Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
5
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
6
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
7
Etched by Joseph Mallord William Turner, 1775–1851, British
The Bridge and Goats
1812
8
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
9
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
10
Edward Lear, 1812–1888, British
Gozo, near Malta
1866
11
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
12
Sir Robert Smirke the younger, 1781–1867, British
Temple Near the Site of Ancient Phigalia
1803
13
Sir Robert Smirke the younger, 1781–1867, British
Fragment of a Doric Cornice Among the Ruins of Eleusis
1802-1804
14
Sir Robert Smirke the younger, 1781–1867, British
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
15
Print made by Sir Frank Short, 1857–1945, British
The Stork and Aqueduct
1896
16
Print made by Sir Frank Short, 1857–1945, British
Huntsmen in a Wood
1891
17
John Thomas Smith, 1766–1833, British
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
18
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
19
John Thomas Smith, 1766–1833, British
Hogarth Declaring His Love to Miss Thornhill
1817
20
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
21
John Thomas Smith, 1766–1833, British
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
22
John Thomas Smith, 1766–1833, British
The Smock Exposed
1817
23
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
24
John Thomas Smith, 1766–1833, British
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
25
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
26
John Thomas Smith, 1766–1833, British
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
27
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
28
unknown artist
Design for Wall Paper
ca. 1760
29
Sir James Thornhill, 1675–1734, British
Sheet of Classical Figure Studies
undated
30
Mary Harcourt, 1750–1833, British
Tournon Opposite to Teint on the Rhone
ca. 1780
31
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
32
Sir James Thornhill, 1675–1734, British
A Scene at Windsor
undated
33
Thomas Rowlandson, 1756–1827, British
Loading Sacks into a Cart
undated
34
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Two Prize Fighters
ca. 1742
35
George Lothian Hall, 1825–1888, British
The 48th Regiment with Casemate, Gibraltar
1844
36
George Lothian Hall, 1825–1888, British
Part of the Bay of Gibraltar, the Spanish Lines
1844
37
John Henderson, (?), 1764–1843, British
Venetian Scene
undated
38
Attributed to Theodore Jacobsen, died 1772, British
The Chapel of the Foundling Hospital, London
undated
39
Gangaram Chintaman Tambat, active 1790s, Indian
Two Jeyties Fighting
ca. 1792
40
John Baverstock Knight, 1785–1859, British
Thatched Cottage near Henley
1821
41
unknown artist, nineteenth century
Church Interior
undated
42
James Hook, ca. 1772–1828, British
A Regency Pair: Man with Walking Stick
1802
43
Henry Richard Greville third Earl of Warwick, 1779–1853, British
Landscape with Gorge and Cattle
undated
44
Thomas Grieve, 1799–1882, British
Design for Love's Labour's Lost
1839
45
James Bruce, 1730–1794, British
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
46
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
47
Michel Jean Cazabon, 1813–1888, Trinidadian
On the Cimaronero River
1857
48
John Thomas Smith, 1766–1833, British
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
49
John Thomas Smith, 1766–1833, British
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
50
John Thomas Smith, 1766–1833, British
Hogarth Drawing Sarah Malcolm
1817
51
John Thomas Smith, 1766–1833, British
Hogarth Sitting to Roubiliac for His Bust
1817
52
Sir David Wilkie, 1785–1841, British
Sketch for "Reading the Will"
before 1820
53
Samuel Prout, 1783–1852, British
Beach Scene
undated
54
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
55
Francis Place, 1647–1728, British
Lambeth from York House
undated
56
Edward Pierce, c.1630–1695, British
The Diana Fountain, Bushy Park: Original Design
undated
57
James Bruce, 1730–1794, British
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
58
James Bruce, 1730–1794, British
Order of the two courts of the Temple at Baalbec
undated
59
Thomas Rowlandson, 1756–1827, British
The Doctor's Consultation
1815-1820
60
Thomas Rowlandson, 1756–1827, British
Parisian Street Figures
1786
61
Thomas Rowlandson, 1756–1827, British
A View at Blackwall
undated
62
Thomas Rowlandson, 1756–1827, British
Nymphs at a Roman Bath
undated
63
Thomas Rowlandson, 1756–1827, British
A Village Scene outside a Church
undated
64
after Thomas Rowlandson, 1756–1827, British
Man with Barrow and Dog
undated
65
Sawrey Gilpin, 1733–1807, British
Four horses galloping: (?) a mythological study, possibly for Phaeton's Chariot
undated
66
Sawrey Gilpin, 1733–1807, British
Five Deer
undated
67
Attributed to Hon. Daniel Finch, 1789–1868, British
Ashtead
1833
68
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Port Mahon
between 1756 and 1773
69
attributed to Peter DeWint, 1784–1849, British
Three Cart-Horses in Traces
undated
70
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
Racing: a Match in Progress
undated
71
Francis Barlow, 1622–1704, British
Hare Hunting
undated
72
unknown artist
Tattersall's Training School
1771
73
James Seymour, 1702–1752, British
Sketches of a Hare, Horse, Stag, Man and Woman
undated
74
Thomas Rowlandson, 1756–1827, British
Visitors Inspecting Abbey Ruins
undated
75
Thomas Daniell, 1749–1840, British, active in India
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
76
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Centaur Nessus Carrying off Deianira
1847
77
Rev. James Bulwer, 1794–1879, British
[One from] A Volume of Drawings and Prints
1837
78
Francis Towne, 1740–1816, British
Vauxhall Stairs, from Millbank, July 5, 1797
1797
79
Rev. James Bulwer, 1794–1879, British
[One from] A Volume of Drawings and Prints
1834
80
Thomas Girtin, 1775–1802, British
Glasgow Cathedral
between 1794 and 1795
81
Louis Laguerre, 1663–1721, French, active in Britain (from ca. 1684)
Christ Disputing with the Elders in the Temple
undated
82
John Skinner Prout, 1806–1876, British
Isola Bella, Lago Maggiore
undated
83
John Warwick Smith, 1749–1831, British
A Fisherman in the Vale of Myfod, Site of the Palace of the Princess of Powis
undated
84
John Sell Cotman, 1782–1842, British
Caricature of Two Men with Drawn Swords (One of a Set of Three)
1799
85
Rev. Charles Annesley, 1787–1863, British
The Devil's Bridge, Aberystwyth
undated
86
Lionel Constable, 1828–1887, British
View near Walton on Naze
undated
87
Samuel Davis, 1760–1819, British
Sirree
July 1793
88
Charles Robert Cockerell, 1788–1863, British
The Temple of Aphaea at Aegina: Details and Field Notes of Excavation
undated
89
Rev. William Gilpin, 1724–1804, British
Fir Trees in a Mountain Landscape
undated
90
Thomas Girtin, 1775–1802, British
Pluscardine Abbey, Elgin
ca. 1793
91
Thomas Girtin, 1775–1802, British
St. Alban's Cathedral, Hertfordshire
ca. 1797
92
Thomas Rowlandson, 1756–1827, British
Study of a Shouting Man
undated
93
Thomas Girtin, 1775–1802, British
Pevensey Castle, Sussex
ca. 1795
94
Thomas Rowlandson, 1756–1827, British
Henry Angelo and Madame Cain Fencing
undated
95
Thomas Rowlandson, 1756–1827, British
A Book Auction
between 1810 and 1815
96
Thomas Rowlandson, 1756–1827, British
Bathers in a Landscape
undated
97
Robert Dighton, 1752–1814, British
Bachelor's Hall
undated
98
Isaac Weld, 1774–1856, Irish
Women in "Old Italian Costume - Naples"
1818
99
Thomas Rowlandson, 1756–1827, British
Cat Like Courtship
undated
100
Heneage Finch fourth Earl of Aylesford, 1751–1812, British