Celia Paul, born 1959, British, Annela, 2000 to 2001
- Title:
Annela
- Date:
- 2000 to 2001
- Medium:
- Oil on canvas
- Dimensions:
- 18 1/4 × 18 1/8 inches (46.4 × 46 cm)
- Credit Line:
- Yale Center for British Art, Gift of Hansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush & Kaller, LLP
- Copyright Status:
- © The Artist
- Accession Number:
- B2013.37.5
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Subject Terms:
- figure study | woman
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:67839
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Celia Paul was born in Trivandrum, South India, where her parents were Anglican missionaries, but the family moved back to Britain when she was five years old, in response to Celia’s poor health. She entered the Slade School of Art at the age of just seventeen. While a student, she found herself lacking inspiration until she began painting studies of her mother. Ever since, her paintings have been most often images of women, mostly people she knows well, be they family or close friends. Each represents an alternative and counterintuitive idea of power inflected deeply by her Christian faith, representing the contemplative tradition within Christianity in contrast to the active life. Her work echoes that of artists like Gwen John a century earlier (whose work is shown elsewhere on this floor) in its understatement and in the sense of painting as a vocation rather than a mere profession or trade. Gallery label for installation of YCBA collection, 2020
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