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John Atkinson Grimshaw, 1836–1893, British, Whitby Harbor, 1878
- Title:
Whitby Harbor
- Date:
- 1878
- Medium:
- Oil on board
- Dimensions:
- 11 × 17 1/8 inches (27.9 × 43.5 cm), Frame: 14 1/8 × 20 1/4 × 1 1/2 inches (35.9 × 51.4 × 3.8 cm)
- Inscription(s)/Marks/Lettering:
Signed by and dated 1878
- Credit Line:
- Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
- Copyright Status:
- Public Domain
- Accession Number:
- B2015.13
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Subject Terms:
- harbor | landscape
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:72200
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The fishing town of Whitby in North Yorkshire became a favorite subject for John Atkinson Grimshaw beginning in the late 1860s with what is probably his first moonlight picture, Whitby Harbour by Moonlight (1867). The novelist Bram Stoker later chose Whitby as the place Count Dracula first set foot on English soil, in the guise of a great black dog. By the 1870s, Grimshaw was at the peak of his success and continued painting his enormously popular moonlit Whitby scenes well into the late 1880s, when he lived in Chelsea, close to Stoker. After a visit to Grimshaw’s studio, James McNeill Whistler remarked of his friend’s nocturnal townscapes, “I considered myself the inventor of Nocturnes until I saw Grimmy’s moonlit pictures.” Gallery label for installation of YCBA collection, 2016
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