Medium: etching (printing process) / Subject Terms: mountains - YCBA Collections Search Search Results

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

Print made by Alfred Dawson, active 1860–1894, British

Val d'Aosta

1885

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by Edward Goodall, 1795–1870, British

The Lake of Geneva

1829

Sir David Young Cameron, 1865–1945, British

The Palace of the Stuarts

1898

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by Jean B. C. Chatelain, 1710–1771, French

Classical Landscape with Travellers, a Dog and House on the left

1741

Print made by James Stephenson, 1808–1886, British

Cabul, from the Bala Hissar

1885

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Print made by Sir David Young Cameron, 1865–1945, British

Dunvalanree

1910

Print made by unknown artist, (de Bois)

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by unknown artist, (Dubois)

A View of the Royal Palace at Naples

undated

Print made by Pierre Audouin, 1768–1822, French

Angelica Kauffman

undated

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by James Dobie, 1849–1911, British

Fishing Boats at Hastings

1882

Print made by E. Benjamin, active 1840s, British

Mountain Temples, Lake of Aboo

ca. 1840

Print made by Donald Wilkinson, born 1937, British

Dejection Ode New Moon Winter Bridge

undated

Robert Charles Goff, 1837–1922, British

Cascine, Florence

1906

Robert Charles Goff, 1837–1922, British

The Nile

1897

Print made by Richard Earlom, 1743–1822, British

A Study

1817

Print made by Richard Earlom, 1743–1822, British

A Landscape

1817

Print made by Richard Earlom, 1743–1822, British

A Study

1810

Sir Francis Seymour Haden, 1818–1910, British

A Salmon River, no. 2

1884

Print made by Richard Earlom, 1743–1822, British

A Landscape, with the Story of Europa

1802

Print made by Katharine Cameron, 1874–1965, British

Beregonium

1920

Print made by George Arnald, 1763–1841, British

Left Bank, Meuse

between 1818 and 1828

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by John Browne, 1741–1801, British

The Sportsman

1775

Print made by George Arnald, 1763–1841, British

Left Bank, Meuse

between 1818 and 1828

Print made by George Arnald, 1763–1841, British

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841, British

Bouvignes and Dinant

1822

Print made by George Arnald, 1763–1841, British

Bouvignes and Dinant

1822

Print made by George Arnald, 1763–1841, British

Meuse and Sambre, from the Gate of the Sambre

1822

Paul Sandby, 1731–1809, British

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

ca. 1785

Engraved by George Baxter, 1804–1867, British

Balmoral Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Italian Peasants - Tryoliean Waltz

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Balmoral Castle

after 1850

Print made by Richard Ansdell, 1815–1885, British

The Sentinel

1857

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Night and a Ship on Fire

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Noon

1745

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Richard Earlom, 1743–1822, British

A Landscape, with the Story of Apollo and Marsyas

1775

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

St. Botolph's Bridge No. 1

1917

Print made by Robert Sargent Austin, 1895–1973, British

Cadore

1927

Print made by M. Coote, ca. 1758/62–1801, British

Dudley Priory in Worcestershire, Plate 2

before 1786

M. Coote, ca. 1758/62–1801, British

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by George Baxter, 1804–1867, British

George Pritchard, Her Britannic Majesty's Consul

1845

Print made by Vincent Robert Alfred Brooks, 1814–1885, British

Ten Needle-Box Prints

undated

Edward Rooker, 1724–1774, British

The Summit of Cader Idris Mountain

1775

Henry Griffiths, 1835–1849, British

Inverlochy Castle, Invernesshire

1836

Print made by George Bickham the Elder, 1683/4–1758, British

Two Geese and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

William Woollett, 1735–1785, British

Snowden Hill

1775

Thomas Higham, 1796–1844, British

Red-Scar, the Residence of William Cross, Esquire

1832

John J. Hinchliff, 1805–1875, British

Lough Foyle, Londonerry

undated

Print made by Charles Heath, 1785–1848, British

Benevento, Kingdom of Naples

undated

Print made by George Bickham the Elder, 1683/4–1758, British

Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758, British

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

undated

Bradshaw & Blacklock, active ca.1850, British

Greek set

after 1850

Reginald Green, active 1910–1955

Derwentwater from Ashness Bridge

undated

Print made by Oliver Hall, 1869–1957, British

The Kirkstone Pass

undated

George Percival Gaskell, 1868–1934, British

Lake Lugano

undated

Joseph Gray, 1890–1962, British

Badenoch

undated

Print made by Edward Julius Detmold, 1883–1957, British

Dawn

1923

George Percival Gaskell, 1868–1934, British

Forfecle

1868

Joseph Gray, 1890–1962, British

The Hills of Rannoch

undated

Joseph Gray, 1890–1962, British

The Frontier

1926

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Isaac Cruikshank, 1764–1811, British

An Abyssinian Breakfast

1791

Joseph Hecht, 1891–1951, Polish

Deer in the Forest

ca. 1926

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Medium etching (printing process)

Subject Terms mountains

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