Medium: etching (printing process) / Creator Gender: male / Subject Terms: clouds

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Basle

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Original Sketch of a Picture for W. Leader, Esq

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Flint Castle, Vessels Unloading

1807

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

Print made by William Blake, 1757–1827, British

Air; Plate 6

1793

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

Print made by William Blake, 1757–1827, British

Help! Help!; Plate 12

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804, British

Morning

1753

Print made by John Boydell, 1720–1804, British

Evening

1755

Print made by John Boydell, 1720–1804, British

Noon

1753

Print made by John Boydell, 1720–1804, British

A Calm

1754

Print made by John Boydell, 1720–1804, British

The Wreck of the Nuestra Senora de los Remedios

1753

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Jean B. C. Chatelain, 1710–1771, French

Wooded Landscape with a River Leading to Distant Buildings

undated

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by Sir Muirhead Bone, 1876–1953, British

A Spanish Good Friday

1925

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Print made by Jean B. C. Chatelain, 1710–1771, French

Classical Landscape with Travellers, a Dog and House on the left

1741

Print made by Charles Golding Constable, 1821–1879, British

Woolwich

between 1820 and 1835

Print made by Charles Golding Constable, 1821–1879, British

Harbour Scene

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Evening

undated

Print made by David Allan, 1744–1796, British, born in Scotland

Peggy Advocates a Sweetheart

1808

Print made by George Cruikshank, 1792–1878, British

Mr. B seeking the Bubble reputation - Plate 5

1820

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Noon

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

James Fittler, 1758–1835, British

Mail Coach

ca. 1787

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Totterne Inn

1919

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sellenger

1917

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Tilbury

1887

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Monitors

1887

Print made by Esme de Boulonois, active 1645–1681, French

Antonius Morus Ultraiectinus Pictor

between 1645 and 1681

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by George Cruikshank, 1792–1878, British

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878, British

Frontispiece: The Progress of a Midshipman

1820

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Dry Dock, Southampton

1887

Print made by Thomas Milton, 1742/1743–1827, British

Canute Reproving the Flattery of his Courtiers

1810

Print made by William Daniell, 1769–1837, British

Quay at Straddon Point Near Plymouth

1825

Print made by Robert Spence, 1871–1964, British

George Fox Comes to London After the Great Fire

between 1890 and 1911

Print made by John Bluck, active 1791–1831, British

Clare Hall

1814

Print made by Robert Sargent Austin, 1895–1973, British

Italian Fair

1923

Print made by Gerald Leslie Brockhurst, 1890–1978, British

A Galway Peasant

1920

Print made by Frederick Vango Burridge, 1869–1945, British

Oxcliffe Marshe, 1900

1900

Print made by Peter P. Benazech, 1767–1794

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..

ca. 1759

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Sir Francis Seymour Haden, 1818–1910, British

Out of Study Window

1859

Sir Francis Seymour Haden, 1818–1910, British

Kenarth, South Wales

1864

Sir Francis Seymour Haden, 1818–1910, British

Sunset on the Thames

1865

Sir Francis Seymour Haden, 1818–1910, British

Cottages behind Horsley's House

1865

Sir Francis Seymour Haden, 1818–1910, British

Battersea Bridge

1868

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Medium etching (printing process)

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