Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
1849
106
William Young Ottley, 1771–1836, British
Prospero Summoning Ariel
ca. 1800
107
Print made by Gerald Leslie Brockhurst, 1890–1978, British
Ophelia
1942
108
Thomas Grieve, 1799–1882, British
Design for Midsummer Night's Dream
undated
109
Thomas Grieve, 1799–1882, British
Design for A Winter's Tale
undated
110
John Flaxman, 1755–1826, British
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
111
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
112
Robert Smirke, 1752–1845, British
Lysander Awakening to See Helena
1825
113
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
114
Samuel De Wilde, 1748–1832, British
Head of a Man with a Beard and Long Hair in the Wind
1786
115
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1807
116
John Hamilton Mortimer, 1740–1779, British
Literary Characters Assembled Around the Medallion of Shakespeare
1776
117
unknown artist
Portrait of Moses Kean
undated
118
George Fennell Robson, 1788–1833, British
The Murder of Banquo
ca. 1830
119
John Thomas Serres, 1759–1825, British
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
120
unknown artist
Lear in the Storm
undated
121
James Northcote, 1746–1831, British
Study for Burying the Royal Children
ca. 1790
122
James Northcote, 1746–1831, British
Macbeth and the Witches
between 1777 and 1778
123
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
124
Print made by John Horsburgh, 1791–1869, British
Shakespeare's Monument at the Church at Stratford upon Avon
1834
125
after Abraham Wivell, 1786–1899, British
Shakspeare
1827
126
Print made by Lumb Stocks, 1812–1892, British
Florizel and Perdita
1867
127
Thomas Rowlandson, 1756–1827, British
Henderson in the Character of Falstaff
undated
128
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
129
Print made by James Faed Sr., 1821–1911, British
Shakespeare and His Friends at the Mermaid Tavern
1850
130
Print made by unknown artist
The Death of Juliet
unknown
131
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
132
unknown artist
Troilus and Cressida?
undated
133
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jane Shore
1790
134
Robert Laurie, 1755?–1836, British
David Garrick, Esq
1779
135
Richard James Lane, 1800–1872, British
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
136
Print made by Thomas A. Woolnoth, 1785–1857, British
Mrs. W. West as Cordelia
1820
137
Jacobus Houbraken, 1698–1780, Dutch
William Shakespeare
1747
138
George Vertue, 1684–1756, British
Three Children of King Henry VII and Elizabeth of York, His Queen
1748
139
William Holl, 1807–1871, British
Mrs. Siddons
140
Robert Laurie, 1755?–1836, British
David Garrick, Esq
1779
141
James Heath, 1757–1834, British
"This is fairy gold, boy, and will prove so"
1804
142
unknown artist, ( Maillon )
A t avers le Rhin un petit peu de courage papa Guillaume
143
Sir William Chambers, 1723–1796, British
Monument to Shakespeare
ca. 1763
144
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
145
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
146
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
147
Richard Westall, 1765–1836, British
Alcibiades and Timon
ca. 1805
148
Mary Hoare, 1744–1820, British
Lady Percy Watching the Sleeping Hotspur
1781
149
Mary Hoare, 1744–1820, British
Prospero and Miranda
1781
150
Mary Hoare, 1744–1820, British
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
151
Mary Hoare, 1744–1820, British
Antigonus Disposing of Perdita
ca. 1781
152
Mary Hoare, 1744–1820, British
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
153
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
154
Joseph Farington, (landscape), 1747–1821, British
Shakespearean Scene (?): A Pilgrim
1796
155
Mary Hoare, 1744–1820, British
Ophelia's Death
ca. 1781
156
Mary Hoare, 1744–1820, British
Lady Macbeth, Sleepwalking
1781
157
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
158
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
159
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
160
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
161
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
162
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
163
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
164
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
165
Richard Westall, 1765–1836, British
Theatrical Figures About a Throne
undated
166
Richard Earlom, 1743–1822, British
Shakespeare, King Lear, Act I, Scene I
1803
167
John Dixon, ca. 1740–1811, Irish
David Garrick, Esq
1779
168
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Shakespeare Cliff, Dover
ca. 1800
169
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Figure Leaning over Stairs
1789
170
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
171
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
172
Mary Hoare, 1744–1820, British
The Apparition of the Armed Head: Macbeth
ca. 1781
173
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
174
Mary Hoare, 1744–1820, British
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
175
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
176
Mary Hoare, 1744–1820, British
Ferdinand and Ariel
ca. 1781
177
Peter le Vasseur, Born 1938, British
Portrait of William Shakespeare, 1965
1965
178
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."
1789
179
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
180
Robert Thew, 1758–1802, British
Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle
1803
181
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
182
Henry Thomas Alken, 1785–1851, British
A Character (? Macbeth) in Renaissance Dress..
undated
183
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
184
Benjamin West, 1738–1820, American, active in Britain (from 1763)
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
185
James Parker, 1750–1805, British
MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"
1803
186
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Twelfth Night, Act V, Scene I: The Street
1803
187
Thomas Ryder, 1746–1810, Irish
Twelfth Night, Act III, Scene IV: Olivia's House
1803
188
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
189
Print made by Robert Thew, 1758–1802, British
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
190
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
191
Robert Thew, 1758–1802, British
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
192
Print made by Thomas Trotter, ca. 1750–1803, British
MacBeth, Act I, Scene III: "A Heath"
1803
193
Robert Thew, 1758–1802, British
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
194
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
195
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
196
Thomas Ryder, 1746–1810, Irish
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
1796
197
Samuel Middiman, ca. 1750–1831, British
As You Like It: Act II, Scene I: Forest of Arden
1803
198
Print made by John Horsburgh, 1791–1869, British
Shakespeare's Monument at the Church at Stratford upon Avon
1834
199
Print made by John Horsburgh, 1791–1869, British
Shakespeare's Monument at the Church at Stratford upon Avon