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Moeris and Galatea
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1880-1883
Medium:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1880
Medium:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moeris and Galatea
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
plate etched between 1880 and 1883; impression printed in 1924
Medium:
Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1880
Medium:
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Sepulchre
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
between 1880 and 1883
Medium:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 14 3/8 inches (25.3 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
plate etched in 1880; impression printed in 1920
Medium:
Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:
Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
plate etched in 1880; impression printed in 1926
Medium:
Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Monzie

Monzie
Creator:
Print made by Sir David Young Cameron, 1865–1945, British
Date:
undated
Medium:
Drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 17 1/16 inches (30.7 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910, British
Date:
after 1880
Medium:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
Harlech, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910, British
Date:
1880
Medium:
Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 14 7/8 inches (27.5 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield