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Credit Line Yale Center for British Art, Paul Mellon Collection

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William Blake The Horse
William Blake, 1757–1827, British
The Horse
ca. 1805
Not on view
John R. Skeaping Arab Horsemen, One Brown and One Gray Horse
John R. Skeaping, 1901–1980, British
Arab Horsemen, One Brown and One Gray Horse
1965
John R. Skeaping Moving Up to Challenge
John R. Skeaping, 1901–1980, British
Moving Up to Challenge
1963
John R. Skeaping Arab Horsemen, Two Grey Horses
John R. Skeaping, 1901–1980, British
Arab Horsemen, Two Grey Horses
1965
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925, British
A Harrow in the Orchard
ca. 1896
Robert Polhill Bevan Huntsman and Hounds
Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
ca. 1896
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925, British
Over the Bank, Exmoor
ca. 1895
John Constable Brighton Beach Looking West
John Constable, 1776–1837, British
Brighton Beach Looking West
undated
John Constable A View on the Orwell
attributed to John Constable, 1776–1837, British
A View on the Orwell
undated
Samuel Palmer Opening the Fold: Early Morning
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold: Early Morning
ca. 1880
Samuel Palmer A Cow Lodge with a Mossy Roof
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cow Lodge with a Mossy Roof
ca. 1829
Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
Samuel Palmer A Cottage among Trees, Shoreham
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cottage among Trees, Shoreham
undated
Samuel Palmer An Ancient Barn at Shoreham
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
An Ancient Barn at Shoreham
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer The Valley of Vision
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Valley of Vision
undated
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Timber Wain
between 1833 and 1834
George Stubbs Horses Fighting
after George Stubbs, 1724–1806, British
Horses Fighting
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
Joseph Mallord William Turner Ship Aground Brighton
Joseph Mallord William Turner, 1775–1851, British
Ship Aground Brighton
1830
Joseph Mallord William Turner Barnard Castle
Joseph Mallord William Turner, 1775–1851, British
Barnard Castle
ca. 1825
Joseph Mallord William Turner Leeds
Joseph Mallord William Turner, 1775–1851, British
Leeds
1816
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851, British
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851, British
Andernach
1817
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851, British
Lake Geneva and Mount Blanc
1802 to 1805
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851, British
Villa d'Este
ca. 1796
Edward Lear Catania
Edward Lear, 1812–1888, British
Catania
1847
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888, British
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888, British
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888, British
Bavella, Corsica
ca. 1868
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888, British
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
George Romney The Wave
George Romney, 1734–1802, British
The Wave
undated
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Abraham and Isaac
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827, British
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827, British
The Entrance Front of Hayley's House at Eartham
1801
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805
William Blake An Angel with a Trumpet
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Pity
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827, British
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake Jerusalem, Plate 10, "Into the Furnaces...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 10, "Into the Furnaces...."
1804 to 1820
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 13, "And that toward Eden...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 13, "And that toward Eden...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
1804 to 1820