John Kirby, born 1949, British, First Communion, 2000
- Title:
First Communion
- Date:
- 2000
- Medium:
- Oil on canvas
- Dimensions:
- 40 × 30 inches (101.6 × 76.2 cm)
- Credit Line:
- Yale Center for British Art, Gift of Craig Jacobson
- Copyright Status:
- © The Artist
- Accession Number:
- B2013.36.3
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Subject Terms:
- bald | chair | child | communion | genre subject | necktie
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:67830
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John Kirby was raised in Liverpool to a Catholic Irish family, and after leaving school he worked for several years in Kolkata, India, at a boy’s school founded by Mother Teresa. He returned to Britain and trained at St. Martin’s College and the Royal College of Art. When asked to sum up his work, Kirby has stated succinctly: "it’s all about repression." For Kirby, that repression is explored in the intersections of family, religion, and sex. In First Communion we see a young boy sitting in a chair, dressed and ready to attend church to receive the sacrament of Holy Communion for the first time, a major rite of passage and the culmination of the process of Christian initiation. But the anxiety is palpable and discomforting for the viewer, and the boy seems out of place, dwarfed by the adult world surrounding him and overshadowed by an implication of trauma. Gallery label for installation of YCBA collection, 2020
John Kirby was raised in Liverpool to a Catholic Irish family, and after leaving school he worked for several years in Kolkata, India, at a boy’s school founded by Mother Teresa. He returned to Britain and trained at St. Martin’s College and the Royal College of Art. When asked to sum up his work, Kirby has stated succinctly: “it’s all about repression.” For Kirby, that repression is explored in the intersections of family, religion, and sex. In First Communion we see a young boy sitting in a chair, dressed and ready to attend church to receive the sacrament of Holy Communion for the first time, a major rite of passage and the culmination of the process of Christian initiation. But the anxiety is palpable and discomforting for the viewer, and the boy seems out of place, dwarfed by the adult world surrounding him, and overshadowed by an implication of trauma. Gallery label for A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
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