Topic subjectplace ss: United Kingdom - YCBA Collections Search Search Results

2601. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2602. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2603. Oak Door Discovered in the Speaker's State Dining Room

Creator:: Print made by John Thomas Smith, 1766–1833, British
Date:: 1806
Medium:: Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2604. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2605. Grave of the Supposed William Lyndewode

Creator:: unknown artist, nineteenth century
Date:: 1852
Medium:: Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2606. View of the Office of Ordnance with the Entrance of the House of Lords

Creator:: unknown artist
Date:: undated
Medium:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2607. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Date:: 1823
Medium:: Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2608. The King on his Throne in the House of Lords

Creator:: Print made by James Fittler, 1758–1835, British
Date:: 1804
Medium:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2609. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2610. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2611. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2612. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822, British
Date:: 1842
Medium:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2613. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822, British
Date:: 1842
Medium:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2614. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Medium:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2615. View of Guy Fawkes' Tower

Creator:: George Birch, 1842–1904, British
Date:: 1827
Medium:: Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2616. Sections of Room under Painted Chamber

Creator:: George Birch, 1842–1904, British
Date:: 1827
Medium:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2617. Ruins of Westminster Palace

Creator:: George Harley, 1791–1871, British
Date:: 1834
Medium:: Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2618. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Creator:: Print made by John Thomas Smith, 1766–1833, British
Date:: 1804
Medium:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2619. House of Lords, Her Majesty Opening the Session of Parliament

Creator:: Print made by Henry Melville, active 1826–1841, British
Date:: ca. 1837
Medium:: Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2620. Plan of Princes Chamber, One Pair

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2621. East Front of Princes Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2622. Princes Chamber, East Side with the Old House of Lords

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2623. Princes Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2624. South Side of Princes Chamber West

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2625. Window Detail, Princes Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2626. Door near Painted Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2627. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1825
Medium:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2628. Old Palace Yard

Creator:: Frederick Mackenzie, 1788–1854, British
Date:: 1809
Medium:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2629. Exterior & Interior Views of the Painted Chamber & Old House of Lords

Creator:: Print made by unknown artist
Date:: 1823
Medium:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2630. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871, British
Date:: 1871
Medium:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2631. Ceiling of Front Parlor House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871, British
Date:: 1871
Medium:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2632. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Creator:: Print made by unknown artist
Date:: undated
Medium:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2633. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

Creator:: Print made by unknown artist
Date:: 1834
Medium:: Lithograph on smooth, moderately thick, brown wove paper
Dimensions:: Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2634. New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

Creator:: Print made by T. Kearnan, active 1821–1850, British
Date:: ca. 1835
Medium:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2635. The North Prospect of Westminster Abbey

Creator:: Print made by John Collins, active ca. 1682
Date:: between 1680 and 1710
Medium:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2636. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750, British
Date:: 1739
Medium:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2637. Houses of Parliament

Creator:: Print made by unknown artist
Date:: undated
Medium:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2638. Henry VII Chapel, Westminster Abbey

Creator:: unknown artist
Date:: undated
Medium:: Graphite, pen and black ink, brown ink, and watercolor on smooth, medium, white wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/4 inches (48.9 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2639. View of the East End of Henry VIIth Chapel as Restored in 1813

Creator:: Print made by George Hawkins, active 1795–1810, British
Date:: 1814
Medium:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2640. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Creator:: Print made by Augustus Charles Pugin, 1762–1832, French
Date:: undated
Medium:: Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2641. Henry the Seventh's Chapel, North Side

Creator:: Print made by Charles J. Hullmandel, 1789–1850, British
Date:: undated
Medium:: Lithograph on slightly textured, medium, white wove paper
Dimensions:: Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2642. Buildings on East Side of Dean's Yard

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2643. The Vicar Selling his Horse

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: ca. 1817
Medium:: Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2644. The Surprise

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: ca. 1817
Medium:: Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2645. The Family Picture

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1817
Medium:: Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2646. The Fair Penitent

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: ca. 1817
Medium:: Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2647. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: ca. 1817
Medium:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2648. The Scold, with News of Olivia

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: ca. 1817
Medium:: Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2649. The Vicar Preaching to the Prisoners

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: ca. 1817
Medium:: Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2650. Comforts of Bath: The Concert

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1798
Medium:: Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2651. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1798
Medium:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2652. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1798
Medium:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2653. The "Adam and Eve," Old Chelsea

Creator:: James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Date:: 1879
Medium:: Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 13 3/4 inches (22.2 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

2654. Comforts of Bath: The Music Master

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1798
Medium:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2655. Houses at Kingston on the Thames

Creator:: attributed to Peter DeWint, 1784–1849, British
Date:: undated
Medium:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 x 7 3/4 inches (16.2 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2656. Houses at Teddington on the Thames

Creator:: attributed to Peter DeWint, 1784–1849, British
Date:: 1809
Medium:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2657. View of the Thames at Kingston

Creator:: attributed to Peter DeWint, 1784–1849, British
Date:: 1809
Medium:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 x 8 1/8 inches (16.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2658. Comforts of Bath: Private Practice Previous to the Ball

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1798
Medium:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 15/16 x 8 1/4 inches (15.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2659. Comforts of Bath: Gouty Persons Fall on Steep HIll

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1798
Medium:: Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2660. A Perspective View of Covent Garden

Creator:: John Maurer, active 1713–1761
Medium:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2661. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

Creator:: unknown artist
Medium:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2662. The South West Prospect of London, from Somerset Gardens to the Tower

Creator:: Thomas Bowles, ca. 1712–died 1753, British
Medium:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2663. An Inside View of the Church of St. Stephen Walbrooke London

Creator:: Thomas Bowles, ca. 1712–died 1753, British
Medium:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2664. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

Creator:: Print made by John Maurer, active 1713–1761
Medium:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2665. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: between 1809 and 1823
Medium:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2666. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

Creator:: Possibly Samuel Howitt, 1756–1822, British
Date:: undated
Medium:: Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2667. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

Creator:: Julius Caesar Ibbetson, 1759–1817, British
Date:: undated
Medium:: Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2668. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Medium:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2669. The Exeter College Eight on the Isis, Oxford

Creator:: William Turner of Oxford, 1789–1862, British
Date:: 1824
Medium:: Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2670. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: between 1795 and 1800
Medium:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2671. The St. Leger, Doncaster: The Finish

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: undated
Medium:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2672. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871, British
Date:: undated
Medium:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2673. The Murder on the Thames

Creator:: Print made by George Cruikshank, 1792–1878, British
Date:: 1839
Medium:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 1/16 x 7 7/16 inches (23 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960