- Title:
Shuja-ud-Daula, Nawab of Oudh
- Former Title(s):
Shuja-ud-Daulah, Nawab of Awadh, holding a bow
- Date:
- 1772
- Medium:
- Oil on canvas
- Dimensions:
- 50 × 40 inches (127 × 101.6 cm), Frame: 54 3/4 × 45 3/4 × 3 inches (139.1 × 116.2 × 7.6 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in black ink, on a label on the back of the canvas: “Portrait of Sygah Dowlah nabob vizier and Prince of Oude / an ally of Warren Hastings and who for / half a million sterling was to be furnished with / English troops to subjugate the Rohihas and add them to his own dominions / After the death of Sujah Dowlah his son Asapul-Dowlah, a licentious and indolent man, having fallen in arrears of his father’s engagement to the Government, the mother and wife of Sugah Dowlah, known as the principles of Oude, who were supposed to have treasures to the value of three millions sterling, were shut up in their beautiful palace Fyzabad and endured great sufferings until the money was paid. / From the Collection of the late H. C. Plowden. Esq./ of Newtown Park/ Lymington, Hampshire.”; Label on verso, upper left: “Pitt & Scott Ltd | London | [handwritten] Mellon | 81 | [typed] <99991>”
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1976.7.48
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1976.7.48FR
- Subject Terms:
- bow | brocade | column (architectural element) | costume | fur | gold | hat | man | Mughal | Oudh | people | portrait
- Associated Places:
- India
- Associated People:
- Shuja ud-Daula (d. 1775), nawab of Oudh
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:283
- Export:
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The Raj - India and the British 1600 - 1947 (National Portrait Gallery, 1990-10-19 - 1991-03-17) [YCBA Objects in the Exhibition]
The Splendours of Princely India (The Metropolitan Museum of Art, 1985-11 - 1986-02-23) [YCBA Objects in the Exhibition]
Mildred Archer, India and British Portraiture, 1770-1825, Sotheby Parke Bernet, London, 1979, pp. 78, 492, fig. 30, ND 1327 I44 A72 (YCBA) [YCBA]
C. A. Bayly, The Raj, India and the British, 1600-1947 , National Portrait Gallery, London, 1990, pp. 80-1, cat. no. 77, DS428 R25 1990 (YCBA) [YCBA]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 134-135, N590.2 A83 (YCBA) [YCBA]
Susan Dunne, Nicola Hicks finds expressive matches, Hartford Courant, Hartford, December 8, 2013, pp. G1, G6, Available online : Orbis and Proquest Digital Microfilm [ORBIS]
Stephen Markel, India's fabled city, the art of courtly Lucknow , Prestel, Munich New York, 2010, pp. 17, 252, no. 1, 1, N7308 L83 M37 2010 + (YCBA) [YCBA]
John McAleer, Picturing India People, Places, and the World of the East India Company, The British Library, London, p. 141, fig. 4.4, N8214.5.I5 M43 2017 (YCBA) [YCBA]
Morna O'Neill, Company Culture:, British Artists and the East India Company 1770-1830: October 16, 2003-January 11, 2004 , Yale Center for British Art, New Haven, 2003, no. 8, V 1199 (YCBA) [YCBA]
Stuart Cary Welch, The British view of India, selected English paintings from the Paul Mellon collection , American Federation of Arts, New York, 1978, N8214.5 I5 B75 1978 (YCBA) [YCBA]