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John Constable The Ruins of Netley Abbey

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Herdsman's Cottage

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer Christmas

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Herdsman's Cottage

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

between 1880 and 1883

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

George Stubbs Labourers

Print made by George Stubbs, 1724–1806, British

Labourers

1789

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

1813 to 1823

Joseph Mallord William Turner The Castle above the Meadows

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Joseph Mallord William Turner The Straw Yard

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Joseph Mallord William Turner The Hindoo Worshipper

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Joseph Mallord William Turner Bridge and Cows

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Joseph Mallord William Turner Bridge and Cows

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Joseph Mallord William Turner The Bridge in Middle Distance

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Joseph Mallord William Turner Procris and Cephalus

Print made by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Bridge and Cows

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Joseph Mallord William Turner The Hindoo Worshipper

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Joseph Mallord William Turner The Castle above the Meadows

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Joseph Mallord William Turner Juvenile Tricks

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake I Found Him Beneath a Tree; Plate 3

Print made by William Blake, 1757–1827, British

I Found Him Beneath a Tree; Plate 3

1793

William Blake Alas!; Plate 9

Print made by William Blake, 1757–1827, British

Alas!; Plate 9

1793

William Blake My Son! My Son!; Plate 10

Print made by William Blake, 1757–1827, British

My Son! My Son!; Plate 10

1793

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake Water; Plate 4

Print made by William Blake, 1757–1827, British

Water; Plate 4

1793

William Blake Aged Ignorance; Plate 13

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

John Copley Sheep in Twilight

Print made by John Copley, 1875–1950, British

Sheep in Twilight

1922

John Browne Moon-Light

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

John Browne After Sun-Set

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

John Browne Moon-Light

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Agostino Brunias The West India Washer-Women

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

The West India Washer-Women

1779

James Bretherton Inimitable Mr. James Moss

Print made by James Bretherton, ca. 1730–1806, British

Inimitable Mr. James Moss

1773

John Crome Road Scene, Trowse Hall, near Norwich

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

Miles Edmund Cotman Study of Trees on the Banks of the Yare

Print made by Miles Edmund Cotman, 1810–1858, British

Study of Trees on the Banks of the Yare

1846

John Browne Morning

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

James Bretherton Man with a Walking Stick in a Landscape

Print made by James Bretherton, ca. 1730–1806, British

Man with a Walking Stick in a Landscape

1773

Charles Bretherton Postiglione Inglese

Print made by Charles Bretherton, ca. 1760–1783, British

Postiglione Inglese

1772

Alfred Dawson Val d'Aosta

Print made by Alfred Dawson, active 1860–1894, British

Val d'Aosta

1885

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

Henry William Bunbury Overthrow of Dr. Slop

Print made by Henry William Bunbury, 1750–1811, British

Overthrow of Dr. Slop

between 1773 and 1817

Frederick Goulding Ruins of the Old Bridge, Vernon

Frederick Goulding, 1842–1909, British

Ruins of the Old Bridge, Vernon

1879

J. Carwitham A New Drawing Book of Variety of Landskips

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings

Print made by Jean B. C. Chatelain, 1710–1771, French

Wooded Landscape with a River Leading to Distant Buildings

undated

John Crome Front of the New Mills

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

John Crome Back of the New Mills, Norwich

Print made by John Crome, 1768–1821, British

Back of the New Mills, Norwich

1812

Thomas Creswick The Blacksmith's Shop

Print made by Thomas Creswick, 1811–1869, British

The Blacksmith's Shop

1838

Thomas Gainsborough The Gipsies

Etched by Thomas Gainsborough, 1727–1788, British

The Gipsies

1764

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811, Irish

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Sir Francis Seymour Haden Egham

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Joseph Farington Windsor Bridge

Print made by Joseph Farington, 1747–1821, British

Windsor Bridge

1792

James McNeill Whistler Chelsea

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

ca. 1882

François M. la Cave The Foundlings

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Stanley Anderson Somerset House, London

Print made by Stanley Anderson, 1884–1966, British

Somerset House, London

1910

Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749