- Title:
Bust of a Man [2011, YCBA]
- Former Title(s):
Bust reputedly of "Psyche," an athlete in the employ of the Duke of Northumberland [2006, YCBA]
Bust of a Negro, reputedly 'Psyche', a black athlete in the employ of the Duke of Northumberland [1987, description from the Christie's London sales catalogue for the J. Paul Getty Museum version]
- Date:
- ca. 1758
- Medium:
- Black limestone on a yellow marble socle
- Dimensions:
- Overall: 28 × 20 × 10 1/2 inches (71.1 × 50.8 × 26.7 cm), Base or socle: 8 1/2 inches (21.6 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B2006.14.11
- Classification:
- Sculptures
- Collection:
- Paintings and Sculpture
- Subject Terms:
- African | man | portrait | scars
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:54430
- Export:
- XML
- IIIF Manifest:
- JSON
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14) [YCBA Objects in the Exhibition] [Exhibition Description]
Malcolm Baker, Figured in marble : the making and viewing of eighteenth-century sculpture, London, 2000, p. 143, fig. 112, NB466 B35 2000 (YCBA) [YCBA]
Malcolm Baker, The making of portrait busts in the mid-eighteenth century, Roubiliac, Scheemakers and Trinity College, Dublin , Burlington Magazine, vol. 137, December 1995, p. 831, N1 B87 137:3 OVERSIZE (YCBA) [YCBA]
Jane Bassett, Looking at European sculpture : a guide to technical terms, V&A Publications, London, 1997, p. 14, NB50 B37 1997 (YCBA) [YCBA]
David Bindman, Ape to Apollo : and the idea of race in the 18th century, , Burlington Magazine, vol 145, February 2003, pp. 103-104, Available online: JSTOR [ORBIS]
David Bindman, Ape to Apollo : and the idea of race in the 18th century, , Burlington Magazine, vol 145, February 2003, pp. 103-104, N1 B87 145:1 OVERSIZE (YCBA) [ORBIS]
David Bindman, The Image of the Black in Western Art : From the " Age of Discovery" to the Age of Abolition, , vol. 3, part 3, Belknap Press of Harvard University Press, Cambridge, Mass., 2010, Vol. 3; pp. 40, 41, fig. 33, N8217.B535 I42 2010+ (YCBA) Citations are to Vol. 3, Part 3 [YCBA]
Christie's Sales Catalogue : Important European sculpture and works of art : 9 April 1987, , Christie's, Christie's (UK), London, 9 April 1987, p. 43, lot 83, Note vaialble at Yale See WorldCat or Scipio for possible locations [OCLC]
Robert Colls, This sporting life : sport and liberty in England, 1760-1960, Oxford University Press, Oxford, U.K., 2020, pp. 87-8, 380, pl. 3.2, GV706.35 .C65 2020 (LC) YCBA [ORBIS]
Roberta Cremonicini, Francis Harwood, scultore inglese a firenze nel settecento , 1990/1991, pp. 39-40, Nj18 H245652 C74 OVERSIZE (YCBA) [YCBA]
Martina Droth, Britain in the world: Highlights from the Yale Center for British Art in honor of Amy Meyers, Yale University Press, New Haven, London, p. 49, p. 51 (detail), N6761 .Y33 2019 (LC) (YCBA) [YCBA]
Jason Edwards, From the East India Company to the West Indies and Beyond, the World of British Sculpture , Visual Culture in Britain, vol 2, July 2010, p. 157, N6761 V57 (YCBA) [YCBA]
Figures of Empire : Slavery and Portraiture in Eighteenth-Century Atlantic Britain, , Yale Center for British Art, New Haven, 2014, pp.19, 41, V 2556 (YCBA) Also available online: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://britishart.yale.edu/sites/default/files/inline/Figures%20of%20Empire_booklet_FINAL.pdf [YCBA]
Ken Gonzales-Day, Commentary on a Bust of a Man by the Studio of Francis Harwood, , Yale Center for British Art, Accessed on 11/24/2015, 18.56 minutes, http://interactive.britishart.yale.edu/slavery-and-portraiture/327/commentary-by-ken-gonzales-day [Website]
Ken Gonzales-Day, Portraits at a Museum, An Artist's Project , Getty Research Journal, 2010, p. 213, http://www.centerforbritishart.org/slavery-and-portraiture/327/commentary-by-ken-gonzales-day [Website]
Mac Griswold, I'll build a stairway to paradise : a life of Bunny Mellon, Farrar, Straus and Giroux, New York, 2022, p. 230, CT275.M469122 G75 2022 [ORBIS]
Cyra Levenson, Haptic Blackness : the Double Life of an 18th-century Bust, , British Art Studies, , Autumn 2015, figs. 5, 10, 11, http://www.britishartstudies.ac.uk/issues/issue-index/issue-1/bust-of-a-man [Website]
Nell Painter, Commentary on a Bust of a Man by the Studio of Francis Harwood, , Yale Center for British Art, Accessed 11/24/2015, 22:38 minutes, http://interactive.britishart.yale.edu/slavery-and-portraiture/328/commentary-by-nell-painter [Website]
Pictures and progress : early photography and the making of African American identity, Duke University Press, Durham, N.C., p. 33, TR23 .P53 2012 (BASS) [ORBIS]
Recent Sales : European Sculpture and Works of Art, Christie's international magazine, June-July 1987, p. 85, N8640 C53 C452 (LC)+ Oversize (LSF) [ORBIS]
Roberta Roani Villani, Il ' Busto di Negro ' di Francis Harwood del J. Paul Getty Museum di Malibu ", Paragone. Arte, Anno 42, July 1991, pp. 66-74, figs. 74, 75 and 76, N4 P37 (LC) (HAAS) [ORBIS]
Ingrid Roscoe, A biographical dictionary of sculptors in Britain, 1660-1851, Yale University Press, New Haven, CT, 2009, p. 585, no. 10, NB496 B56 2009 (YCBA) (Wall Shelf 3) Yale electronic resource also available online: Orbis [YCBA]
Slavery and Portraiture in 18th-century Atlantic Britain, [Website] , Yale Center for British Art, New Haven, 2015, Available online https://interactive.britishart.yale.edu/slavery-and-portraiture/ [Website]
Tamera Sternberger, Commentary on Bust of a Man by the Studio of Francis Harwood, [ Website } , Yale Center for British Art, Accessed on 11/24/2015, 1:24 minutes, http://interactive.britishart.yale.edu/slavery-and-portraiture/337/commentary-by-tamera-sternberger [Website]
The J. Paul Getty Museum : handbook of the collection, Los Angeles, 2015, p. 296, N582.M25 A627 2015 (LC) (HAAS) [ORBIS]
Marjorie Trusted, The return of the gods : neoclassical sculpture in Britain, Tate Publishing, London, 2008, p. 27, no. 13, NB466 .T78 2008 OVERSIZE (YCBA) [YCBA]
John Walsh, Acquisitions 1988, The J Paul Getty Museum Journal, vol 17, 1989, p. 150, no. 90, Available online: JSTOR Hard copy also available: N582 M25 A25 (LC)+ Oversize (LSF) [ORBIS]
Chi-ming Yang, Commentary on a Bust of a Man by the Studio of Francis Harwood, , Yale Center for British Art, Accessed on 11/24/2015, 6:27 minutes, http://interactive.britishart.yale.edu/slavery-and-portraiture/336/commentary-by-chi-ming-yang [Website]