Mabilat, Claire, 1980-, Orientalism and representations of music in the nineteenth-century British popular arts , c2008
- Title(s):
Orientalism and representations of music in the nineteenth-century British popular arts / Claire Mabilat.
- Published/Created:
- Aldershot, Hants, England ; Ashgate, c2008.
Burlington, VT : Ashgate, c2008. - Physical Description:
- xii, 252 p. : ill. ; 25 cm.
- Holdings:
- Reference LibraryML286 .M23 2008 (LC)Accessible in the Reference Library [Hours]
Note: Please contact the Reference Library to schedule an appointment [Email ycba.reference@yale.edu] - Full Orbis Record:
- http://hdl.handle.net/10079/bibid/8151250
- Classification:
- Books
- Notes:
- Includes bibliographical references (p. [223]-243) and index.
- Subject Terms:
- Dramatic music -- 19th century -- Great Britain -- History and criticism.Haggard, H. Rider (Henry Rider), 1856-1925 -- Criticism and interpretation.Orientalism -- Great Britain -- History.Orientalism in music -- Great Britain -- History.
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- The musical stage. An introduction to British opera and musical stage works in the long nineteenth century ; Sexualizing the other ; An angel/demon dualism
- Works of fiction : Rider Haggard and his milieu. Literature and orientalism : contextualizing Rider Haggard ; The Lady of the Night hath a sweet voice, and she will not sing In vain : Haggard's women, sexuality, music and the other ; Haggard's constructions of African masculinity : otherness, violence and music ; [T]hat unknown man's singing has stirred you deeply : E.M. Hull's The Sheik : an exploration of orientalized gender
- Visual culture. Hearing art : an introduction ; Visually realizing the fictions of H. Rider Haggard ; high art and the musical orient ; Staging the photographic Orient.