Subject Terms: women / Associated People: Mistress Ford (character in The Merry Wives of Windsor) - YCBA Collections Search Search Results

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Subject Terms women

Associated People Mistress Ford (character in The Merry Wives of Windsor)

1. Herne's Oak from 'The Merry Wives of Windsor,' V, v

Herne's Oak from 'The Merry Wives of Windsor,' V, v

Creator:: George Cruikshank, 1792–1878, British
Date:: ca. 1857
Medium:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

Creator:: James Stephanoff, 1787–1874, British
Date:: 1832
Medium:: Oil on panel
Dimensions:: 17 1/2 x 14 5/8 inches (44.5 x 37.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Falstaff Disguised as Herne

Falstaff Disguised as Herne

Creator:: John Massey Wright, 1777–1866, British
Date:: undated
Medium:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Apotheosis of Shakespeare's Characters

Apotheosis of Shakespeare's Characters

Creator:: Sir John Gilbert, 1817–1897, British
Date:: 1871
Medium:: Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper mounted on wood panel
Dimensions:: Sheet: 41 x 28 inches (104.1 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Falstaff and his Friends

Falstaff and his Friends

Creator:: William Greatbach, Born 1802, British
Date:: ca. 1868
Medium:: Etching and stipple engraving on moderately thick, smooth, cream card
Dimensions:: Sheet: 8 7/8 × 11 inches (22.5 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund