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Euan Uglow, 1932–2000, British, Double Square, 1999 to 2000
- Title:
Double Square
- Date:
- 1999 to 2000
- Medium:
- Oil on canvas laid to panel
- Dimensions:
- 16 1/2 x 16 1/2 inches (41.9 x 41.9 cm)
- Credit Line:
- Yale Center for British Art, Gift of Dorothy C. Weicker in honor and memory of her parents, Beatrice Trostel and Frederick E. Weicker, Yale, Sheffield Scientific School, Class of 1931
- Copyright Status:
- © Estate of the Artist
- Accession Number:
- B2015.14
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Subject Terms:
- female | figure study | nude | squares (geometric figures)
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:63855
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Euan Uglow studied at the Camberwell School of Art and the Slade School in the early 1950s and quickly made a reputation for his studies of the nude, with figures posed in irregular attitudes in carefully chosen domestic settings. A meticulous and precise painter, Uglow worked very slowly, expecting his models to stay in position for hours on end and to return regularly over the course of many months, sometimes even years. "It was an endurance test for both of us," recalled one model who patiently sat for him one winter. When Veera, the model for this painting, could not be present, Uglow replaced her with a cube created out of copper rods, signaling at his lifelong preoccupation with the geometry of the human body. A recent gift to the Center, Double Square was one of the last paintings Uglow completed before his death from cancer in 2000. Gallery label for installation of YCBA collection, 2020
Euan Uglow studied at the Camberwell School of Art and the Slade School in the early 1950s and quickly made a reputation for his studies of the nude, posed in irregular attitudes in carefully chosen domestic settings. A meticulous and precise painter, Uglow worked very slowly, expecting his models to stay in position for hours on end, and to return regularly over the course of many months, sometimes even years. “It was an endurance test for both of us,” recalled one model who patiently sat for him one winter. When Veera, the model for this painting, could not be present, Uglow replaced her with a cube created out of copper rods. A recent gift to the Center, Double Square was one of the last paintings Uglow completed before his death from cancer in 2000. Gallery label for installation of YCBA collection, 2016
Euan Uglow : controlled passion : fifty years of painting : Abbot Hall Art Gallery, Kendal 7.07.03-11.10.03, Abbot Hall Art Gallery and Museum, Kendal, 2003, pp. 69, 74, no. 48, NJ18 .Ug56 A12 2003 + Oversize (YCBA) [YCBA]
Catherine Lampert, Euan Uglow : the complete paintings : catalogue raisonne, Yale University Press, New Haven, 2007, pp. 200-201, no. 405, NJ18 .Ug56 A12 L35 2007 Oversize (YCBA) [YCBA]
Secrets of the Night Watch : once the private pleasure of a few, Euan Uglow's paintings are emerging from the shadows, Financial Times, Accessed February 2, 2023, p. 7, Gale OneFile : News [ORBIS]
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