<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827, British
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
William Blake Jerusalem, Plate 25, "And there was heard...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
William Blake Jerusalem, Plate 29, "Then the Divine Vision...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 29, "Then the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 30, "And the Two that escaped...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 30, "And the Two that escaped...."
1804 to 1820
William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
William Blake Jerusalem, Plate 41, "Bath who is Legions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
William Blake Jerusalem, Plate 42, "Thus Albion sat...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 84, "Highgates heights & Hampstead...."
1804 to 1820
William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 91, "It is easier to forgive an enemy...."
1804 to 1820
William Blake Jerusalem, Plate 93, "Enitharmon heard...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 93, "Enitharmon heard...."
1804 to 1820
William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 99, "All Human Forms identified...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
William Blake Jerusalem, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 1, Frontispiece
1804 to 1820
William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 21, "O Vala! O Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 24, "What have I said?...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
William Blake Jerusalem, Plate 26, "Such Visions Have...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Jerusalem, Plate 51
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 51
1804 to 1820
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
1804 to 1820
William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827, British
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
William Blake Jerusalem, Plate 35, "Then the Divine hand...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
William Blake Jerusalem, Plate 36, "Reuben returnd to his place...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 36, "Reuben returnd to his place...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake Jerusalem, Plate 46, "Bath, mild Physician...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
William Blake Jerusalem, Plate 47, "From Camberwell to Highgate...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 54, "In Great Eternity...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
William Blake Jerusalem, Plate 62, "Repose on me...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 64, "Of the Mundane Shell...."
1804 to 1820
William Blake Jerusalem, Plate 66, "In awful pomp & gold...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 66, "In awful pomp & gold...."
1804 to 1820
William Blake Jerusalem, Plate 67, "By those who drink their blood...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
William Blake Jerusalem, Plate 7, "Was living: panting...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 7, "Was living: panting...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 87, "Repelling weeping Enion...."
1804 to 1820
William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
1804 to 1820
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828, British
Untitled (one of three)
undated
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833, British
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
Walter Greaves Chelsea Bridge with Men in a Barge
Walter Greaves, 1846–1930, British
Chelsea Bridge with Men in a Barge
1860
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833, British
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
Sir Charles Barry Perspective View: the New Houses of Parliament
Sir Charles Barry, 1795–1860, British
Perspective View: the New Houses of Parliament
ca. 1840-1849
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene III
ca. 1802
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene VI
ca. 1802
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897, British
Enter Malvolio, Crossgartered..
1863
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897, British
Apotheosis of Shakespeare's Characters
1871
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882, British
Illustration to the Maids of Elfen-Mere
1854
J. Findlay Sir Violet Sighaway & Mr. Villiers
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
Michel Jean Cazabon Avenue and Entrance to St. James Barracks
Michel Jean Cazabon, 1813–1888, Trinidadian
Avenue and Entrance to St. James Barracks
1857
Samuel Prout Coast Scene near Plymouth
Samuel Prout, 1783–1852, British
Coast Scene near Plymouth
undated
James Pollard The Meat Market
James Pollard, 1792–1867, British
The Meat Market
undated
George Shepheard The Village of Aldbury, Hertfordshire
George Shepheard, ca. 1770–1842, British
The Village of Aldbury, Hertfordshire
1816
John Martin Christ with Three Figures
Attributed to John Martin, 1789–1854, British
Christ with Three Figures
undated
unknown artist Moonlit Scene of Castle and Ships
unknown artist, nineteenth century
Moonlit Scene of Castle and Ships
undated
John Martin Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
Attributed to John Martin, 1789–1854, British
Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
undated
John Martin The Stoning of Saint Stephen
Attributed to John Martin, 1789–1854, British
The Stoning of Saint Stephen
undated
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833, British
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
Charles Williams The Union Club
Charles Williams, active 1796–1830, British
The Union Club
undated
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814, British
High Street at Bushey, Hertfordshire
1812
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852, British
Window West End, South Aisle, Saint Vincent
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898, British
The Land of Beulah
1881
George Sidney Shepherd The Times and Evening Mail Office
George Sidney Shepherd, 1784–1862, British
The Times and Evening Mail Office
1811
John Gantz The Puckally
John Gantz, 1772–1853
The Puckally
1828
John Gantz Palankeen Bearers
John Gantz, 1772–1853
Palankeen Bearers
1828
Thomas Rowlandson The Exhibition Stare-Case, Somerset House
Thomas Rowlandson, 1756–1827, British
The Exhibition Stare-Case, Somerset House
ca. 1800
John Doyle ('H.B.') A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
John Doyle ('H.B.') The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
John Doyle ('H.B.') The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
John Doyle ('H.B.') Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
1847
John Doyle ('H.B.') Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
1848
John Doyle ('H.B.') Another Saint Sebastian, Shot at by Cruel Archers
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Another Saint Sebastian, Shot at by Cruel Archers
1847
John Doyle ('H.B.') An Old Coast Guard, Looking Out... A Strange Sail on the Horizon
Print made by John Doyle ('H.B.'), 1797–1868, Irish
An Old Coast Guard, Looking Out... A Strange Sail on the Horizon
1848
John Doyle ('H.B.') Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division
1848
John Doyle ('H.B.') "Concert Monstre" of "Musical Congress" Extraordinary!
Print made by John Doyle ('H.B.'), 1797–1868, Irish
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
John Doyle ('H.B.') A Strong Case for Shortening the Hours of Labour
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Strong Case for Shortening the Hours of Labour
1848