- Title:
Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
- Former Title(s):
Hadleigh Castle [1985, Cormack, YCBA Concise Catalogue]
- Date:
- 1829
- Medium:
- Oil on canvas
- Dimensions:
- 48 × 64 3/4 inches (121.9 × 164.5 cm), Frame: 59 1/2 × 76 1/4 × 4 inches (151.1 × 193.7 × 10.2 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1977.14.42
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1977.14.42FR
- Subject Terms:
- architectural subject | birds | boats | castle | clouds | cows | death | dog (animal) | estuary | hills | landscape | light | melancholy | men | metaphor | meteorology | morning | path | river | ruins | science | shepherd | storm | walking
- Associated Places:
- England | Essex | Hadleigh | Hadleigh Castle | Southend-on-Sea | Thames | Thames Estuary | United Kingdom
- Access:
- On view at the Yale University Art Gallery
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:5001
- Export:
- XML
- IIIF Manifest:
- JSON
YUAG European Galleries (Yale University Art Gallery, 2023-12-01 - 2025-01-15) [YCBA Objects in the Exhibition]
In a New Light: Paintings from the Yale Center for British Art (Yale University Art Gallery, 2023-03-24 - 2023-12-03) [YCBA Objects in the Exhibition] [Exhibition Description]
John Constable: The Late work (Royal Academy of Arts, 2021-10-30 - 2022-02-13) [YCBA Objects in the Exhibition]
Thomas Cole's Journey - Atlantic Crossings (The National Gallery, London, 2018-06-13 - 2018-10-07) [YCBA Objects in the Exhibition]
Thomas Cole's Journey - Atlantic Crossings (The Metropolitan Museum of Art, 2018-01-29 - 2018-05-13) [YCBA Objects in the Exhibition]
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27) [YCBA Objects in the Exhibition]
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29) [YCBA Objects in the Exhibition]
Constable - The Great Landscapes (The Huntington Library, Art Collections, and Botanical Gardens, 2007-02-03 - 2007-04-29) [YCBA Objects in the Exhibition]
Constable - The Great Landscapes (National Gallery of Art, 2006-10-01 - 2007-01-02) [YCBA Objects in the Exhibition]
Constable - The Great Landscapes (Tate Britain, 2006-06-01 - 2006-08-28) [YCBA Objects in the Exhibition]
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24) [YCBA Objects in the Exhibition] [Exhibition Description]
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) [YCBA Objects in the Exhibition] [Exhibition Description]
Great British Paintings from American Collections: Holbein to Hockney (The Huntington Library, Art Collections, and Botanical Gardens, 2002-02-01 - 2002-05-05) [YCBA Objects in the Exhibition] [Exhibition Description]
Great British Paintings from American Collections: Holbein to Hockney (Yale Center for British Art, 2001-09-27 - 2001-12-30) [YCBA Objects in the Exhibition] [Exhibition Description]
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15) [YCBA Objects in the Exhibition] [Exhibition Description]
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06) [YCBA Objects in the Exhibition] [Exhibition Description]
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05) [YCBA Objects in the Exhibition] [Exhibition Description]
William Wordsworth and the Age of English Romanticism (Chicago Historical Society, 1988-04-06 - 1988-06-05) [YCBA Objects in the Exhibition]
William Wordsworth and the Age of English Romanticism (New York Public Library, 1987-10-31 - 1988-01-02) [YCBA Objects in the Exhibition]
Constable's England (The Metropolitan Museum of Art, 1983-04-13 - 1983-09-04) [YCBA Objects in the Exhibition]
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27) [YCBA Objects in the Exhibition]
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01) [YCBA Objects in the Exhibition]
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) [YCBA Objects in the Exhibition]
A Great Collection of British Pictures in Virginia, The Times (London), , May 1, 1963, p. 5, Times Digital Archive [ORBIS]
Sir Geoffrey Agnew, Yale's 1700 Mellon Pictures, The Times (London), , April 28, 1977, p. 9, Times Digital Archive [ORBIS]
Art : The Definitive Visual History, DK Publishing, New York, 2018, p. 297, NX440 .A785 2018 Oversize (YCBA) [YCBA]
Timothy J. Barringer, Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance, Yale University Press, New Haven and London, 2018, p. 37, fig. 29, NJ18 .C67 B37 2018 (YCBA) [YCBA]
Timothy J. Barringer, The Englishness of Thomas Cole, University of New Hampshire Press, Durham, NH, 2011, pp. 43-44, 45, fig. 1.18 & Pl. 4, V2383 (YCBA) [YCBA]
Timothy J. Barringer, When Thomas Cole Caught "Panoramania", , The Metropolitan Museum Bulletin, March 16, 2018, https://www.metmuseum.org/blogs/now-at-the-met/2018/thomas-cole-panorama [Website]
John Baskett, Painting in England: 1700-1850: the Collection of English paintings formed by Mr and Mrs Paul Mellon : on Exhibition at the Museum of Fine Arts, Richmond, until August 18th, , Connoisseur, Vol. 153, London, June 1963, p. 101, N1 C75 + (YCBA) [YCBA]
John Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, pp. 288-9, no. 100, N5220 M552 P38 2007 OVERSIZE (YCBA) [YCBA]
Ronald Brymer Beckett, Correspondence: John Constable, , Her Majesty's Stationery Office, London, 1962, p. 76 (v. 6), NJ18 C74 A2 1962 (YCBA) [YCBA]
Peter Bishop, An archetypal Constable : national identity and the geography of nostalgia, , Athlone, London, UK, 1995, no. 9, NJ18 C74 B57 1995 (YCBA) [YCBA]
British Art at Yale, Apollo, v.105, April 1977, pp. 276, 290-1, fig. 9, N1 .A54 + OVERSIZE (YCBA) [YCBA]
Catalogue of the Constable collection, Her Majesty's Stationery Office, London, UK, 1973, pp. 94. 190, NJ18 C74 R495 1973 (YCBA) [YCBA]
Centenary exhibition of paintings and water-colours by John Constable, R.A. (1776-1837), May 4th to August 31st, 1937. , Tate Britain, London, UK, 1937, p. 12, fig. 6, NJ18 C74 T36 1937 (YCBA) [YCBA]
Malcolm Cormack, A Selective Promenade, Apollo, v.105, April 1977, pp. 290-1, fig. 9, N1 A54 + (YCBA) [YCBA]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 64-5, N590.2 A83 (YCBA) [YCBA]
Malcolm Cormack, Constable, Cambridge University Press, Cambridge, UK & New York, NY, 1986, p. 86, 176,179,187-91,193, 198, 225, 229, 233, 238, pls. 179, 181, NJ18 C74 C75 OVERSIZE (YCBA) [YCBA]
Tricia Cusack, Art and identity at the water's edge, Ashgate Publishing, Farnham, Surrey ; Burlington, VT, 2012, pp. 26-7, fig. 2.2, N72 S6 A7195 2012 (YCBA) [YCBA]
Exhibition Catalogue. 1829. 61st., Exhibition of the Royal Academy of Arts, no. 61, Royal Academy of Arts, London, 1829, p. 18, no. 322, N5054 A53 50-64 (YCBA) [YCBA]
Ian Fleming-Williams, Constable and his drawings, Philip Wilson Publishers Ltd, London, UK, 1990, pp. 227-9, fig. 212, NJ18 C74 F53 1990 (YCBA) [YCBA]
Ian Fleming-Williams, The discovery of Constable, H. Hamilton, London, 1984, pp. 17-8, pl. 16, NJ18.C74 F55 (YCBA) [YCBA]
Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 8, ND466 G67 (YCBA) [YCBA]
Hadleigh Castle : A Constable subject, , The Times (London), March 1, 1946, p. 6, Times Digital Archive [ORBIS]
Hadleigh Castle : Constable's picture for the National Gallery, , The Times (London), February 8, 1936, p. 10, Times Digital Archive [ORBIS]
Hadleigh Castle : History of Constable's paintings, , The Times (London), March 20, 1936, p. 17, Times Digital Archive [ORBIS]
James Hamilton, Constable : a portrait, Weidenfeld and Nicolson, London, pp. 4, 315-6, 317-8, 319, 321, 331, , pl. 33, NJ18.C74 H36 2022 (YCBA) [YCBA]
Louis Hawes, Constable's Hadleigh Castle and British Romantic Ruin Painting, Art Bulletin, v. 65., no. 3, September, 1983, pp. 455-470, no. 1, figs. 1 and 7, N11 C4 + (YCBA) Also Available online via JSTOR [YCBA]
Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 157-9, no. III.30, pl. 1, 132, ND1354.4 H38 (YCBA) [YCBA]
Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, vol. 157, December 1964, p. 221, N1 C75 + OVERSIZE (YCBA) [YCBA]
Charles John Holmes, Constable and his influence on landscape painting, Archibald Constable and Company, Limited, Westminster, UK, 1902, pp. 107-12, 254, 294, Folio A N80 (YCBA) [YCBA]
Charles John Holmes, Constable's Hadeigh Castle [addendum], Burlington Magazine for Connoisseurs, v. 68, no. 399, June 1936, pp. 294-5, N1 B87 + OVERSIZE (YCBA) Also available online at JSTOR [YCBA]
Charles John Holmes, Constable's Hadleigh Castle, Burlington Magazine for Connoisseurs, v. 68, no. 396, March 1936, pp. 107-113, N1 B87 + OVERSIZE (YCBA) Also available online at JSTOR [YCBA]
Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 137, no. 502, Tav. LVII, NJ18 C74 A12 +H66 (YCBA) [YCBA]
Olivia Horsfall Turner, Nobleness & grandeur : forging historical landscape in Britain 1760-1850, , Yale Center for British Art, New Haven, CT, 2005, no. 56, V 1420 (YCBA) [YCBA]
John Constable : a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon, , National Gallery of Art, Washington, DC, 1969, pp. 56-7, no. 61, NJ18 C74 U5 (YCBA) [YCBA]
Michael Kitson, John Constable at the Tate, Burlington Magazine, vol. 118, no. 877, April, 1976, p. 252, N1 B87 + OVERSIZE (YCBA) [YCBA]
Elizabeth Mankin Kornhauser, Re-examining Thomas Cole, , Magazine Antiques, Januray 9, 2018, fig. 7, Magazine Antiques http://www.themagazineantiques.com/article/re-examining-thomas-cole/ [Website]
Ray Lambert, John Constable and the theory of landscape painting, Cambridge University Press, Cambridge, UK & New York, NY, 2004, pp. 102-4, 156-8, 169, fig. 26, NJ18 C74 L36 2004 (YCBA) [YCBA]
Charles Robert Leslie, Memoirs of the life of John Constable composed chiefly of his letters, Phaidon Press, London, UK, 1951, pp. 173, 174, 176, 177, 179,181, 418, NJ18 C74 L47 1951 (YCBA) [YCBA]
Charles Robert Leslie, Memoirs of the life of John Constable, R.A., The Medici Society, Ltd., London, UK, 1937, pp. xxxiv, lxxii, 238, 240-1, 248, NJ18 C74 L47 1937 (YCBA) [YCBA]
George Dunlop Leslie, John Constable, R.A., Art Journal, Virtue, London, January 1903, p. 9, British Periodicals [ORBIS]
Anne Lyles, Constable : the great landscapes, , Tate Publishing, London, UK, 2006, pp.23, 26, 37, 48,80,164,166, 174-7, 180, 210, 214, no. 57, NJ18 C74 C77 2006 + (YCBA) [YCBA]
Anne Lyles, Late Constable, Royal Academy of Arts, London, p. 79, no. 15, NJ18.C74 A12 2021 Oversize (YCBA) [YCBA]
Julia Marciari-Alexander, This other Eden : Paintings from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1998, pp. 17-19, 146-7, no. 59, fig. 18, ND1314.3 Y36 1998 (YCBA) [YCBA]
Cosmo Monkhouse, The Grosvenor Gallery : a Century of British Art, , Academy, , January 14, 1888, p. 31, British Periodicals [ORBIS]
Edward. Morris, Constable's clouds : paintings and cloud studies by John Constable, , National Galleries of Scotland, Edinburgh & Liverpool, UK, 2000, p.157, fig. 92, NJ18 C74 C76 2000 + (YCBA) [YCBA]
National Gallery of Art, Painting in Georgian England from the collection of Mr. and Mrs. Paul Mellon., National Gallery of Art, Washington, D.C., 1970, p. 20, slide 57, ND488 P25 (YCBA) [YCBA]
Olympic Theatre : The pictures of the late Royal Academician, , Morning Chronicle and London Advertiser, London, May 5, 1838, p. 5, British Library Newspapers [ORBIS]
Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, pp. 83-84 (v. 1), no. 113, pl. 43, ND466 V57 v.1-2 (YCBA) [YCBA]
Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 21-22 (v.1).., no. 68, ND466 R68 1964/65 (YCBA) [YCBA]
Leslie Parris, Constable : paintings, watercolours & drawings, , Tate Publishing, London, UK, 1976, p. 156, no. 263, fig. 263, NJ18 C74 P37 + (YCBA) [YCBA]
Leslie Parris, Constable : pictures from the exhibition, , Tate Publishing, London, UK, 1991, p. 64, NJ18 C74 P373 1991 (YCBA) [YCBA]
Leslie Parris, Constable, Tate Publishing, London, UK, 1991, pp. 312-4, fig. 84, NJ18 C74 P372 1991 + (YCBA) [YCBA]
Leslie Parris, The Tate Gallery Constable collection : a catalogue, , Tate Britain, London, UK, 1981, pp. 128-33, fig. 1, NJ18 C74 P374 + (YCBA) [YCBA]
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA) [YCBA]
Christiana Payne, Where the sea meets the land, artists on the coast in nineteenth century Britain , Sansom & Co., Bristol, 2007, ND1373 G7 P38 2007 (YCBA) [YCBA]
Graham Reynolds, Constable's England, The Metropolitan Museum of Art, New York, NY, 1983, pp. 160-1, no. 58, NJ18 C74 R496 (YCBA) [YCBA]
Graham Reynolds, Constable, the natural painter, Panther, St. Albans, UK, 1976, pp. 17, 111-12, , NJ18 C74 R48 1976 (YCBA) [YCBA]
Graham Reynolds, English Landscape 1630-1850, Apollo, vol.105, April 1977, p. 276, N1 A54 105:2 + (YCBA) [YCBA]
Graham Reynolds, John Constable : Struggle and Success, , Apollo, vol. 103, no. 170, April 1976, pp. 323-4, N1 A54 + OVERSIZE (YCBA) [YCBA]
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Michael Rosenthal, Constable, Thames and Hudson, London, UK, 1987, pp. 176-8, 206, fig. 169, NJ18 C74 R683 (YCBA) [YCBA]
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Alan Sorrell, Hadleigh Castle : To the Editor of the Times, , The Times (London), March 1, 1946, p. 5, Times Digital Archive [ORBIS]
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The critique of reason : Romantic art, 1760-1860 : March 6-July 26, 2015, Yale University Art Gallery, Yale University Art Gallery, New Haven, 2015, [pp. 6, 7], fig. 9, V 2574 (YCBA) [YCBA]
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The Grosvenor Exhibition (Second Notice), Athenaeum, , January 28, 1888, p. 122, British Periodcals [ORBIS]
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Jonathan Wordsworth, William Wordsworth and the age of English romanticism, Rutgers University Press, New Brunswick Grasmere, UK, 1987, pp. 179-80, 232, no. 273, fig. 168, PR5885 W67 1987 (YCBA) [YCBA]
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