brown ink; engraver's proof (b), touched by the artist in graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Inverary Pier, Loch Fyne, Morning

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1811
Medium:: Etching and mezzotint, printed in brown ink Engraver's proof (b)(touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Landscape with Barn

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1795
Medium:: Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:: Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

297. The Channel Sketchbook

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1845
Medium:: Sketchbook bound in red calf with marbled end papers, comprising 88 leaves with 74 watercolors and 26 graphite sketches on medium, slightly textured, white wove paper
Dimensions:: Binding: 4 inches (10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Entrance to the Port of Marseille

Creator:: Edward Lear, 1812–1888, British
Date:: undated
Medium:: Pen and brown ink with gouache over graphite on medium, slightly textured, blue wove paper mounted on moderately thick, slightly textured, cream card
Dimensions:: Mount: 6 1/2 × 9 7/8 inches (16.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

299. Burpham Oct.4.1834

Creator:: Edward Lear, 1812–1888, British
Date:: 1834
Medium:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 3/8 x 6 7/8 inches (26.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

300. North Stoke. Oct. 21.1834.

Creator:: Edward Lear, 1812–1888, British
Date:: 1834
Medium:: Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

YCBA Collections Search

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201. Tiger, Recumbent, Viewed Ventrally

202. Leopard Body, Lateral View

203. Tiger Body, Recumbent, Viewed Ventrally

204. Tiger Body, Standing in Human Posture

205. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

206. Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)

207. Fowl Skeleton, Lateral View

208. Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)

209. Fowl Body, Lateral View (Outline drawing, related to Table XV)

210. Fowl Body, Lateral View

211. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

212. Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)

213. Owl Standing, Anterior View

214. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

215. Owl Standing, Anterior View

216. Monkey Standing, Anterior View

217. Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)

218. The Flying Pack

219. Hounds in Covert

220. Horses Threshing, Pont Aven

221. The Meet

222. Horse Dealers

223. The Meet

224. Study for the Horse Dealers

225. The First Stage of Cruelty

226. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

227. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

228. Study of a Female Nude

229. Gabriel Hunt

230. Benjamin Read

231. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

232. The Skylark

233. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

234. Gloucester Cathedral

235. Catania, Sicily

236. View of Ely Cathedral

237. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

238. Whitchurch, Devonshire

239. Yarmouth Sands

240. Man with Horse and Cart Entering a Quarry

241. On the Mosell, Near Traben Trarbach

242. Ingleborough from Chapel-Le-Dale

243. Sketch of Two Ships on a Catalogue Page

244. Saint Catherine's Hill, Guildford, Surrey

245. Interior of St. John's Palace, Eltham

246. Saint Augustine's Gate, Canterbury

247. The Angler

248. North East View of Grantham Church, Lincolnshire

249. The Moselle Bridge, Coblenz

250. Dartmoor: The Source of the Tamar and the Torridge

251. Mer de Glace, in the Valley of Chamonix

252. On the Washburn

253. Upper Fall of the Reichenbach: Rainbow

254. A Paddle-steamer in a Storm

255. A Great Tree

256. A Three Storied Georgian House in a Park

257. High Street, Edinburgh

258. Crichton Castle (Mountainous Landscape with a Rainbow)

259. Mountainous Landscape with Town in Valley

260. Near Grindelwald

261. From the Isola Borromena, Lago Maggiore

262. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

263. Rome from Monte Mario

264. Newark - upon - Trent

265. Autumn Sowing of the Grain

266. On the Washburn

267. The Hurries, Coal Boats Loading, North Shields

268. St. Augustine's Gate, Canterbury

269. View of Hampton Court, Herefordshire, from the Northwest

270. Shipping

271. Tivoli with the Temple of the Sybil and the Cascades

272. Windsor

273. Lost to All Hope the Brig

274. Foul by God: River Landscape with Anglers Fishing From a Weir