Medium: etching (printing process) / Height [cm]: 12 / Image Use: Free to Use

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1877

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by William Hogarth, 1697–1764, British

Emerald Vessel

1723

William Blake, 1757–1827, British

Octavius Augustus Cæsar

1821

Print made by Charles West Cope, 1811–1890, British

Morning Prayer

1844

Print made by Jean B. C. Chatelain, 1710–1771, French

Wooded Landscape with a River Leading to Distant Buildings

undated

Print made by Samuel Freeman, 1773–1857, British

Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

1810

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by B. R. Davies, active ca. 1833, British

Mount Blanc

1828

Capt. Thomas Hastings, 1778–1854, British

On Hounslow Heath, Outer Suburb, West

1820

Print made by George Barret, ca. 1728/32–1784, Irish

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Print made by George Barret, ca. 1728/32–1784, Irish

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Print made by George Cooke, 1781–1834, British

Florence from the Chiesa al Monte

1820

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by William Richardson, active 1842–1877, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867, British

The Death of Ananias

after 1855

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

Print made by Charles Golding Constable, 1821–1879, British

Coastal Scene

undated

Print made by Edward Goodall, 1795–1870, British

Fingal's Cave, Staffa

1834

Print made by Matthew Darly, active 1754–1778, British

Caricature of Matthew Darly

1776

George H. Every, 1837–1910, British

Sir Joshua Reynolds

1866

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1773

Print made by Samuel Bradshaw, 1830–1869, British

Borro Boedoor

1835

Print made by unknown artist, nineteenth century

Fort George, Madras

ca. 1860

Print made by unknown artist, nineteenth century

View of Calcutta from the Esplanade, No. 1

ca. 1860

Print made by Sir Muirhead Bone, 1876–1953, British

The Art Gallery

1901

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sellenger

1917

Print made by John Thomas Smith, 1766–1833, British

Oak Door Discovered in the Speaker's State Dining Room

1806

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851, British

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Print made by George Cruikshank, 1792–1878, British

Audacity of Jack Sheppard

1839

Print made by George Cruikshank, 1792–1878, British

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

Samuel Ireland, active 1760–died 1800, British

Stone Buildings, Lincoln's Inn

1800

Print made by George Cruikshank, 1792–1878, British

Untitled

undated

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard's Escape from the Cage at Willesden

1839

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

Print made by James C. Allen, active 1821–1831, British

Hebiborough Sands

ca. 1830

Print made by Joseph Collyer, 1748–1827, British

John Bacon, Esq., R. A

undated

Print made by George Cruikshank, 1792–1878, British

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

Print made by George Cruikshank, 1792–1878, British

The Name on the Beams

1839

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

Samuel Ireland, active 1760–died 1800, British

Middle Temple Gate

1800

Samuel Ireland, active 1760–died 1800, British

Guildhall

1800

Samuel Ireland, active 1760–died 1800, British

Barnard's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Staple Inn

1800

Samuel Ireland, active 1760–died 1800, British

Westminster Hall

1800

Print made by James Basire the younger, 1769–1822, British

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

Print made by Samuel Freeman, 1773–1857, British

John Smith

undated

Print made by R. Clamp, fl.1789–1798

John Taylor

1796

Print made by unknown artist, ( Barrett )

Peter Vanderbank (1649–1697)

undated

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Print made by Charles Bretherton, ca. 1760–1783, British

Jonathan Richardson

undated

Print made by Charles Bretherton, ca. 1760–1783, British

Jonathan Richardson

undated

Print made by A. Birrell, ca.1770–ca. 1820, British

Sir Peter Lely

undated

Print made by Thomas Cook, 1744–1818, British

William Hogarth

1809

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Ernest Stamp, 1869–1942, British

Rainy Day at Cookham

1894

Print made by Thomas Higham, 1796–1844, British

Pilgrims at the Sacred Fair of Hurdwar

1836

Print made by James Redaway, 1797–1858, British

A Suttee

1844

Print made by Thomas Higham, 1796–1844, British

Tombs of the Kings of Golconda

1837

Print made by W. J. Cook, active 1830s–1840s, British

Hurdwar, A Place of Hindoo Pilgrimage

1831

Print made by Thomas Jeavons, ca. 1800–1867, British

Bejapore

1834

Print made by John Byrne, 1786–1847, British

A View of Hall-head Sugar Plantation, Jamaica

1816

Print made by John Cochran, active 1825–1854, British

Sir William Jones

ca. 1832

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Medium etching (printing process)

Height [cm] 12

Image Use Free to Use

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Height [cm] 12

Image Use Free to Use

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