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A General View of Paris taken from Chaillot
Creator:
etching by Thomas Girtin, 1775–1802, British
Date:
1803
Medium:
Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Île de la Cité, Paris
Creator:
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Date:
1859
Medium:
Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943
A General View of Paris taken from Chaillot
Creator:
Thomas Girtin, 1775–1802, British
Date:
1802
Medium:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Aignan, Chartres
Creator:
Sir David Young Cameron, 1865–1945, British
Date:
1916
Medium:
Etching and drypoint on laid paper
Dimensions:
Plate: 9 1/2 x 4 7/16in. (24.2 x 11.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Mont Cenis, October 20
Creator:
John Robert Cozens, 1752–1797, British
Date:
undated
Medium:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1825
Medium:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection