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Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643), Sir Ralph Bankes, ca. 1660
- Title:
Sir Ralph Bankes
- Date:
- ca. 1660
- Medium:
- Oil on canvas
- Dimensions:
- 46 7/8 x 38 3/4 inches (119.1 x 98.4 cm)
- Inscription(s)/Marks/Lettering:
Inscribed on dog collar, lower right: "Sr RB"
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Copyright Status:
- Public Domain
- Accession Number:
- B1978.22
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1978.22FR
- Subject Terms:
- column (architectural element) | costume | landscape | man | portrait
- Associated People:
- Bankes, Sir Ralph (1631–1677), courtier of the restored Charles II and knighted member of the Privy Chamber
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:474
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Sir Ralph Bankes (1631–77/79) trained in the law and became a politician and gentleman of the Privy Chamber under Charles II. After the Restoration, he sought to re-establish a dynasty that had been badly shaken by the Civil War. The medieval family home, Corfe Castle, in Dorset, had been destroyed by parliamentary forces, but, rather than rebuild it, he chose to construct a new house, Kingston Lacy (completed in 1665), which stands today. In Peter Lely’s portrait, Bankes appears as a gentleman of taste and leisure; indeed, he was famous for art collecting, a pastime that allied him closely with Lely, who was a close friend. But the imposing head of the English mastiff, a dog known for its watchfulness (its collar is inscribed “Sr R B”), and the presence of the column, an attribute of upstanding character, also speak to Bankes’s ambitions as the stalwart protector of his family’s legacy. Gallery label for installation of YCBA collection, 2016
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 144-145, N590.2 A83 (YCBA) [YCBA]
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